Inside 'You Only Live Twice'

Mother and son turned killers. Mama's Boy is a true crime Australian documentary investigating what drove Samantha Brownlow to convince her son Corey Lovell to murder her stepfather.

Joe McKenna is one of the most influential stylists in the world. From the beginning of the 1980s, he struck up a great friendship with Azzedine Alaïa, and they continued to work together for many years. Thanks to their mutual understanding and trust, Joe McKenna was able to obtain the rare privilege of entering the studio and the couturier’s workshops with his camera. He paints an intimate and endearing portrait of Alaïa, punctuated by interviews with Nicolas Ghesquiere, Carlyne Cerf, Naomi Campbell and Grace Coddington, among others

The way of life for people living along the tropic of Capricorn in Queensland 1965. Farming and mining are the main industries in this area of Australia and the only way to get around is by road train, train or plane. The hard way of life for these people is portrayed in this film.

This behind the scenes documentary split across five chapters focuses on the many aspects of the filmmaking journey and includes interviews with lead actor and actress Denzel Washington and Frances McDormand. As well as various crew members.

People from different ethnic backgrounds with "difficult" names by Western standards share their experience with moving through the world with an identity that challenges others to simply just say their name. A short social docu-film by Mariam Meliksetyan, “Say My Name” is a meditation on identity, otherness, assimilation, community, and ancestral roots.

This short documentary shows the reactions of European immigrants as they land in Halifax at the beginning of the 1960s. From the port, we follow them on a snowy journey by train to Montreal.

The third part about the production of "Raging Bull."

A documentary about the actress who played Miss Torso, the dancer that caught James Stewart's eye in Alfred Hitchcock's classic film Rear Window.

Short documentary about the lives of three girls and the women who rescued them from retrogressive cultural practices in their own Maasai community at the AIC Girls School and Rescue Center in Kajiado, Kenya. It is an intimate portrait of these women as they sacrifice everything to make a stand against female genital mutilation and early forced marriage happening within their own culture.

Aria Dean explores the black creative labour put into memes, images defined not by their content but by how they are circulated, mutated and compressed. While all memes lack attribution, Dean illustrates a palpable link between white appropriation of memes created by black people and a deeper lineage of theft and leering fascination.

A first-person account of a kid named Sidney in a town that helped him become who he is today: Cole Harbour, Nova Scotia.