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Strike An Uncivil War 2024 - Movies (Sep 18th)
MaXXXine 2024 - Movies (Sep 18th)
Sing Sing 2023 - Movies (Sep 18th)
The Right to Read 2023 - Movies (Sep 18th)
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Dark Feathers Dance of the Geisha 2024 - Movies (Sep 17th)
The Invisibles 2024 - Movies (Sep 17th)
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Deon Cole Ok Mister 2024 - Movies (Sep 17th)
Alex Wagner Tonight - (Sep 19th)
The Ark - (Sep 19th)
The Beat with Ari Melber - (Sep 19th)
The ReidOut - (Sep 19th)
Agatha All Along - (Sep 19th)
The Last American Vagabond - (Sep 19th)
Trumps Heist- The President Who Wouldnt Lose - (Sep 18th)
GRAND SUMO Highlights - (Sep 18th)
Kent- Garden of England - (Sep 18th)
Celebrity Race Across the World - (Sep 18th)
Deadline- White House - (Sep 18th)
The Young and the Restless - (Sep 18th)
The Bold and the Beautiful - (Sep 18th)
The Repair Shop - (Sep 18th)
The Wives - (Sep 18th)
The Great Australian Bake Off - (Sep 18th)
Garden Rescue - (Sep 18th)
The Answer Run - (Sep 18th)
The Cook Up with Adam Liaw - (Sep 18th)
MSNBC Reports Andrea Mitchell Reports - (Sep 18th)
_**Awesome 60's go-go women, music and thrills, but childish script and melodramatics**_ Released in 1965 and conceived & directed by Russ Meyer, "Faster, Pussycat! Kill! Kill!" is a campy melodrama/crime thriller starring Tura Satana as a sneering vixen who, along with her two go-go dancing pals (Haji & Lori Williams), entertain themselves in their spare time by hot rodding in the desert. After a mishap wherein the trio apprehend a winsome bikini girl (Susan Bernard) they smell easy money at a remote ranch in the desert, inhabited by a rich old man (Stuart Lancaster) and his two sons (Dennis Busch & Paul Trinka). Ray Barlow plays a "nice boy" desert racer while Michael Finn is on hand as a gabby gas station attendant. The movie has a big reputation as a cult flick and Meyer's definitive film, along with 1970's "Beyond the Valley of the Dolls," so I was very interested in finally viewing it. The first 20 minutes or so are fun and entertaining in a swingin' 60s kind of way, highlighted by the voluptuous female cast in which Meyer takes full advantage in illustrating their beauty (no nudity). The music, cars, apparel and thrills are additional highpoints. Unfortunately, once the women happen upon the ranch with the mad "Ben Cartwright" and "Hoss" & "Adam" (sorry, no "Little Joe") the lousy writing and corresponding eye-rolling histrionics manifest. It's as if Meyer and fellow writer Jackie Moran were attempting to make a mid-60s desert version of one of Tennessee Williams melodramas, but didn't have the writing expertise or professional cast to pull it off. As such, the story loses the viewer's interest and you're left to laughing at the exaggerated antics and trying to enjoy the attractions noted above. Being shot in B&W doesn't help matters. For a better movie that treads similar terrain (albeit with a wholly different plot) I suggest the contemporaneous "Village of the Giants," which was released a mere 2½ months after "Faster" and is in glorious color. The women are just as good, if not better, and the music is superior, not to mention it lacks an utterly scornful one-dimensional she-devil (don't get me wrong, Tura's great, but her character is so one-note disdainful it gets old after 25 minutes and you just want someone, ANYONE, male or female, to knock her silly). "Village" also doesn't pretentiously try to be a serious 60's tragedy à la "A Streetcar Named Desire" in the desert. The movie runs 83 minutes and was shot in the Mojave Desert (Lake Isabella, Lake Cunniback, Johannesburg, Randsburg & Ollie Pesch's Musical Wells Ranch) and Van Nuys (The Pussycat Club), California. GRADE: C+
Anthony Hope's classic tale gets a decidedly 'un-classic' treatment at the hands of Peter Sellers. Following the story somewhat, friends of the new King Rudolph of Ruritania fear for his life, and switch him with a look-a-like London cabby. Throw in two(!) lovely blondes, treachery, and a battle for life and honour, and enjoy life at its zaniest.
A mild-mannered father is transformed into a killing machine after his family is torn apart by a violent act.
The film follows John Crenshaw as he accompanies his girlfriend and her students on a weekend nature-photography expedition deep into the woods. What should be an educational and fun-filled weekend turns into horror as the group is besieged by an unspeakable evil - a horde of hideously disfigured, mutated humans with an insatiable taste for blood. As things go from bad to worse, Crenshaw becomes their only hope if they are going to get out alive.
The zodiac murders cause the lives of Paul Avery, David Toschi and Robert Graysmith to intersect.
Austin's hottest DJ, Jungle Julia, sets out into the night to unwind with her two friends Shanna and Arlene. Covertly tracking their moves is Stuntman Mike, a scarred rebel leering from behind the wheel of his muscle car, revving just feet away.
When a mafia accountant is taken hostage on his beat, a police officer – wracked by guilt from a prior stint as a negotiator – must negotiate the standoff, even as his own family is held captive by the mob.
A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
Notorious Baltimore criminal and underground figure Divine goes up against Connie & Raymond Marble, a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.