Mann für Mann

The film "Die Unbesiegbaren" covers an episode in German history, in which the Bismarck government tried to mitigate the rise of the social-democrat movement.

From the director of Marius et Jeannette, this story of two working-class families is a fable with an optimist streak. A young black man, Francois, is wrongly accused of rape by a racist policeman. The story is told in voiceover by his childhood friend, neighbor, and the mother of his future child, Clementine, who is white. The city is Marseilles as in the previous film, symbolic with its churches, prisons and ruins. Except in this film, director Robert Guediguian also ventures outside, taking the story to Sarajevo; two different cities, one devastated by war, the other by a bad economy and unemployment. A la Place du coeur won a Special Jury Prize at the 1998 San Sebastian Film Festival and was also shown at the 1998 Toronto Film Festival and the 1998 Montreal Film Festival.

When a man's only son goes missing, he travels to the town where his ex-wife lives in search of answers. To play a man whose life is clouded by mystery, McAvoy will not be given a script of dialogue.

A bittersweet story about coming of age in the shadow of mental illness.

A young woman, holding an important secret and refusing to bow to oppression, exposes the individual dynamics and relationships established in her family that has lived in isolation on a deserted beach for ten years.

Between the 17 year old twin sisters. Love, just simply one love is enough to provoke tragedy.

Chloé a beautiful teenager is getting bullied in school. Julia, her mother, won't be able to face the consequences of her daughter's despair.

Bradley is a loner. After numerous, failed, suicidal attempts, he hires a Hit Man on the Internet. Celebrating his last night on Earth, Bradley goes drinking and meets the beautiful Monica. They share a few hours together and agree to meet up again the following night. Problem is, Bradley already has a date... with the Hit Man!

Ali is not a citizen. He drives a taxi using another man’s license and relies on the GPS to negotiate his way around a city he doesn’t know. His passenger, Esther is an old woman who can’t remember where she is going. She is angry because she has been stripped of everything that is familiar to her and she doesn't recognise the world anymore. They travel through the night in search of a vague destination while surveillance cameras mark their journey, coldly omitting the human element, defining who belongs and who does not, who is safe and who is not. What they have in common is their damage – she can’t remember and he can’t forget.