Clown in a Cornfield 2025 - Movies (Aug 19th)
House on Eden 2025 - Movies (Aug 19th)
DEVO 2024 - Movies (Aug 19th)
The Bad Guys 2 2025 - Movies (Aug 19th)
The Land That Time Forgot 2025 - Movies (Aug 19th)
The Miners Son 2024 - Movies (Aug 16th)
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Goodbye Horses The Many Lives of Q Lazzarus 2025 - Movies (Aug 12th)
Undateable - (Aug 20th)
The Block - (Aug 20th)
Chef Grudge Match - (Aug 20th)
The 11th Hour with Stephanie Ruhle - (Aug 20th)
The Chase Australia - (Aug 20th)
The Proof Is Out There- UnXplained Edition - (Aug 20th)
Countdown - (Aug 20th)
The Summer I Turned Pretty - (Aug 20th)
Road Wars - (Aug 20th)
Customer Wars - (Aug 20th)
The Secret of Skinwalker Ranch - (Aug 20th)
Beyond the Gates - (Aug 20th)
The 1 Club - (Aug 20th)
The Snake - (Aug 20th)
Love Is Blind- UK - (Aug 20th)
The Amazing Race Canada - (Aug 20th)
Caught in the Act- Double Life - (Aug 20th)
WWE NXT - (Aug 20th)
The Cook Up with Adam Liaw - (Aug 20th)
No Gamble No Future - (Aug 20th)
It's quite hard to succinctly review this Truffaut comedy - there is just so much going on. Essentially, Jacqueline Bisset ("Julie") is brought to Nice to star in a movie about a British woman who is married to a Frenchman. She comes to meet his family and promptly falls in love with her husband's father and so leaves him to shack up with his dad. It turns out, as the production progresses that the producer "Bertrand" (Jean Champion) and the director "Ferrand" (Truffaut himself) have to deal with an whole gamut of issues as the cast - all assembled in a small hotel - come with more baggage than the Queen Mary. "Julie" is recovering from a failed marriage and a nervous breakdown; "Séverine" (Valentina Cortese) is having an affair - but with a bottle, and Jean-Pierre Léaud steals the film as the petulant and high-maintenance "Alphonse". It reminded me a little of Fellini's "8½" from ten years earlier, another behind the scenes as a movie is made story - but it could hardly be more different. Here, the cast and the crew could not have been more dysfunctional - a trait of the creative, I believe - but in the end somehow or other there is a chance the film might actually get made! It is good fun, and the odd contribution from Jean-Pierre Aumont help keep this 2 hour extravaganza moving along entertainingly. Georges Delerue's jaunty score compliments the lovely open-ness of this production, and I really enjoyed this film.
Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.
During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.
In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.
Mortimer Brewster, a newspaper drama critic, playwright, and author known for his diatribes against marriage, suddenly falls in love and gets married; but when he makes a quick trip home to tell his two maiden aunts, he finds out his aunts' hobby - killing lonely old men and burying them in the cellar!
Emmi Kurowski, a cleaning lady, is lonely in her old age. Her husband died years ago, and her grown children offer little companionship. One night she goes to a bar frequented by Arab immigrants and strikes up a friendship with middle-aged mechanic Ali. Their relationship soon develops into something more, and Emmi's family and neighbors criticize their spontaneous marriage. Soon Emmi and Ali are forced to confront their own insecurities about their future.
A young drifter working on a river barge disrupts his employers' lives while hiding the fact that he knows more about a dead woman found in the river than he admits.
Two musicians witness a mob hit and struggle to find a way out of the city. Their only opportunity comes in the form of joining an all-girl band as they prepare to leave on a tour. The two disguise themselves as women and struggle to keep their identities secret as they deal with the problems this brings.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with the leading lady.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.