हकीकत

Babu works for three underworld dons and must go to prison to protect them. When his sentence is over, he returns home to find that Purnima (his wife), Arjun (his son) and Pooja (his daughter) live a destitute life. When he confronts his bosses, he is beheaded in front of his wife and children, and his daughter is abducted. Purnima (Raakhee) loses her mind, and is hospitalized in a mental hospital. Growing up, Arjun (Akshay Kumar) becomes a high profile vigilante. As for Purnima, she becomes terribly ill and can be saved only if she sees her daughter again. Thus, Arjun decides to re-unite his mother and sister. In order to do so, he must discover the identity of his father's killers.

India's most wanted Black Money agent, Vicky Chaddha, gets arrested in Malaysia and is kept in a safe house by the Malaysian authorities, along with his wife. A team of four is being sent to Malaysia to bring them to India. Apart from the growth of inter-personal relationships, the mission has quite a few twists and turns on its way. The story follows Karan as he uses his brain and brawn to recover all of the laundered black money.

Two young people find love despite the violent landscape in which they live.

Bani Chowdhury and solicitor Ajoy Kumar are deeply in love with each other. But their world comes crashing down when Bani's cousin, Maya is found dead in the first class compartment.

The film presents the naïve vulnerability of human life, the sincere saga of love and pain, and the glimpse of human emotions in raw form. So much of human nature is captured within the frames of the film, yet it takes you to the various land giving a realistic view of existence - the story traversing from a small town of Rajasthan, moving to the city of dreams - Mumbai and then goes on to the city that never sleeps - New York, ride us through interesting characters, each one with a diverse and unique character adding slice of life.

An idealistic journalist (Devgan) gets weary & tired of witnessing the reign of crime, police corruption & injustice in his city & decides to wage a one-man war against the psychotic king maker 'Tau' played by the legendary Amrish Puri. His journey costs him his limbs & loved ones as he goes on a vigilante style brute fest right into the lair & dark world of the two faced Tau & his cronies. Death & Destruction follow the war path.

Naive and easily impressionable Vidya Bhalla would like her husband to be a dashing hero, one who is not afraid of anybody, one who can easily jump into a fire to rescue someone, one who is strong & romantic. She sees all of these qualities in Shiva Sathe (Jackie Shroff), the son of Havaldar Purshotam Sathe, whose only dream is to see Shiva become a Police Inspector. Vidya informs her dad, Prithviraj, that she has found her dream man, the Bhallas and the Sathes meet and get the couple formally engaged.

Jo Bole So Nihaal (also transliterated as Jo Bole So Nihal; literally meaning "Whoever utters shall be fulfilled") is a 2005 Bollywood action comedy film, directed by Rahul Rawail. It stars Sunny Deol, Shillpi Sharma and Kamaal Khan in lead roles, whilst Nupur Mehta and Surekha Sikri appear in major supporting roles; the director also plays an antagonistic role in the film. Singer Kamaal Khan appeared first time on big screen in a negative role. This movie was his debut movie as actor. The film's release was met by protests from Sikh groups, who took offense at its use of a Sikh religious phrase as its title,[1] as well as scenes in which a Sikh police officer is shown being chased by scantily-clad women[citation needed]. Two bomb attacks on 22 May 2005 on theatres in New Delhi showing the film killed one person and injured 49, prompting cinema owners to pull the film, in some cases voluntarily and in some states as a result of a government order.

In an 18th century setting, a Naga sadhu in India sets out on a journey across Bundelkhand to seek revenge for an injustice committed in the past.

A rural politician marries a widow with kids and gains a respectable position and trusts his stepson more than his own in political matters; thus upsetting his son beyond limits.