Matilda

A mother struggles to raise her daughter all by herself, and due to the economic difficulties decides to rob multiple finance houses, fooling her victims with the handle of her umbrella that she make them think is a real revolver.

Chantal Akerman was commissioned by Visions to make this short film for £20,000. It was first shown on 21 November 1984, on Channel 4. Akerman herself plays the role of a director visiting Hollywood to find financing from an uncle she hardly knows. Very little goes to plan… Also stars Aurore Clement and Colleen Camp.

The Realest Real is a humorous exploration of the fickle and instant world of the internet.

The perfect English arcadia gives way to varying kinds of misfortune, disruption and violence. With more than a passing reference to the 'narrative' paintings by masters such as Bruegel, this single-take 9-minute short is about a lazy Sunday afternoon that goes horribly wrong.

An important example of amateur filmmaking during this era, That Ice Ticket was made by Angela Murray Gibson who ran Gibson Studios in the small community of Casselton, North Dakota. Gibson cast community members in her productions, taking on multiple roles herself, writing, directing and acting in the films, operating the camera during filming, then processing the footage and editing the finished picture together. Here she plays a young woman managing multiple male suitors with the "help" of her mischievous kid brother.

Filmmaker Catherine Sweeney is determined to make her zombie horror romantic comedy. However in order to get the funding she need to put a talking dog in it...

The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.

Glen, a former sperm donor and recently diagnosed sociopath, takes his daughter on a murder spree of his sperm-donated offspring in the dark comedy, 'Spermicide.'

When a young boy makes a wish at a carnival machine to be big—he wakes up the following morning to find that it has been granted and his body has grown older overnight. But he is still the same 13-year-old boy inside. Now he must learn how to cope with the unfamiliar world of grown-ups including getting a job and having his first romantic encounter with a woman.

A series of vignettes based upon an imaginative girl's unique outlook on her community.

Hae-gap is a director who makes anti-government documentary films. One day, Hae-gap’s son, Na-ra, runs away from home, but Man-deok, a freeloader living in Hae-gap’s house ends up bringing him back. Later, Man-deok raids the head developer of Deul Island to stop its exploitation, and Na-ra helps and ends up getting caught. In order to bring Na-ra out from jail, Hae-gap signs to stop making anti-government films and moves to Deul Island with his family. Na-ra sees his father leading a good, quiet life there and starts opening up. But when a construction company charges in to clear-out the island and the islanders fall at risk of losing their homes, Hae-gap leads a strike against it and his family fall in grave danger...