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The infectiously whimsy and adventurous **Pete’s Dragon** undergoes a polished millennial-style rebirth for today’s kiddies not fortunate enough to be alive when the 1977 live-action animated musical blueprint made its charming, impressionable impact for youngsters of all ages back in the day. The festive and frolicking Disney flourishes are applied to co-writer/director David Lowery’s re-imagination of an impish boy and his devoted dragon. There is an even balance of refreshing nostalgia and modern-day spryness and magical sentiment that hovers over this engaging family fable remake from the polyester period. Lowery (2013’s “Ain’t Them Bodies Saints”) and screenwriters Toby Halbrooks and Malcolm Marmorstein pack some vibrant punch of wonderment into this children’s tale of gentle mischievousness. Sure, the simplistic approach to the storytelling feels like a step-by-step progression experienced in a majority of child-friendly escapist entertainment. Still, **Pete’s Dragon** is steady in its gentle precision for homespun high jinks. Whether appreciating this Disney classic from four decades ago or relishing in Lowery’s current contemplative spectacle one will agree that the heart and soul of this sweet and uplifting narrative remains true to the main factors involved: the runaway (now orphaned) boy Pete and his trusty creature companion Elliot. In fact, it is just as instrumental that the adult presence in **Pete’s Dragon** make an impacting impression as well because this exposition should cater to the delicate sensibilities in us all whether as a curious tyke or reflective grown-up. Orphaned and alone, 10-year old Pete (Oakes Fegley) had become a wild child in the deep woods. What was looking pretty grim for Pete in terms of loneliness, abandonment and despair was soon cured when he ended up befriending a giant green furry high-flying dragon named Elliot. For the most part the imposing Elliot served as Pete’s surrogate parent while ensuring protection and friendship for the parent-less prepubescent. There is no question about the dependency that Pete and his dragon Elliot share in loving dependency. The scenic wooded haven serves as the treasured playground for the playful, nature-loving tandem. Enter the father-daughter duo of Mr. Meacham (Robert Redford) and Grace (Bryce Dallas Howard). Both strangely have an eerie connection to Pete’s and Elliot’s existence without realizing it. Meacham had been telling engagingly colorful stories to the local children about a mysterious dragon existing in the Northwest Pacific woods. As for Grace she happens to be employed as a Park Ranger for the site of the mentioned woods her father constantly references in his repetitive stories. Soon Grace will encounter the disheveled Pete who is more than willing to share his adventures of living in the thick woods with his massive dragon buddy Elliot. This all seems rather intriguing to Grace because Pete’s description of Elliot is curiously similar to the fictional monster that Meacham cites to the spellbound youngsters. Whatever the case may be regarding Pete and his personalized plight this is something that Grace must investigate. Grace is not the only one who finds the wandering Jungle Book youthful clone intriguing. Both Grace’s fiance Jack (Wes Bentley) and 11-year old Natalie (Oona Laurence from “Southpaw”) are in awe of Pete as well. In any event, Grace and Natalie are determined to find out what lies beneath the surface with the boy and his behemoth sidekick dragon that recalls Meacham’s exaggerated tall tales. **Pete’s Dragon** dutifully follows what amounts to be the on-going formula for escapist children’s storybook gems as recently told on the big screen. The reliable source of pathos and warmth wisdom stems from a vulnerable child in search of belonging especially when trying to locate, recognize, reunite or reminisce about the absence of parents. Thankfully, **Pete’s Dragon** is in formidable company with animated treasures such as _Finding Dory_, _The BFG_, _Stranger Things_ and even the aforementioned _Jungle Book_ that follows such a playbook. The realism behind the idyllic childhood is having that sturdy foundation of family and support especially in the impressionable stages of youthful innocence. Among other things Pete’s Dragon solidifies the magnitude of growing pains and a sense of isolation and quieted despair. This is an important message although embedded in the confines of an innocuous juvenile fantasy. The young Fegley resourcefully carries the breezy heartfelt material on his capable little shoulders as the enchanting Pete. The adorable Laurence is equally effective as Natalie whose bonding with her imaginative partner-in-crime Pete is admirable. Elliot the dragon is nothing more than an overgrown affable beast that would make for an amusing act at a neighborhood children’s birthday party. Both Redford’s Meacham and Howard’s Grace are essential as the older elements bridging the mysteries surrounding the mischievous moptop and his humongous hairball confidante. There is no need to critically slay **Pete’s Dragon** as the thrills and life lessons in resiliency should prove instrumental for the enthusiastic kiddie crowd watching from the sidelines. **Pete’s Dragon** (2016) Walt Disney Pictures 1 hr. 30 mins. Starring: Oakes Fegley, Bryce Dallas Howard, Robert Redford, Oona Laurence, Wes Bentley, Karl Urban Directed by: David Lowery MPAA Rating: PG Genre: Children’s Fantasy/Sci-Fi/Action and Adventure Critic’s rating: *** stars (out of 4 stars) **(c) Frank Ochieng** (2016)
**For Pete, home is where Elliot is.** I saw the '77 film prior to this so that I'm not going to miss anything if the upgradation was done in this new version. That was a quite okay film, so do this one. The difference between two was mainly the technology, but there's a major surge on all departments. Somewhat this looked more enjoyable than the old one. Visually very good, all the actors are great and so the locations, but the story was too short, not the film. It was over a 90 minute long and the entire film looked like an introduction. So there were no developments, everything was just like a beginning. That means the sequel could become a great adventure or it should be. The five year old boy Pete, who lost in the wood after the car with his parents met a mishap, is raised by a dragon named Elliot. Now, eleven, meets some people from the nearby town who came with an agenda. It's like he got everything back what he had lost 6 years ago. Followed by misunderstanding and the human interference in the Elliot's enclosure, the chaos unleash and thrilling final act proceeds before the narration concludes in a style. The kid who played Pete looked some kind of related to Sarah Snook, but he was good and so the others. The film was not good as I was expecting. The box office success was not that great comparing with other Disney films. So the sequel is in doubt, yet the story had ended with a wide open. I am sure you will enjoy watching it, because everything was so pleasant, but only a few people would like it at the end. I don't know if you are one, but definitely worth a try. _6/10_
Disney's retelling efforts post-Maleficent continue to be worthwhile. Does what the original did only better, and though it's not a brilliant movie, it is well made for the most part, and I found myself quite endeared to the titular dragon. _Final rating:★★★ - I personally recommend you give it a go._
Wholesome viewing. 'Pete’s Dragon' is a pleasant film. This remake brings a lot of feels thanks to its hearty narrative. The special effects are nice, as is the score - particularly towards the end. The cast isn't all-star but they all do good jobs. Oakes Fegley gives a sweet performance as Pete, though it's Bryce Dallas Howard who is probably the film's standout. I also enjoyed Robert Redford's role (Meacham) in this, though it would've been nice to have seen him utilised more - the same could be said for all bar Pete, in truth. There are some neat scenes in this, even if it is a film that does feel like it takes different elements from different films in parts - e.g. 'The Jungle Book' and 'E.T. the Extra-Terrestrial'. A few of the characters aren't written to perfection, but not to the degree of it becoming an irritation. Touching. Worth a watch, for sure.
Oakes Fegley is quite charming here as the eponymous orphan who has managed to survive, alone, in the forest following an accident that killed his parents. One day, this mini-Mowgli is spotted by park ranger "Grace" (Bryce Dallas Howard) who tries to introduce him to society - and school. How did he survive, though? Well he tells her all about "Elliott" - a dragon! Sceptical, well yes - but when she mentions this to her own father "Beacham" (Robert Redford) he seems to support the boy's story and on returning to the wilderness together, they encounter his not-so-imaginary friend. They have to be wary, though - there are some not so nice folks out there who want to capture "Elliott" and the kindly dragon is ill-equipped for conflict with the nasty logger "Gavin" (a distinctly out-of-sorts Karl Urban). This is a perfectly watchable feature that is well made, stays reasonably faithful to the original story - with a few obvious updates, but it is essentially a short story and stringing it out for 1¾ hours is just too much of a challenge. That said, it is a touching film about a boy's love, lonelines, kindness and imagination - and it's about growing up and learning to evolve as a person too. The visual effects are good, the narrative flows well with engaging performances and dialogue that allow the characters and imagery to immerse us in "Pete's" world. I enjoyed this.
Elliot Richards, a socially awkward IT worker, is given seven wishes to get the girl of his dreams when he meets a very seductive Satan. The catch: his soul. Some of his wishes include being a 7 foot basketball star, a wealthy, powerful man, and a sensitive caring guy. But, as could be expected, the Devil puts her own little twist on each of his fantasies.
A new technologically-superior Soviet nuclear sub, the Red October, is heading for the U.S. coast under the command of Captain Marko Ramius. The American government thinks Ramius is planning to attack. Lone CIA analyst Jack Ryan has a different idea: he thinks Ramius is planning to defect, but he has only a few hours to find him and prove it - because the entire Russian naval and air commands are trying to find Ramius, too. The hunt is on!
When a guardian angel – who invisibly watches over the citizens of Los Angeles – becomes captivated by a strong-willed heart surgeon, he ponders trading in his pure, otherworldly existence for a mortal life with his beloved. The couple embarks on a tender but forbidden romance spanning heaven and Earth.
It ain't easy bein' green - especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot - a wisecracking donkey.
The King of Far Far Away has died and Shrek and Fiona are to become King & Queen. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, they set off to bring him back to rule the kingdom.
A sorcerer and his apprentice are on a mission to kill an evil dragon to save the King’s daughter from being sacrificed according to a pact that the King himself made with the dragon to protect his kingdom.
'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead and Roger is the prime suspect.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with the leading lady.
A promising pianist in a slump has a chance meeting with a young woman playing mysterious music, and the encounter forces him to make a once-in-a-lifetime choice.
Hoping to alter the events of the past, a 19th century inventor instead travels 800,000 years into the future, where he finds mankind divided into two warring races.