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Mystery Island Winner Takes All 2025 - ()
Racing Mister Fahrenheit 2024 - ()
The Quiet Girl 2024 - ()
Warden 2025 - ()
The Electric State 2025 - ()
Borderline 2025 - ()
Bill Burr Drop Dead Years 2025 - ()
High Rollers 2025 - ()
Anthony Rodia Totally Relatable 2024 - ()
Mickey 17 2025 - ()
Silent Zone 2025 - ()
The Parenting 2025 - ()
Control Freak 2025 - ()
Fierce Killer Marsupial 2024 - ()
Goldilocks and the Two Bears 2024 - ()
Wolf Man 2025 - ()
The Windigo 2024 - ()
American Scream 2025 - ()
Suky 2025 - ()
Heartbreakers Beach Party 2024 - ()
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
When Miss Vicki's father dies, she becomes the world's greatest philanthropist. Unfortunately, she is flat broke! Her loyal butler, Claude Fitzwilliam, leads the household staff to rob from various businesses by charging goods to various wealthy people and misdirecting the shipments, all to keep Miss Vicki's standard of living.
Alice, the only relatively normal member of the eccentric Sycamore family, falls in love with Tony Kirby, but his wealthy banker father and snobbish mother strongly disapprove of the match. When the Kirbys are invited to dinner to become better acquainted with their future in-laws, things don't turn out the way Alice had hoped.
Two young women find themselves struggling to survive in Paris, street-wise Nathalie, a stripper, and naïve Sandrine, a barmaid. Together, they discover that sex can be used to their advantage, and pleasure.
Two office employees learn that their boss is a serial killer and must prove his guilt before they become his next victims.
Linda, the wife of a publishing executive, suspects that her husband Van’s relationship with his attractive secretary Whitey is more than professional.
After robbing and murdering his married lover and then making her death look like suicide, conniving philanderer Ronnie Mason relocates to Los Angeles. Under a new identity and claiming to be a writer, Ronnie finds lodging at the home of Hilda Fenchurch and her mother. He woos Hilda, knowing she has money, but when he discovers that Hilda's sister, Anne, has just inherited $25,000, he switches his attentions to her.
Frustrated and unemployed after being sexually harassed repeatedly, Stella decides to play the role of a guy, using the identity of her twin brother (who is living in Australia) hoping to get a job. She immediately wins the trust of her new employers and soon gets promoted to manager. The troubles begin when she falls in love with her boss' son.
Merle Kramer works as a stenographer for a psychiatrist. She is casually dating Karl Benson, a private eye and former cop. Merle mentions in passing that one of her boss's patients is an author with recurring dreams of murdering his wife, and she includes the fact that the wife owns valuable jewels. When the wife is found murdered in a manner identical to that of her husband's dream, the husband is naturally the prime suspect. But as the investigation of the police and insurance investigator Joe Cooper proceeds, it turns out that several people in the case, including Merle, are not what they seem.
Dick Wallace wants to marry a minister's grand-daughter but his father, who wants him to get work on his company's business, is opposed. She takes a job with the company to prove she's okay.
Workplace is a documentary made by Gary Hustwit, in association with R/GA, for the 2016 Venice Architecture Biennale.Workplace is about the past, present, and future of the office. It looks at the thinking, innovation, and experimentation involved in trying to create the next evolution of what the office could be. The film follows the design and construction of the New York headquarters of digital agency R/GA (in collaboration with architects Foster + Partners) who have been experimenting with how physical and digital space can better interact. Digital technology has radically changed how and where most of us work, but the physical spaces we work in haven’t kept up with that transformation.