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Full Analysis at Spotamovie.com - **Intro** - My Son is an experimental project. As in the French project, the protagonist, James McAvoy, in the role of Edmond Murray, didn’t receive the script of the movie. Therefore, he improvised his dialogues while all the other actors knew their roles and talks. An interesting experiment. But did it work? We will tell you in the analysis section below. We can say now that My Son is not your typical thriller and that you will fall in love with the spectacular landscapes of the Highlands of Scotland. Instead, the film highlights the role of justice and a different way to approach it. We will tell you more later in our analysis. - **The Story** - Edmond is going back to his ex-wife because their son disappeared. The police start their investigation, discovering several details about our characters and hidden secrets. Their son vanished among all the boys; we and the police want to know why he? What happened? How Ethan’s parents are going to deal with his absence? A thriller opens a lot of questions, are we going to find our answers? Let’s dive into our analysis at https://www.spotamovie.com/my-son-movie-review-and-explanation-2021-movie/
James McAvoy ("Murray") is the ex-husband of "Joan" (Claire Foy) who is terrified when he hears the news that their young son "Ethan" has gone missing from a campsite amidst the forests and streams of the beautiful Scottish Highlands. The police - led by "Insp. Roy" (Gary Lewis) are out in force but gradually "Murray" starts to think that his son has been deliberately kidnapped. Front and centre on his list of suspects is her new boyfriend "Frank" (Tom Cullen) - but why? "Murray" has a past working in sensitive areas around the world so could this be a ransom scenario; or something altogether more sinister? Foy hardly features here, nor - for that matter - does Cullen. This is essentially just a strong personal performance from McAvoy as the desperate, distraught, father - but that is about all we get here. The story is weak and lurches rather than develops, especially given that the plausibility of the ultimate scenario in this most remote of rural locations does raise some eyebrows. The USP of this is that McAvoy improvised his dialogue - but unless you were aware of this in advance, you wouldn't know and indeed what he does deliver is no better than the usual expletive-ridden verbiage that we might have expected from the pen of many a mediocre thriller writer on a tight budget, and honestly I struggled to get into this. The lighting? Well - some extra wattage need not have compromised the look of the film, but it might have made it more attractive and easier for us to follow. It is worth watching for a few scenes in which McAvoy reminds us why he made it on the big screen, but the rest of this is little better than a made-for-television crime drama that offers little I will remember.
Frank Morrison is a divorced father with a 12-year-old son, Danny. His ex-wife Susan and son Danny now live with Rick Barnes, Susan's new husband. Danny, who has a reputation for telling lies, accuses his stepfather of committing a murder. Initially, no one believes his accusations, but then Frank becomes convinced and is the only one who believes him. Now, the father Danny trusts must protect him from the stepfather he fears.
Vincent LaMarca is a dedicated and well-respected New York City police detective who has gone to great lengths to distance himself from his past, but then makes the terrible discovery that his own son has fallen into a life of crime.
A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".
While doing a friend a favour and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery. The screenplay by Christopher Cannan and Steve Barancik is based on the short story "The House in Turk Street" by Dashiell Hammett.
Foul-mouthed mother-from-hell Karen Matthews is fed up being a nobody, until she hatches a cunning plan for a shot at the big time. Henpecked common-law husband Craig Meehan has an unhealthy obsession with his laptop. Simple-minded uncle Michael Donovan just wants to fill the void left by his two daughters getting taken into care. Stereotypical Yorkshire copper D.I. Radgitt faces a race against time to unravel the web of lies and find the missing girl, little Shannon Matthews, aged 9.
In this tribute to James Joyce, Fionnula Flanagan gives a tour-de-force performance as a half-dozen or so women in Joyce's real and fictional worlds. When she portrays his wife Nora remembering their time together, Flanagan captures the era and the author in lyrical detail. As Sylvia Beach, the woman who first published Ulysses, new dimensions concerning the importance of Nora in Joyce's literary visions of women emerge, and when Flanagan interprets Joyce characters like Molly Bloom or a washerwoman from Finnegan's Wake, the beauty of Joyce's language shines through the melodious words.
A serial killer is murdering school girls, and a newbie cop has to track him down before the victim count increases.
A case involving drug lords and murder in South Florida takes a personal turn for undercover detectives Sonny Crockett and Ricardo Tubbs. Unorthodox Crockett gets involved romantically with the Chinese-Cuban wife of a trafficker of arms and drugs, while Tubbs deals with an assault on those he loves.
The details of undercover police officers are deleted from a police database and a senior officer is left struggling to know who are the undercover officers and who are the criminals.
Adapted from Charles O'Neal's 1949 book, this follows the lighthearted adventures of a late 19th Century young man named Jamie McGrew, the three wishes granted to him in a dream by a fairy queen, and the unusual way they come true. His first is for travel (he goes from Ireland to a life of horse trading in Georgia); his second, to marry the girl of his dreams; the third, a son with the gift of poetry and the ability to speak in the ancient Gaelic tongue.