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Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
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Someday at a Place in the Sun - (Feb 6th)
Bargain-Loving Brits in the Sun - (Feb 6th)
Dateline- Secrets Uncovered - (Feb 6th)
Ozark Law - (Feb 6th)
The Family Business- New Orleans - (Feb 6th)
Tribunal Justice - (Feb 6th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Harlem - (Feb 6th)
Scam Goddess - (Feb 6th)
Beast Games - (Feb 6th)
Cassandra - (Feb 6th)
**Some people never let go your hand!** We ask for the fresh ideas and here is the one. This British film was not totally innovative, at least it tried to be different. This horror-comedy was directed by two brothers and it was theirs first feature film. This is the story of two who meet working in a supermarket. The 19 years old Holly and in his 20s, Rob, they instantly fall in love with their first encounter. But there's a problem that they can't sleep together, if they do, then Rob's dead girlfriend appear. So the reason for it and the solution if there is one, is what the rest of the film covers. It was a little slow, though entertaining. Not a bad storyline, they developed it decently, but the twist was so ordinary. Nothing like we could predict it, but it gives a silly reason. If you are not expecting big, then it might work. The performances were not bad. It's not that funny, because it was a black comedy. Though the story takes place in the open society, the focus has been always between three main cast and a couple of others. That mean it comes to the point, not wasting for useless scenes. That's why it's very interesting, despite not very impressive. Like I said worth a watch for being a different from the usual films. _6/10_
We start at the scene of a nasty road accident where a fatality is bound to be on the cards. Meantime, "Holly" (Abigail Hardingham) is splitting up with her boyfriend "David" (Javan Hirst). She works in a supermarket and that's where she encounters "Rob" (Cian Barry) and we've sort of come full circle. His long-term girlfriend "Nina" (Fiona O'Shaughnessy) was the victim of the crash. It doesn't take them long before they get down to some furious jogging but in flagrante delicto, guess who appears? Yep - it's the ex herself. Spooky, eh? Blood is soon everywhere which "Holly" can also see - so no wonder she scarpers. "Rob" has to clean up all this mess and find himself a never ending supply of sheets (and possibly a new laundrette) because this shock doesn't dampen the ardour for long. Pretty soon they have even bought red sheets! Clearly there is some sort of rift in the space-time continuum, as "Nina" becomes more mischievous - but how can the couple be rid of her? For about half an hour this is quite darkly funny, indeed the threat of ethereal interference starts to serve as a turn on, but as the story develops that concept becomes a little too oft recycled and the characters rely just a little too much on getting their kits off. We also have a bit of family melodrama with his ex in-laws and the film starts to come off the rails. The writing and directing Blaine brothers have had a spark of an entertaining and quirky idea here, they just can't really stop it from running too far into the realms of silly farce. Still, it is worth a watch and the actors look like they were enjoying themselves - but it does disappoint.
A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
Young lovers Sailor and Lula hit the road to start a new life together away from the wrath of Lula’s deranged, disapproving mother, who has hired a team of hitmen to cut the lovers’ surreal honeymoon short.
Marnie is a thief, a liar, and a cheat. When her new boss, Mark Rutland, catches on to her routine kleptomania, she finds herself being blackmailed.
A young soldier returned from the battlefield with his fellow comrades. He reunited with his wife, who turned out to be a wandering spirit.
Three activists cobble together a kidnapping plot after they encounter a businessman in his home.
Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he often has to deal with the aftermath of their visits, one night he's left with a major problem to solve.
A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.
An up-and-coming chef and a recent divorcée find their lives forever changed when a chance encounter brings them together, in a decade-spanning, deeply moving romance.
Sam is a shy, mysterious and inconspicuous teenage girl, who falls in love with Troy, leader of an ultraviolent teenage gang, who does not feel physical pain, nor knows what love is. Together, against everyone and everything, they will face a series of obstacles trying to separate them, meanwhile figuring out what love and pain are. Debuting at Curtas, French filmmaker Elsa Rysto presents a love story mediated by ultraviolence, in a modern variation on the classic story of Bonnie and Clyde – or of the more contemporary Mickey and Mallory from “Natural Born Killers”. “Love Hurts” is a simple yet sensitive narrative about the so-called growing pains.
Faced with unfortunate complications beyond her control, go-getter events manager Andi Medina has no other person to turn to. She is then forced to reconnect with her ex-boyfriend, cosmetic surgeon Max Labarador. Much to Andi’s shock, Max is already in a three-year live-in relationship with pediatric oncologist Christian Pilar. With nowhere else to go and left with no other options, she agrees to live with the couple – both parties agreeing into a deal that will change the course of their lives and hearts.