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SAKAMOTO DAYS - (Jan 11th)
The Chase - (Jan 11th)
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The 11th Hour with Stephanie Ruhle - (Jan 11th)
Cold Case Files - (Jan 11th)
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What I create. I can destroy. Night Key is directed by Lloyd Corrigan and adapted to screenplay by Jack Moffitt & Tristam Tupper from a story by William A. Pierce. It stars Boris Karloff, Jean Rogers, Warren Hull and Samuel S. Hinds. Music is by Louis Forbes and cinematography by George Robinson. Plot sees Karloff as aging inventor David Mallory, who once again finds himself cheated by security business boss Stephen Ranger (Hinds). With his eyesight failing and a daughter (Rogers) he wants to set up before he passes on, Mallory decides to teach the scheming Ranger a lesson. However, the criminal element headed by The Kid (Alan Baxter) have designs on using Mallory and his "Night Key" device for their own ill gotten gains. Well Louis! We are in. Out of Universal Pictures, Night Key was knocked out in under a month and budgeted, unsurprisingly, on the cheap. Yet the film belies these matters to be a good old fashioned yarn for entertainment. Melodrama mixes with a touch of sci-fi as the story unfolds as an interesting character piece, the veins of which are mostly pumped by an honest versus dishonest theme. Within there's a burgeoning romance etched in to the narrative, but this is handled well by the director as it aids the flow and reason of plotting, while the odd bit of action here and there stops the film from being too staid. The effects from John P. Fulton, too, are good fun and leave a favourable mark late in the story. Picture gets most of its strength from Karloff's performance. An undervalued talent at the best of times, Night Key gives viewers the chance to see just what he could do away from the horror iconography that defined his career. Here as the sombre and fragile David Mallory, Karloff isn't just looking the part because of make-up, he is able to match his body to the aged state of the character, simultaneously garnering great empathy from the viewers. It's a character, courtesy of performance, that firmly has us rooting for against the baddies. Around Karloff are effective turns from Rogers (bright), Hinds (weasel like), Hobart Cavanaugh (fun as the comedy side-kick, Petty Louis) and Ward Bond, who as henchman thug is an imposing presence. It's all very daft and goes where we expect, and want, it to go, but with Karloff leading the way this is a comfortably recommended time filler. 7/10
Fun if not ultimately forgettable 1930s crime thriller that is certainly one of Karloff's lesser movies, however it's watchable enough, I suppose. **3.0/5**
Claire is under the grip of a mysterious new cult called Faults. Desperate to be reunited with their daughter, Claire's parents recruit one of the world's foremost experts on mind control, Ansel Roth.
Set in the sordid underworld of drug trafficking and prostitutes, this story involves Charlie Smith, private eye, whose job it is to find Carrie Friskine and fast! Carrie, a cat burglar, has ripped off the ring-leader of a drug racket and now he's after her blood.
Just after a jury finds Ann Grey guilty of murder, the car carrying her to prison crashes into another car. Ann escapes and ends up in lawyer Tony Baxter's car. Tony realizes Ann is innocent, so he vows to help her prove it, risking his neck in the process. Tony and Ann are pursued by the police and by Smiley Gordon, a mob boss who engineered Ann's escape thinking that she can lead him to a $250,000 stash.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.
Eighties teenager Marty McFly is accidentally sent back in time to 1955, inadvertently disrupting his parents' first meeting and attracting his mother's romantic interest. Marty must repair the damage to history by rekindling his parents' romance and - with the help of his eccentric inventor friend Doc Brown - return to 1985.
Unscrupulous boxing promoters, violent bookmakers, a Russian gangster, incompetent amateur robbers and supposedly Jewish jewelers fight to track down a priceless stolen diamond.
Jeffrey 'The Dude' Lebowski, a Los Angeles slacker who only wants to bowl and drink White Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.
Elliot Ness, an ambitious prohibition agent, is determined to take down Al Capone. In order to achieve this goal, he forms a group given the nickname “The Untouchables”.
When Vicki Maloney is randomly abducted from a suburban street by a disturbed couple, she soon observes the dynamic between her captors and quickly realises she must drive a wedge between them if she is to survive.
In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket is a budding photographer who documents the increasing drug-related violence of his neighborhood, while José “Zé” Pequeno is an ambitious drug dealer diving into a dangerous life of crime.