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This is a belter of a film! Essentially just a two hander with Cary Grant ("Walter Burns") as the editor of a newspaper facing the loss of his ex-wife, and best reporter Rosalind Russell ("Hildy Johnson") who has decided to marry Ralph Bellamy ("Bruce Baldwin") and start a new life. Anyone who enjoys the modern day writing of folks like Aaron Sorkin will immediately appreciate the depth and class of the clever, witty writing and the superbly fast paced delivery from both as Grant tries all sorts of manoeuvres to change her mind; frame her new fiancée and stop a man from going to the electric chair with the aide of little else but a few telephones and the odd interjection from some great supporters - Gene Lockhart, Porter Hall, John Qualen and Abner Biberman as his go-to fixer "Louie". Russell is no shrinking violet, either - she has plenty of great one-liners and retorts of her own, and the equality with which they scrap makes this all the more fun. The ending is a touch too inevitable, and maybe just a little too muddled and that robs it of a killer punch; but this is still a cracking romantic comedy.
Based on the Take That musical, five best friends have the night of their lives seeing their favourite boy band in concert. Twenty-five years later, their lives have changed in many different ways as they reunite for one more epic show by their beloved band, to relight their friendship and discover that maybe their greatest days are ahead of them.
When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.
Josie Alibrandi is 17 and doesn't know where she belongs. This year, however, everything is going to change. Josie will face her fears, uncover secrets and even discover the true identity of her father.
A belligerent hitwoman navigates a world of cutthroat killers as she attempts to get the money together in order to escape to Mexico and open a bar.
This delightful pairing of one-act musicals, one classic and one modern, takes a comical and moving look at the mysteries of love. Act I, based on Schnitzler's The Little Comedy, is a delightful romp through the sexual ennui of turn-of-the-century Vienna, as two wealthy but bored socialites masquerade as impoverished bohemians seeking romance. Act II, based on the Jules Renard play Summer Share, explores modern affection and disaffection as two married couples share a summer house in the Hamptons. An Off-Off-Broadway sensation that successfully moved to Broadway, Romance/Romance is a charming and tuneful small-cast gem, here filmed live for television.
A young woman arrives in San Francisco's Chinatown from Hong Kong with the intention of marrying a rakish nightclub owner, unaware he is involved with one of his singers.
A group of disillusioned American expatriate writers live a dissolute, hedonistic lifestyle in 1920's France and Spain.
When reporter Jean Craddock interviews Bad Blake—an alcoholic, seen-better-days country music legend—they connect, and the hard-living crooner sees a possible saving grace in a life with Jean and her young son.
After her happy life is upended, a journalist goes undercover at a Nigerian restaurant to expose undocumented immigrants — until romance strikes.
After Homer accidentally pollutes the town's water supply, Springfield is encased in a gigantic dome by the EPA and the Simpsons are declared fugitives.
