Monster Mash 2024 - Movies (Feb 23rd)
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Air Crash Investigation- Special Report - (Feb 23rd)
The Only Way Is Essex - (Feb 23rd)
Married at First Sight - (Feb 23rd)
Oceanfront Property Hunt - (Feb 23rd)
All Elite Wrestling- Collision - (Feb 23rd)
Lakefront Luxury - (Feb 23rd)
Britains Got Talent- Unseen - (Feb 23rd)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Last American Vagabond - (Feb 23rd)
On Patrol- Live - (Feb 23rd)
Decent watch, probably won't watch again, and can't recommend. Don't get me wrong, I like the movie, but it is HIGH concept, low execution, despite being a beautifully produced and shot flick. Nicholas Hoult and Kristen Stewart carry the movie, and for those haters Stewart is playing a girl that is not supposed to show emotions so there, but there are some solid actors in support roles as well: Guy Pearce (Memento), Bel Powley (Carrie Pilby), and David Selby (who I thought was Alan Alda from MASH: This was like a Mandela effect: I had his voice in my head.) There just isn't a lot that is actively interesting to watch a movie where everyone is a robot without emotion, but it is a cool concept, especially when it becomes a survival concept. People who can't manage their emotions as if they don't have them get sent to a place where they're basically electro-shocked into committing suicide if they hadn't beforehand. The tension of it definitely ramps up a bit, but the focus eventually becomes more on the romantic connection than survival, even during a part primarily focused on surviving. The last couple of scenes are really subtle too, I actually had to re-watch them to just to make sure I knew how it ended. So while I like it and there is definitely something to like here, I think less people than more are going to be into it.
Maybe this looked better on paper, but on a big screen it is a sterile and really rather plodding story. Nicholas Hoult - who takes an annoyingly unrevealing series of hot showers - lives a routine life as a glorified android, his daily grind in his pristine environment; his clothes, food, sleep all exactly the same from day to day. He encounters "Nia" (Kristen Stewart) and over a relatively short period of time (felt longer) the two begin to have a few tingles for each other. Turns out that this is all as a result of some existential event, and mankind is rationing and controlling just about everything that is left - and that includes sex. Can these two break free of their delicate, invisible, chains? Well, what do you think? The thing I can say, is that everything they do is done at a glacial pace. The soporific score adds very little excitement to this really pretty pedestrian affair. Even the one scene of mad "passion" is more a testament to the skill of the cameraman at keeping it rated U, than at relating anything like the desire the two are supposed to feel for each other. The production standards are high, but the dialogue is pretty sparing - their environment renders their conversation about as interesting as their sex lives, and I am afraid that I was just a bit bored by the whole thing.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.
Six months after the events depicted in The Matrix, Neo has proved to be a good omen for the free humans, as more and more humans are being freed from the matrix and brought to Zion, the one and only stronghold of the Resistance. Neo himself has discovered his superpowers including super speed, ability to see the codes of the things inside the matrix and a certain degree of pre-cognition. But a nasty piece of news hits the human resistance: 250,000 machine sentinels are digging to Zion and would reach them in 72 hours. As Zion prepares for the ultimate war, Neo, Morpheus and Trinity are advised by the Oracle to find the Keymaker who would help them reach the Source. Meanwhile Neo's recurrent dreams depicting Trinity's death have got him worried and as if it was not enough, Agent Smith has somehow escaped deletion, has become more powerful than before and has fixed Neo as his next target.
The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.
Tells the life story of Danish author Karen Blixen, who at the beginning of the 20th century moved to Africa to build a new life for herself. The film is based on her 1937 autobiographical novel.
People in the future live in a totalitarian society. A technician named THX 1138 lives a mundane life between work and taking a controlled consumption of drugs that the government uses to make puppets out of people. As THX is without drugs for the first time he has feelings for a woman and they start a secret relationship.
Before reaching the final scene, there are still untold stories. They return once again to complete the story.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims, and he begins to use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
It's the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to become a nightmare.
A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.
Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.
A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.