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Have I Got a Bit More News for You - (Apr 23rd)
Saturday Kitchen - (Apr 23rd)
The Chase Australia - (Apr 23rd)
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Accused - (Apr 23rd)
Inside the Force - (Apr 23rd)
NCIS - (Apr 23rd)
WWE Raw - (Apr 23rd)
This Old House - (Apr 23rd)
Bob Hearts Abishola - (Apr 22nd)
The Neighborhood - (Apr 23rd)
Contraband- Seized at the Border - (Apr 23rd)
Spring Baking Championship - (Apr 23rd)
Seeking Sister Wife - (Apr 23rd)
Ugliest House in America - (Apr 23rd)
Lakefront Empire - (Apr 23rd)
Lethally Blonde - (Apr 23rd)
The ReidOut - (Apr 23rd)
All In with Chris Hayes - (Apr 23rd)
Love Your Weekend with Alan Titchmarsh - (Apr 23rd)
1960s Disney ends with a good, just not exceptional, film. It has been a long, up and down decade from the studio, with most falling under that category or lower. 'The Computer Wore Tennis Shoes' entertains to a satisfactory degree, with Kurt Russell leading brightly as Dexter. The rest of the cast aren't all that remarkable, even if there are a load of faces I recognise from other things. If I had to choose the most noteworthy, they would be Cesar Romero (Arno) & William Schallert (Quigley). The plot is enjoyable, it's just as bonkers as you'd expect given it's in a similar vein to films like 1961's 'The Absent-Minded Professor'. I'd say it's better executed than that Flubber premise. There's also a cool chase sequence in this, too. I'm curious to see where the sequels head.
Louise loved Adam. Adam loved Louise. That is how it used to be. But a child has disappeared. Their child. The police said it was a drowning accident. Yet the truth is that their little boy’s body was never found. Lucas, ten years old. How easy it all would have been if the ocean had taken the trouble to throw up a little-swollen child’s corpse onto the beach. Or if a local with alcohol in his blood and blood on his hands had ploughed him down at full speed. An indescribable pain. No more living, no more happiness, but at least no unanswered questions. Unfortunately, that is not how it is for Adam and Louise.
Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music. A girl who has always had to translate speech into sign language for her deaf parents yet when her love for playing music grows strong she must decide to continue doing something she cannot share with her parents.
When an Italian man comes out of the closet, it affects both his life and his crazy family.
Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....
With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an outburst of envious love.
When the electricity goes out on hot summer nights, there is no refuge for the family other than the roof of the house, these nights have turned into a distant past that carries many memories full of nostalgia
Marty and Doc are at it again in this wacky sequel to the 1985 blockbuster as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents - again.
A portrait of a first relationship, previous to the external world, the one of the family. In a winter in Lisbon, father, mother, son and daughter trace the path of a day by themselves. A film that develops through characters who have for their antagonist life itself, with nothing (and everything) heroic about it.