Dios los cría...

In the slums of the upper West Side of Manhattan, New York, a gang of Polish-American teenagers called the Jets compete with a rival gang of recently immigrated Puerto Ricans, the Sharks, to "own" the neighborhood streets. Tensions are high between the gangs but two romantics, one from each gang, fall in love leading to tragedy.

The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.

Juan Encarnación is a reserved jibaro with a violent past. When Pura, the woman he loves, disappears, Encarnación sets out on a path of revenge armed with his machete and his daughter, Patria, in his arms.

Teenager Carmín lives in a mountainous village in the center of Puerto Rico with her tough and conservative grandmother. Her mother left for the US without her. The arrival of her father, after long years in prison, eases Carmín’s profound sadness. The relationship with him, however, brings its own ambiguousness and complexities and as Carmín moves into womanhood this causes great confusion, mostly for her.

Three stories ("Lo mismo de otra manera", "Félix", and "Te tengo una sorpresa") that delve deeply into issues such as human solidarity, infidelity, and social conflicts in contemporary Puerto Rico.

Adaptation from Enrique A. Laguerre's novel "La llamarada". It depicts the struggles of Puerto Rican peons in the sugar cane fields during the 1930's.

Criminal womanizer Toño Bicicleta is still being persecuted by the law, but cannot ignore his hunger for new blood. Any false move could mean the difference between life and death.

Presents three barrio stories: "La familia del Camello" about a public residential basketball coach and his dilemmas, "El baila'o de Julia y Berto" about two neighbors trying to rediscover love in their maturity, and "El rumbón de Fepe" about a man who has to choose between his barrio and the woman he loves.

Based on Miguel Meléndez Muñoz's novel.

Based on Enrique A. Laguerre's novel.

Amores explores the world of acting from its most basic and solitary form: the monologue. If only an actor, a text, and someone who hears it are needed to make an acting exercise, then Amores offers fourteen splendid acts from renowned professionals in Puerto Rico. Amores is composed by different monologues that, in set, offer reflection on aspects of love. In this manner, the title becomes a statement: amor es... (love is...)