Svend, Knud og Valdemar

Genre : TV Movie Comedy

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Cowboys

Six men, one woman (and her brother) come together with one goal - to make the play. It would be probably another common story that this theater group is composed of anti-heroes who float lost in time and space, in a town where it seems that the sun sets in the east. Led by Sasha, a director who has recently returned to his hometown, this group of socially neadaptiranih amateurs starting the fight to their demons and the prejudices that surround them in the society. For dramaturgical template selection western and riding on stereotypes of the genre of the struggle between good and evil, the conflict between civilization and wilderness, the protagonists develop their life stories inevitably influencing and changing each other. Although, as time passes, the show looks increasingly like a mission impossible, almost all of its stakeholders is increasingly seen as a metaphor for their fate and get caught for it as the opportunity of a lifetime .

Reir más es imposible

Julian Cazorla, a political leftist, is caught by his wife and her mother in adultery. The mother, determined to apply the law of retaliation ("eye for an eye and horn by horn") assures his son that his wife will deceive him with his best friend. Meanwhile, Agapito Berlinches, a right-wing politician, surprises the president of his party with a young girl in his office; Agapito mounted such a mess trying to explain the event that the press has just published that he is gay and was caught with a transvestite. when Cazorla read the press decides to introduce Berlinches as his best friend.

National Theatre Live: The Habit of Art

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

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