The Nobodies

A young woman’s charming but overbearing father helps her move out of her wealthy older boyfriend’s apartment.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Short comedy about a man suffering from the 'red cabbage' syndrome.

An engine moves from the roundhouse to a track where it couples with several passenger cars. At 2:10 in the afternoon, it starts a trip out of the station through the countryside to its destination. The film consists of a montage of shots, some close up, of the engine and its gears and wheels. With the accompanying ambient sounds and an orchestral score, the emphasis is on the engine's power and speed. Parallel lines of multiple tracks, telephone wires, and trees confirm a careful composition.

At the zoo, the animals have all gone to play baseball. Animals fill the stands as they watch the antics that can only come about from exotic animals who play baseball.

After uncovering a degraded vinyl album in an abandoned home, three musicians attempt to reimagine one of its songs.

Two incompetent Bailiffs men reposess the wrong house.

The adventures of a 1960s Parisian Street gang.

When a young gangster fails his first mission he must confront the enigmatic mafia leader: The Fluffioso

Hymn of the Nations, originally titled Arturo Toscanini: Hymn of the Nations, is a 1944 film directed by Alexander Hammid, which features the "Inno delle nazioni," a patriotic work for tenor soloist, chorus, and orchestra, composed by Italian opera composer Giuseppe Verdi in the early 1860s. (For this musical work, Verdi utilized the national anthems of several European nations.) In December 1943, Arturo Toscanini filmed a performance of this music for inclusion in an Office of War Information documentary about the role of Italian-Americans in aiding the Allies during World War II. Toscanini added a bridge passage to include arrangements of "The Star-Spangled Banner" for the United States and "The Internationale" for the Soviet Union and the Italian partisans. Joining Toscanini in the filmed performance in NBC Studio 8-H, were tenor Jan Peerce, the Westminster Choir, and the NBC Symphony Orchestra. Preserved by the Academy Film Archive in 2010.

When a young man finds himself alone in a club after hours, he pretends he's in a martial arts movie only to be interrupted by his crush, leaving him embarrassed. But has the power of his imagination brought something dark to life?