Better Man 2024 - Movies (Mar 29th)
Jason Byrne - The Ironic Bionic Man 2024 - Movies (Mar 29th)
Duchess 2024 - Movies (Mar 29th)
Incandescence 2024 - Movies (Mar 29th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Sex-Positive 2024 - Movies (Mar 27th)
Flight Risk 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
Nine Bodies in a Mexican Morgue - (Mar 30th)
Dark Winds - (Mar 29th)
Portugal with Michael Portillo - (Mar 29th)
Our Dream Farm with Matt Baker - (Mar 29th)
The Beat with Ari Melber - (Mar 29th)
The Sunday Show with Jonathan Capehart - (Mar 29th)
99 to Beat - (Mar 29th)
Saturday Kitchen Live - (Mar 29th)
Britains Got Talent - (Mar 29th)
Liar - (Mar 29th)
MotoGP Unlimited - (Mar 29th)
The Potato Lab - (Mar 29th)
Everybodys Live with John Mulaney - (Mar 29th)
Live from the Other Side with Tyler Henry - (Mar 29th)
My Strange Arrest - (Mar 29th)
Solo Leveling - (Mar 29th)
The Food That Built America - (Mar 29th)
StuGo - (Mar 29th)
Live PD Presents- PD Cam - (Mar 29th)
Neighborhood Wars - (Mar 29th)
I'm unashamedly a James Cagney enthusiast--in fact, he's my very favourite actor (like me, he's at least part-Irish, and he's more versatile than Orson Welles), so yes, I tend to be overly generous when I'm watching his films. But I really enjoyed this gangster/boxing hybrid film from the early 40's that, not only sported great acting by Cagney but also had wonderful performances by Ann Sheridan (I'm rather fond of redheads too), Anthony Quinn and a rare acting role for top-notch director Elia Kazan. Yes, it was melodramatic, a tearjerker and overly predictable--people talk about those qualities as if they were bad things. Also being an aficionado of many types of music, particularly jazz and classical, I found it highly compelling of the filmmakers to utilize music as a way of communicating the inexpressible (the trials and tribulations, dreams and pitfalls). Highly recommended for anyone who likes seeing filmmakers think outside of the box for once, and dare to try something different. Especially if you love Cagney and classic cinema as much as I do, I highly doubt you'll be disappointed.
Powerhouse Cagney in melodramatic heart-tugger. If taken purely on script alone the film only amounts up to the usual fare we have seen a zillion times over the years. The basic formula being that two brothers are taking different paths in career choices and the elder brother is doing all he can to help realise his younger brother's dream of being a composer, yet thankfully here the film has a great deal more to offer outside of the usual standard fare. The elder brother boxes to support his young bro's dream but he's tragically almost blinded in a gruelling 15 round fight where foul cheat tactics are used against him. The film then follows the love interest slant of the family & girlfriend closest to our stricken boxer, where thankfully the film manages to stay clear of drowning in a bowl of sickly syrup. Playing out with a very deep emotional heart the film functions so well because of the lead actor. James Cagney was 42 when he made this film, yet he looks like a lithe athletic man in his twenties, such was his commitment to the role. He imbues such gusto into the role of Danny Kenny that he alone demands you watch this film. Cagney is also staunchly supported by Ann Sheridan, Arthur Kennedy, and by a very brash turn from Anthony Quinn. It's a film that tugs on your heart strings at times, and yes it has the audience begging for an uplift in the final reel, but it's done well and delivers all that you had hoped for at the start of the film. The back story doesn't read so well though, Cagney & director Anatole Litvak were continually at war during filming, and most of Cagney's input into the film was cut out. Cagney was so annoyed and sad with the final outcome, he wrote to Aben Kandel (the writer of the novel the film is adapted from) and apologised with sincerity, he need not of worried though for the final result is a very rewarding experience indeed. 8/10
In New York City, bright but naive New Englander Anne Welles becomes a secretary at a theatrical law firm, where she falls in love with attorney Lyon Burke. Anne befriends up-and-coming singer Neely O'Hara, whose dynamic talent threatens aging star Helen Lawson and beautiful but talentless actress Jennifer North. The women experience success and failure in love and work, leading to heartbreak, addiction and tragedy.
John, an ambitious but undisciplined New York City office worker, meets and marries Mary. They start a family, struggle to cope with marital stress, financial setbacks, and tragedy, all while lost amid the anonymous, pitiless throngs of the big city.
Fast Eddie Felson is a small-time pool hustler with a lot of talent but a self-destructive attitude. His bravado causes him to challenge the legendary Minnesota Fats to a high-stakes match.
Tough narcotics detective 'Popeye' Doyle is in hot pursuit of a suave French drug dealer who may be the key to a huge heroin-smuggling operation.
The true story of the frightening, lonely world of silence and darkness of 7-year-old Helen Keller who, since infancy, has never seen the sky, heard her mother's voice or expressed her innermost feelings. Then Annie Sullivan, a 20-year-old teacher from Boston, arrives. Having just recently regained her own sight, the no-nonsense Annie reaches out to Helen through the power of touch, the only tool they have in common, and leads her bold pupil on a miraculous journey from fear and isolation to happiness and light.
Devoted teacher Anne Sullivan leads deaf, blind and mute Helen Keller out of solitude and helps integrate her into the world.
Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
His wife is dead and his son hates him, but this old man still has fight in him! When he loses a highly publicized virtual boxing match to ex-champ Rocky Balboa, reigning heavyweight titleholder Mason Dixon retaliates by challenging Rocky to a nationally televised, 10-round exhibition bout. To the surprise of his son and friends, Rocky agrees to come out of retirement and face an opponent who's faster, stronger, and thirty years his junior.
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
An uneducated collector for a Philadelphia loan shark is given a once-in-a-lifetime opportunity to fight against the world heavyweight boxing champion.
After Rocky goes the distance with champ Apollo Creed, both try to put the fight behind them and move on. Rocky settles down with Adrian but can't put his life together outside the ring, while Creed seeks a rematch to restore his reputation. Soon enough, the "Master of Disaster" and the "Italian Stallion" are set on a collision course for a climactic battle that is brutal and unforgettable.