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The Young Offenders - (Dec 27th)
When the Phone Rings - (Dec 27th)
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Return to Las Sabinas - (Dec 27th)
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James Martins Saturday Morning - (Dec 27th)
The First 48 Presents Critical Minutes - (Dec 27th)
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Gangland Chronicles - (Oct 1st)
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Deadliest Catch - (Oct 2nd)
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I have seen the Golden Palace of the Himalayas. Puberty is over! Onward and upward! Brighton Beach Memoirs is directed by Gene Saks and adapted to the screen from his own play by Neil Simon. It stars Jonathan Silverman, Blythe Danner, Judith Ivey, Bob Dishy, Stacey Glick, Lisa Waltz and Brian Dillinger. Music is by Michael Small and cinematography by John Bailey. This is the first of what would become a trilogy of films detailing the adventures and learnings of Neil Simon's life trajectory. His alias in the three productions comes in the guise of Eugene Morris Jerome, here played by Silverman, and by Matthew Broderick in Biloxi Blues (1988) and Corey Parker in Broadway Bound (1992). This is set in 1937 Brooklyn, New York, and finds Eugene, a Polish-Jewish American youngster experiencing sexual awakening in a family home packed to the rafters. Having never seen a Neil Simon play before I have no frame of reference, either here or with Biloxi Blues, the latter of which is a personal favourite. So taking it on its filmic terms only, it delivers much of the requisite razor sharp humour that was a trait of the hugely talented writer. The young version of Eugene here has sporting dreams as well as that of being a professional writer, his literary bent evident in his vocal discourse with his family and us on the fourth wall. He's the family gofer, a slave to his adoring but firm handed mother, as if battling the on-set of puberty wasn't taxing enough! Though primarily humourous in narrative drive, the serious side of family values is always a strong current within. Gambling addiction also features, so to does vivid sibling rivalry later in life, while the dangling thread of Polish family members trying to exit their homeland for a better life in New York strikes a poignant chord. I can't vouch for accents or adherence to natural race standards, but the sense of the period and areas (real location filming of course) is impressive - the cast uniformly tight to the material's various themes. Obviously not for everyone, but for those not bothered by closeness to the play, and those who love the sort of zingy dialogue found in other Simon film adaptations, then this hits the spot for sure. 8/10
Corporate overachiever and all-around fly chick Shanté Smith thinks she's got the goods to keep her slickster boyfriend Keith, from straying—until he discovers a greener pasture, Shanté's archrival, Conny. Scorned, she plans to get her man back by any means necessary.
Italy, 16th century. Petruchio, a choleric, lying and poor rural landowner from Verona, arrives in Padua in search of fortune and a wife, while Baptista, a wealthy merchant, announces that he will not allow Bianca, his youngest daughter, to marry until the temperamental and unruly Katherina, his eldest daughter, does.
The argument between Enrique and Javier, his best friend and Marta's husband, his lover, ends with the accidental death of Javier. Faced with the difficulty of proving his innocence, Enrique decides to start, along with Marta and the corpse of Javier, a trip without direction.
Shakespeare's comedy of gender confusion, in which a girl disguises herself as a man to be near the count she adores, only to be pursued by the woman he loves.
The story of Nola Darling's simultaneous sexual relationships with three different men is told by her and by her partners and other friends. All three men wanted her to commit solely to them; Nola resists being "owned" by a single partner.
When the US Navy fleet docks at San Francisco, sailor Bake Baker tries to rekindle the flame with his old dancing partner, Sherry Martin, while Bake's buddy Bilge Smith romances Sherry's sister, Connie. But it's not all smooth sailing—Bake has a habit of losing Sherry's jobs for her and, despite Connie's dreams, Bilge is not ready to settle down.
Germain, an introspective retiree, abruptly becomes a widower at 75. He barely has the time to realize what has happened to him before his family forces their way into his daily life: non-stop phone calls and visits, meals and activities organized in advance – all meant to make his life as regular as clockwork. But Germain’s mind is elsewhere. Honoring a promise he made to his dear departed wife, he suddenly finds himself at the heart of a contemporary dance company’s newest work.
Dobře placená procházka (English title: Worth While or A Well Paid Walk) is a Czech musical and film.
The Topalović family has been in the burial business for generations. When the 150-year-old Pantelija dies, five generations of his heirs start to fight for the inheritance.
When her barrettes mess up her pirouettes, an excitable, hyper-focused Black girl must power through the distractions - and her mother's expectations - to fly like the ballerinas do.