My Mic Sounds Nice: A Truth About Women and Hip Hop

In this entrancing documentary on performance artist, photographer and underground filmmaker Jack Smith, photographs and rare clips of Smith's performances and films punctuate interviews with artists, critics, friends and foes to create an engaging portrait of the artist. Widely known for his banned queer erotica film Flaming Creatures, Smith was an innovator and firebrand who influenced artists such as Andy Warhol and John Waters.

An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.

The rock band Grace Potter and the Nocturnals perform in Austin.

An effervescent facilitator and mother figure, Multicultural Liaison Officer Rosemary is undoubtedly a force of nature. Isolation in Auburn’s migrant community is a huge obstacle, and cultural norms mean that women are often tied to the house or a limited locale. Rosemary, with her larger-than-life spirit and generosity, works tirelessly to draw the women out of their homes and into society. She hosts a lively African Women’s Dinner Dance and takes them on a trip to the Blue Mountains and the NSW South Coast – introducing them to an Australia they’ve never seen before.

An Israeli woman living in Amsterdam investigates why fans of the Ajax soccer team have appropriated the nickname "Superjews" – complete with Star of David hats, Israeli flags and songs like "Hava Nagila." We meet hooligans, an Ajax archivist, former Ajax president Uri Coronel and a Holocaust survivor. Who is the "real" Jew: the non-religious Israeli woman with an aversion to her own country's flag, or the "Jews" who flock to the stadium and dedicate their lives to the team? Superjews is about identity, the use of symbols, and what it means to be or feel Jewish. Filmmaker Nirit Peled takes on the role of narrator and guide in the land of Ajax, against the backdrop of her present-day life in Amsterdam and her past in Israel, a country she is very critical of. Though she is initially turned off by the "Superjew" phenomenon, her viewpoint becomes more nuanced as she learns more about it, and she manages to gain perspective on how she personally relates to the cult of Jews.

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

This documentary seeks to open your eyes to the the costly consequences of the Information Age, when we are addicted to constantly replacing our electronic devices with newer and better versions.

This Georgian drama seeks to renew and reinforce a sense of cultural and national identity as it examines a tragic event in the idyllic life of an aristocratic Georgian family. Much of the film focuses upon their happy and peaceful life of this family comprised of a young couple and their baby daughter Keto. Their life changes when two drifters come in. The two men (who seem to be Muslims from the Azerbaijan republic) are met with hospitality. They repay it by kidnapping baby Keto. ~ Sandra Brennan, All Movie Guide

“A Short History of the Highrise” is an interactive documentary that explores the 2,500-year global history of vertical living and issues of social equality in an increasingly urbanized world. The centerpiece of the project is four short films. The first three (“Mud,” “Concrete” and “Glass”) draw on The New York Times's extraordinary visual archives, a repository of millions of photographs that have largely been unseen in decades. Each film is intended to evoke a chapter in a storybook, with rhyming narration and photographs brought to life with intricate animation. The fourth chapter (“Home”) comprises images submitted by the public. The interactive experience incorporates the films and, like a visual accordion, allows viewers to dig deeper into the project’s themes with additional archival materials, text and microgames.

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

In the Espinhaço Mountains one winter, a group of small-town Brazilian girls are experiencing the end of their youth. Impossible romances leave marks on their bodies and the surrounding landscape. Each of the friends finds her own particular way to overcome the loneliness and to live within a tangle of uncertainty.