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Ridiculous plot, but very enjoyable nonetheless. 'Some Like It Hot' is good, unserious fun. Tony Curtis (Joe) and Jack Lemmon (Jerry) are the stars of the show, with amusing performances from start-to-finish. Marilyn Monroe is pleasant too, this is actually the first film of Monroe's I've seen. A good'un! The pacing isn't perfect but that doesn't hamper things at all really. It's a bonkers 122 minutes, filled with entertaining shenanigans - the ending is particularly wacky. Don't think I would've liked it as well without Curtis & Lemmon, admittedly. Worth watching, without question.
**One of Curtis' best films... and an effective and enjoyable comedy.** For many, this movie is simply one of the greatest comedies of all time. However, I have serious doubts about that. In my personal opinion, it's a good comedy, it entertains its audience very well, and there's no doubt about its status as a movie classic. Starting from this reasonable basis and placing the film at the heights as the best or one of the best already seems unreasonable and exaggerated. But that's just what I think. The script is set during the Prohibition, a time when speakeasies were one of the biggest sources of financial income for mobsters. The script starts from this context and creates an interesting and reasonably well-written story, where two jazz musicians end up becoming witnesses to a massacre, in which a group of mobsters kills a rival group in Chicago. This, of course, was inspired by a true, very famous incident, the Valentine's Day Massacre. Persecuted and in life danger, they decide to dress up as two women and hide, like members of a female jazz orchestra that takes a train to the coast, to perform in a hotel. Of course, then the funniest part of the movie begins, with the characters trying to keep the cover-up amid the romantic shenanigans that unfold. In addition to a good script and good dialogue, the film has very good performances by Tony Curtis and Jack Lemmon, the two great male protagonists. For me, this is one of the most interesting films of both their careers, and it's great to see the way they both played together. I also liked the works of George Raft and Joe E. Brown, which gives soul and grace to the end, very famous and funny. Pat O'Brien also does a good job, even if he doesn't follow his peers closely. But the film was probably better known to audiences thanks to the female star, Marilyn Monroe. But I don't like her work here. She was an extraordinary singer, and her best scenes are the ones where she sings... but I never thought of her as a good and talented actress (she couldn't even memorize what she had to say, and the director practically swore that would never work with her again): and, really, her performance in the film is irritating, turning the character into a sly young woman and something of an idiot. The film doesn't make a big bet on the technical aspects, but it offers us high quality sets and costumes, good effects and an effective soundtrack. From the beginning, it takes on a pleasant rhythm that allows the two hours of duration to pass without us noticing. It also features good cinematography, with a regular filming job that makes the best use of selected filming locations.
I really don't get the comedy here. Curtis and Lemmon dress up as showgirls to avoid the mob. That's good for a five minute sketch, but not a full length movie. And that's the problem. It is stretched out to be an ordeal. For some reason, some guy likes Lemmon as a woman, and Lemmon avoids him. And for some reason, Curtis likes a relatively plain showgirl (Marilyn Monroe was always a "woman's woman", not in the league with the beauties of Hollywood, which was her appeal, being the "girl next door" instead of "the girl you wanted next door" Dawn Welles or Raquel Welch. But who is lucky enough to get Dawn Welles next door to him? Which is why we get the more down to earth looks of Marilyn to be popular in movies. The "comedy" was "dated" even in the sixties. I'm not sure it was even funny in 1959, but it appears to have a designated target audience of people who like super dry humor disguised as slapstick, or whatever you call this vain attempt to be funny. It isn't a "terrible movie", and it isn't depressing, but it is quite dull. Not good news for a comedy.
Humiliated and down on his luck, a superintendent turns his life around when he decides to write a book.
Delphine and Solange are two sisters living in Rochefort. Delphine is a dancing teacher and Solange composes and teaches the piano. Maxence is a poet and a painter. He is doing his military service. Simon owns a music shop, he left Paris one month ago to come back where he fell in love 10 years ago. They are looking for love, looking for each other, without being aware that their ideal partner is very close...
Sherlock Holmes investigates a series of so-called "pajama suicides". He knows the female villain behind them is as cunning as Moriarty and as venomous as a spider. Based on "The Sign of Four" and the short stories "The Dying Detective", "The Final Problem", "The Speckled Band" and "The Adventure of the Devil's Foot".
Matt Lee Whitlock, respected chief of police in small Banyan Key, Florida, must solve a vicious double homicide before he himself falls under suspicion. Matt Lee has to stay a few steps ahead of his own police force and everyone he's trusted in order to find out the truth.
Harlem's legendary Cotton Club becomes a hotbed of passion and violence as the lives and loves of entertainers and gangsters collide.
The Driver specializes in driving getaway cars for robberies. His exceptional talent has prevented him from being caught yet. After another successful flight from the police a self-assured detective makes it his primary goal to catch the Driver. He promises pardons to a gang if they help to convict him in a set-up robbery. The Driver seeks help from The Player to mislead the detective.
On their cross-country drive, a married couple, Jeff and Amy Taylor, experience car trouble after their SUV breaks down. Stranded in the New Mexico desert, the two catch a break when a passing truck driver offers Amy a ride to a nearby café to call for help. Meanwhile, Jeff is able to fix the car and make his way to the café, but Amy isn't there. He tracks down the trucker - who tells the police he's never seen Jeff or his wife before. Jeff then begins a desperate, frenzied search for Amy.
Jimmy Erskine is the most feared theatre critic of the age. He lives as flamboyantly as he writes and takes pleasure in savagely taking down any actor who fails to meet his standards. When the owner of the Daily Chronicle dies, and his son takes over, Jimmy quickly finds himself at odds with his new boss and his position under threat. In an attempt to preserve the power and influence he holds so sacred, Jimmy strikes a Faustian pact with a struggling actress, entangling them and the boss in a thrilling but deadly web of desire, blackmail, and betrayal.
Geeky teenager David and his popular twin sister, Jennifer, get sucked into the black-and-white world of a 1950s TV sitcom called "Pleasantville," and find a world where everything is peachy keen all the time. But when Jennifer's modern attitude disrupts Pleasantville's peaceful but boring routine, she literally brings color into its life.
The play is distinguished and deals with several major issues ... It starts when Sa'id Saleh works in several exhausting jobs and in the end he does not benefit from cheating and harassment. He sees the beggars and the large sums of money that he thinks of this work and brings together several people to be with him and be the leader of the Shehata. It begins with a series of comic paradoxes that address important issues ...
Ayoub Gad al-Haq, "Fouad El Mohandes," a simple employee, is struck by the great resemblance between him and the husband of the deceased employer in a big trouble where the small employer's daughter is concerned, thinking that he is her father who died in an accident. The employer asks him to hire a secretary at home so that her daughter, who is not aware of the death of her father, will not be shocked. He falls in love with her, but he does not forget the fact that she is Hanim and he is just a poor employee
