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Ridiculous plot, but very enjoyable nonetheless. 'Some Like It Hot' is good, unserious fun. Tony Curtis (Joe) and Jack Lemmon (Jerry) are the stars of the show, with amusing performances from start-to-finish. Marilyn Monroe is pleasant too, this is actually the first film of Monroe's I've seen. A good'un! The pacing isn't perfect but that doesn't hamper things at all really. It's a bonkers 122 minutes, filled with entertaining shenanigans - the ending is particularly wacky. Don't think I would've liked it as well without Curtis & Lemmon, admittedly. Worth watching, without question.
**One of Curtis' best films... and an effective and enjoyable comedy.** For many, this movie is simply one of the greatest comedies of all time. However, I have serious doubts about that. In my personal opinion, it's a good comedy, it entertains its audience very well, and there's no doubt about its status as a movie classic. Starting from this reasonable basis and placing the film at the heights as the best or one of the best already seems unreasonable and exaggerated. But that's just what I think. The script is set during the Prohibition, a time when speakeasies were one of the biggest sources of financial income for mobsters. The script starts from this context and creates an interesting and reasonably well-written story, where two jazz musicians end up becoming witnesses to a massacre, in which a group of mobsters kills a rival group in Chicago. This, of course, was inspired by a true, very famous incident, the Valentine's Day Massacre. Persecuted and in life danger, they decide to dress up as two women and hide, like members of a female jazz orchestra that takes a train to the coast, to perform in a hotel. Of course, then the funniest part of the movie begins, with the characters trying to keep the cover-up amid the romantic shenanigans that unfold. In addition to a good script and good dialogue, the film has very good performances by Tony Curtis and Jack Lemmon, the two great male protagonists. For me, this is one of the most interesting films of both their careers, and it's great to see the way they both played together. I also liked the works of George Raft and Joe E. Brown, which gives soul and grace to the end, very famous and funny. Pat O'Brien also does a good job, even if he doesn't follow his peers closely. But the film was probably better known to audiences thanks to the female star, Marilyn Monroe. But I don't like her work here. She was an extraordinary singer, and her best scenes are the ones where she sings... but I never thought of her as a good and talented actress (she couldn't even memorize what she had to say, and the director practically swore that would never work with her again): and, really, her performance in the film is irritating, turning the character into a sly young woman and something of an idiot. The film doesn't make a big bet on the technical aspects, but it offers us high quality sets and costumes, good effects and an effective soundtrack. From the beginning, it takes on a pleasant rhythm that allows the two hours of duration to pass without us noticing. It also features good cinematography, with a regular filming job that makes the best use of selected filming locations.
I really don't get the comedy here. Curtis and Lemmon dress up as showgirls to avoid the mob. That's good for a five minute sketch, but not a full length movie. And that's the problem. It is stretched out to be an ordeal. For some reason, some guy likes Lemmon as a woman, and Lemmon avoids him. And for some reason, Curtis likes a relatively plain showgirl (Marilyn Monroe was always a "woman's woman", not in the league with the beauties of Hollywood, which was her appeal, being the "girl next door" instead of "the girl you wanted next door" Dawn Welles or Raquel Welch. But who is lucky enough to get Dawn Welles next door to him? Which is why we get the more down to earth looks of Marilyn to be popular in movies. The "comedy" was "dated" even in the sixties. I'm not sure it was even funny in 1959, but it appears to have a designated target audience of people who like super dry humor disguised as slapstick, or whatever you call this vain attempt to be funny. It isn't a "terrible movie", and it isn't depressing, but it is quite dull. Not good news for a comedy.
A revolution in Iran halts a heroin shipment, but an alliance of crime families is set on getting it to the US. They decide to run the drug through an unsuspecting network of good-natured, local smugglers in Naples, while an international anti-narcotics agent rushes to shut their operation down. Betrayals and divided loyalties lead to a final, bloody confrontation in America.
The magistrate, Scauri, inquires into the mysterious poisoning death of Gaspare Pisciotta, the imprisoned assassin of Salvatore Giuliano. He very soon finds himself struggling against a conspiracy of silence, which Scauri must therefore overcome in order to indict two powerful mafia bosses. His only hope comes for a brief moment from the testimony of the young prosecutor Lojacono. But The Organization is the most strong: the young prosecutor withdraws his deposition and the magistrate disappears in mysterious circumstances.
Mario Gastaldi, a lawyer with no clients and no money, agrees to be a negotiator in a deal on stolen paintings, between the boss Peseti and the engineer Farnese, who plots kidnappings unsuspectedly. After he cashed from Farnese three hundred millions of lire to deliver to Peseti, Mario lets money be robbed by four pickpockets, which he is naturally in cahoots with and which he will share out it with. Money cannot be used since it comes from a kidnapping and it was marked. The lawyer will be able to make the boss get arrested.
Two mafia bosses, Don Antonio Marchesi and Don Peppino Scalise, battle over building contracts in Palermo.
In Genoa, the Commissioner Sironi has identified the leader of the ferocious racket that controls the port activities. But the law restrains his action.
Someone's bumping off the Mafia bosses of Salerno and it's down to the newly elected leader to figure out who - and rescue his son in the process.
A Neapolitan camorra boss has retired from business but when his wife gets killed he gets back into action, and goes to the States to get his revenge.
The police try to arrest expert hostage negotiator Danny Roman, who insists he's being framed for his partner's murder in what he believes is an elaborate conspiracy. Thinking there's evidence in the Internal Affairs offices that might clear him, he takes everyone in the office hostage and demands that another well-known negotiator be brought in to handle the situation and secretly investigate the conspiracy.
Steve Martin and Bonnie Hunt return as heads of the Baker family who, while on vacation, find themselves in competition with a rival family of eight children.
A sensitive girl is sent to an all-girls boarding school and develops a romantic attachment to one of her teachers.
Viola Hastings is in a real jam. Complications threaten her scheme to pose as her twin brother, Sebastian, and take his place at a new boarding school. She falls in love with her handsome roommate, Duke, who loves beautiful Olivia, who has fallen for Sebastian! As if that were not enough, Viola's twin returns from London ahead of schedule but has no idea that his sister has already replaced him on campus.