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Dolphin Sandwich. 1408 is based on one of horror writer Stephen King's short stories. It stars John Cusack as a supernatural investigator who rents room 1408 at The Hotel Dolphin in New York. It is said to be a most haunted room and the scene of many deaths. He soon finds his scepticism tested to the max. Although it has deep themes of grief et al, this essentially boils down to one man in a room being plagued by psychological and physical attacks, with the intended chills and shocks surreal in presentation. It's all very twisty and big on conundrums, which makes a second viewing something of a necessity, whilst Cusack's performance is also reason to check in for another viewing. However, it's not the scary movie some have lauded it as, in fact it's more fun-house palaver than anything terrifying, but there's no doubting the intelligence and skill of the writing. The mind is a curious, wonderful and troubling thing, and 1408 wants us to know it. 6/10
Great watch, would watch again, and can recommend. While the setup is a little bleh, it serves a point, but I could literal start the movie at Samuel L. Jackson's office and be fine. Once in 1408, the intensity creeps perfectly. It really gives you the atmosphere of a cat playing with its food. It'll mess your head a little, but that's just from a great John Cusack delivery and wonderful cinematic display. And the ending is almost perfect: the are two minors points that could be bad, but they're unclear. As the manager said, "It's and evil room.
The storyline and basis of the movie is kind of dumb. It is entertaining though with a lot of weird and crazy stuff happening in room 1408.
(Watched the Theatrical version) 1408 is a solid psychological horror that pulls you into its dark and twisted world. John Cusack does an amazing job as Mike Enslin, a skeptic writer dealing with supernatural horrors while battling his own guilt over losing his daughter. His performance really makes the movie—he sells the fear, grief, and madness perfectly. That said, the endings are what really stood out for me. The theatrical version felt too neat and safe. Sure, it wraps things up nicely, but for a movie this dark, it needed something heavier. The director’s cut hit harder—it’s bleak and sticks with you. The haunting moment with his daughter fit the tone of the movie so much better. It kept the unsettling vibe that should linger after a film like this. The production was great too. The way the room constantly changes and traps you with Mike was done so well, keeping you on edge the whole time. Overall, I enjoyed it, but the director’s cut is the real winner for me. It keeps the dark, disturbing feel that a movie like this needs.
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
After a whirlwind romance in Mexico, a beautiful heiress marries a man she barely knows with hardly a second thought. She finds his New York home full of his strange relations, and macabre rooms that are replicas of famous murder sites. One locked room contains the secret to her husband's obsession, and the truth about what happened to his first wife.
Rachel Keller is a journalist investigating a videotape that may have killed four teenagers. There is an urban legend about this tape: the viewer will die seven days after watching it. Rachel tracks down the video... and watches it. Now she has just seven days to unravel the mystery of the Ring so she can save herself and her son.
Rose, a desperate mother takes her adopted daughter, Sharon, to the town of Silent Hill in an attempt to cure her of her ailment. After a violent car crash, Sharon disappears and Rose begins a desperate search to get her back. She descends into the center of the twisted reality of a town's terrible secret. Pursued by grotesquely deformed creatures and townspeople stuck in permanent purgatory, Rose begins to uncover the truth behind the apocalyptic disaster that burned the town 30 years earlier.
Upon realizing that something truly evil haunts his home, Steve Freeling calls in a team of parapsychologists to help before it's too late.
A rare book dealer finds himself at the heart of a string of paranormal events when he is hired to find the last two copies of a text, The Nine Gates of the Kingdom of Shadows, capable of summoning the Devil.
A down-and-out Brooklyn detective is hired to track down a singer on an odyssey that will take him through the desperate streets of Harlem, the smoke-filled jazz clubs of New Orleans, and the swamps of Louisiana and its seedy underworld of voodoo.
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.
Following an unexpected tragedy, child psychologist Malcolm Crowe meets a nine year old boy named Cole Sear, who is hiding a dark secret.
Frederick Abberline is an opium-huffing inspector from Scotland Yard who falls for one of Jack the Ripper's prostitute targets in this Hughes brothers adaption of a graphic novel that posits the Ripper's true identity.