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The lives of Erik Lanshof and five of his closest friends take different paths when the German army invades the Netherlands in 1940: fight and resistance, fear and resignation, collaboration and high treason.
In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
Two carefree castaways on a desert shore find an Arabian Nights city, where they compete for the luscious Princess Shalmar.
While on Christmas break, college student Michael journeys to Quebec City to spend time with his attractive girlfriend, Gabriella. Not long after he arrives, Gabriella breaks up with him, but her two equally gorgeous sisters waste no time showing romantic interest. In the meantime, Michael is left to deal with Gabriella's eccentric grandmother and offbeat father, an academic who spends most of his time naked.
In Tangiers where he traveled for his work, a man finds the woman he loved, and attempts to revive their romance though it ended some 30 years earlier.
Martijn, an idealistic Dutch pianist, travels to Morocco to help start a food program for malnourished children. Within moments of his arrival, however, Martijn is abducted by a group of terrorists, injected with a debilitating drug, and imprisoned. Under threat of death, the young man engages in a mental chess match with Ahmat, trying to learn his captor's true objective and avoid a horrible fate
When two brothers are forced to fight in the Korean War, the elder decides to take the riskiest missions if it will help shield the younger from battle.
In 1972, disenchanted about the dreary conventions of English life, 25-year-old Julia heads for Morocco with her daughters, six-year-old Lucy and precocious eight-year-old Bea.
A determined young woman goes up against the Moroccan traditions where the only way for a girl is marriage and children.
An aspiring teenage cartoonist and his friends come to the aid of a singer trying to save her family property from developers.
Set in the mid-1950s when Tangier was still an international zone, El Chergui presents the city on the eve of its independence, as Aïcha resorts to magical practices to try to prevent her husband from taking a second wife. Around her, a society of women creates its own form of active resistance even as the larger independence movement grows around it. Through his unique use of montage, Smihi creates arresting images that present a society torn by the contradictions of colonialism, religion, patriarchy, and resistance. (Block Cinema)
