Humperdinck: Hansel und Gretel

Wolfgang Amadeus Mozart is a remarkably talented young Viennese composer who unwittingly finds a fierce rival in the disciplined and determined Antonio Salieri. Resenting Mozart for both his hedonistic lifestyle and his undeniable talent, the highly religious Salieri is gradually consumed by his jealousy and becomes obsessed with Mozart's downfall, leading to a devious scheme that has dire consequences for both men.

The oratorio concerns the Christian martyr Theodora and her Christian-converted Roman lover, Didymus.

It is to composer and librettist Arrigo Boito and his constant pestering of the octogenarian Verdi that there remained within him one last great comedy fighting to get out that we owe this absolute miracle of an opera. Produced in 1893 as Verdi turned 80 there is much in this masterpiece that can be identified as a modernist neoclassical work. The use of short motifs instead of long arioso melodic lines, the spry and reduced orchestral textures and the lack of a single 'stand and deliver' dramatic declamatory aria all serve to make this more of a 20th century work than an example of 19th century late-Romanticism.

Is this a film about Scrooge? About a composer’s life? An opera within an opera? The Passion of Scrooge blurs these lines between performance, documentary, and fiction, into a cinematic concert experience that’s seasoned with magical reality. Composer Jon Deak has adapted Charles Dickens’ timeless tale into a contemporary opera that melts the heart, but doesn’t avoid the darkness in Scrooge that’s still resonant with the material concerns of our time. Using neither period costumes, nor set pieces to reconstruct old England, the film invites you to experience A Christmas Carol with the imaginative possibilities of a radio play. And then, to meet those visions in your head, filmmaker H. Paul Moon‘s floating camera intimately captures musicians performing the score as characters themselves, in this ageless haunted redemption story about “us, every one.”

This work won Samuel Barber his first Pulitzer Prize for music: the Glyndebourne Festival presents Vanessa, a masterpiece premiered in 1958 based on a libretto by the composer's close friend, Bian Carlo Menotti. Set to one of the most beautiful scores of the 20th Century, Vanessa tells the haunting story of a woman who, once abandoned by her lover Anatol, retreats from the world to await his return, living in isolation with her mother and niece. Two decades later, a man arrives who shatters the delicate balance of their home… Olivier Award-winning stage director Keith Warner is joined by a brilliant cast and the London Philharmonic under Kevin Lin for this musical and dramatic masterpiece of Hitchcockian psychological twists!

As Aragon descends into unrest, a count jealously fights for a noble lady's heart. But she has already given it to a passionate troubadour whose mother holds a terrible secret.

Donizetti's French masterpiece was in the hands of Italian conductor Antonello Allemandi. This maestro, a bel canto specialist, captured the fire and intensity of the passions from the get-go, making the overture a superbly eloquent transition to a musical world based on beautiful lines and colors that elaborate distress and make it compellingly elegant. Allemandi demonstrated a full authority over the stage for the musically complex scenes, and in the arias and duets he demonstrated his confidence in the artistry of distraught singers by establishing ample tempos to support their soaring vocal lines while he concentrated on pulling every possible nuance from the pit players.

Topi Lehtipuu and Anne-Catherine Gillet star in the 2012 Opera National de Paris production of Jean-Philippe Rameau's opera Hippolyte et Aricie. Also starring Sarah Connolly and Stephane Degout.

Nicholas Hytner's enchanting production, sung in the original Czech, is conducted by Sir Charles Mackerras, a master of the best Janacek style. Through myriad shifts of scene, the episodic story is presented in brightly-colored sets and costumes of blissful innocence and simplicity, designed by Bob Crowley. Jean-Claude Gallotta's choreography for the insects and animals, and Jean Kalman's lighting add to the nostalgically poetic effect of the whole. With Thomas Allen as the Forester, the cast includes Eva Jenis, Hanna Minutillo, Richard Novak and Ivan Kusnjer. This live recording comes from the Theatre du Chatelet in Paris.