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Jersey Shore- Family Vacation - (Jun 6th)
The Beverley Allitt Tapes - (Jun 6th)
After Midnight - (Jun 6th)
TNA iMPACT - (Jun 6th)
Malditos - (Jun 6th)
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The Beechgrove Garden - (Jun 6th)
Landward - (Jun 6th)
Best of The Beat with Ari Melber - (Jun 6th)
Battle of the Generations - (Jun 6th)
East Harbour Heroes - (Jun 6th)
Clarksons Farm - (Jun 6th)
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Bargain-Loving Brits in the Sun - (Jun 5th)
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Narrow Escapes - (Jun 5th)
Piers Morgan Uncensored - (Jun 5th)
Deadline- White House - (Jun 5th)
Roy Earle, a man out of prison and out of his time. Thanks to a rather shifty pardon, Roy Earle Is released early from prison. A job is out here waiting to be done - maybe Roy's last one before finally finding love and straightening out? But Roy is finding out that this is a different world to the one he left behind, the one before he entered the Big House for his stretch. There are crooks he's not familiar with and women turning his head, hell even a canine has him at odds with his machismo sensibility, but all of it will come crashing together amongst the magnificent High Sierra! It's a really funny thing now, you buy two DVDs and they both tell you that the respective film from 1941 is the breakout role for Humphrey Bogart. I am of course referring to both this fabulous film and the equally brilliant Maltese Falcon, what a double that is eh! Truth is, is that both films merely showcase what a talent the great man was, and crucially, that he could imbue his characters with terrific pathos and emotive drive. Here as Roy Earle Bogart gives one of his best 40s performances, this on a CV that has many other great turns. Made to look far more aged than he was (well done Perc Westmore), he manages to make Earle a tough and gritty man, yet at the same time he pulls the audience on side with a hardened professionalism that has us admiring the obvious qualities that reside deep within him. Directed by directing great Raoul Walsh, scripted by one John Huston, and starring Humphrey Bogart, it's obvious that this take on W.R. Burnett's novel is in safe hands. Playing out as one of the gangster genre's last hurrahs, it's clear to me that some future great Western directors were taking notes, for what drives High Sierra to being so gripping throughout is the man out of his time pulse beats, sensitivity seams through the picture without ever cloying the tension and feel of the pic. The best Adult Westerns coming in the next two decades would grab this thematic arc with genre bolstering aplomb. Backing up Bogart is the top billed Ida Lupinio (as we would come to expect she's strong and perfect foil to her lead man), while the likes of Alan Curtis, Arthur Kennedy, Henry Hull, Cornel Wilde, Henry Travers and Joan Leslie (badly overacting but amazingly not hurting the production) help to put High Sierra firmly in the drawer that holds classic crime pictures from a golden age. Not just content to be a close look at deep and elegiac characters, High Sierra does not lack in the action department either, in fact Walsh does an incredible job of knitting together heart and gusto for dramatic entertainment purpose. Come the finale at Mount Whitney (High Sierra a constant looming presence in the film, a key character}, the thrills have more than catered for the inclined seekers of that particular bent, but ultimately as the credits role, Walsh's camera leaves us in no doubt as to what has driven Roy, and High Sierra, to its point of meaning, leaving us with a special and great movie indeed. 9/10
In the midst of Nazi air raids, a postman dies on the operating table at a rural hospital. But was the death accidental?
Marc Hill is the attorney for Emmet Devrey, a real estate developer with a past, who is being blackmailed by his former partner Sam Baggett. When Sam's unfaithful wife Marge cooks up a scheme with her used car salesman lover Jeff Calder to bilk both Devrey and her alcoholic husband, Sam is killed and Devrey is accused of the crime. Mark is called to prove his employers innocence.
Five inmates break out of a remote minimum security prison for women. Four are hardened convicts, the fifth was wrongfully convicted. As the authorities chase them down, the cons terrorize or kill anyone who gets in their way.
A private detective is hired to find a young heiress but finds himself accused of murder.
A bedridden and gravely ill man believes his wife and doctor are conspiring to kill him, and outlines his suspicions in a letter.
A World War I veteran’s dreams of becoming a master architect evaporate in the cold light of economic realities. Things get even worse when he’s falsely convicted of a crime and sent to work on a chain gang.
A young woman marries against her father's will, but the happy life she expected turns into a series of tragedies.
In the late 1990s, society is descending into ecological collapse and totalitarianism. Saiga Riki-Oh, a mysterious man with a six-pointed star on his fist, finds himself at the privately-owned Tokyo State Prison. Serving a term of three years due to assault, his first offense, Riki-Oh openly antagonizes The Four Emperors, four powerful prisoners that control the prison and keep the rest of the inmates in line...
It’s the spring of 1945 in a small resort town on the Baltic. Günter is 16 and firmly believes that the Germans will win the war. During the hunt for a forced labourer who is on the run, Günter catches him and watches as he is shot to death. He proudly accepts the award of an Iron Cross before being shipped to the nearby front as part of the last contingent of troops. He is quickly captured by Soviet soldiers, but manages to escape and return home. When the town is occupied by the Red Army, Günter is arrested for the murder of the forced labourer. The film was banned in 1968 before it was completed, and a large portion of the negative was later destroyed.
Trevor McDonald goes to Rockville Correctional Facility in Indiana to speak with some of the women that live there.