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After four theatrical and six direct-to-video releases “Hellraiser” has been given a reboot as a cinematic release for Hulu. For those not familiar with the series based on a story by Clive Barker, it involves a cube-shaped puzzle box that when opened summons demons known as Cenobites who demand sacrifices and promise great rewards to those who summon them. Naturally, their version of rewards is the stuff of nightmares as the line between pleasure and pain for them is even more distorted than their horrific visages leading those who encounter them to plead for death but often face tortures beyond imagination. The new take on the series stars Odessa A’zion as Riley, a recovering addict who is living with her brother and his boyfriend as well as a roommate. Her brother is concerned over her relationship with her boyfriend as he believes anyone she met in recovery is not stable enough to support her in her times of need. Desperate for money; Riley is convinced to take objects from an abandoned warehouse but finds only the mysterious puzzle box which she in time is able to reconfigure to one of the various options it is capable of. In doing so, she summons the Cenobites who promptly take her brother which forces Riley and her friends not only to question her sobriety but her sanity as well. As they attempt to understand the nature of what is happening to them, their investigation leads them to a larger puzzle and encounters with more Cenobites including their leader Pinhead (Jamie Clayton) whose at times cryptic messages can tempt and torment those who try to survive and manipulate the events they find themselves in. What follows is a mix of tension and gore as personal ambitions, survival, temptation, and base emotions are tempted as the characters attempt to understand a complex and rapidly changing nightmare from which there seems to be no escape. While the new version does have a slow and more deliberate pace leading up to the finale, it was engaging enough to hold my interest. For me, the theatrical films became at times redundant as they did not advance the mythos as much as up the gore in an attempt to keep the audiences coming. The fact that the last theatrical release had the Director remove his name from the film shows how things had deteriorated too. The six video releases were hit and miss with Barker no longer being involved and eventually the same for original Pinhead Doug Bradley who no longer wanted to be part of a series where a film was produced in a matter of weeks simply to maintain the rights. This time around thanks to a good cast and effects along with a story that is true to the mythos yet updated and engaging, the franchise has had a much-needed new direction and it will be interesting to see where it goes next as there are already rumors of a prequel in the works. Hulu has done well with their recent “Predator” film “Prey” which has invigorated the franchise and this new outing is not only ideal for their format but a fresh step for the franchise. You can check out “Hellraiser” on Hulu on October 7th.
Yes, Hellraiser has had a Disney make over and it shows. I like Clive Barkers work. I've read a lot of his novels and I remember the original Hellraiser films. Frankly, this film does not feel like an adaptation, of his work. For a start, its predictably woke, no surprises there, right? Its cardinal sin however, is dumbing down the lore found in the original franchise and applying the little that is left, in an inconsistent and at times incoherent, manner. The results a borderline watchable affair. Its pretty tame compared to the original flicks and for me, failed to resonate. Acting is alright and as you might expect, production values are decent. That said, the original films are, I believe, considerably better and far more disturbingly horrifying, than this rather weak facsimile.
Not a bad movie... but not a decent movie either. It's not as entertaining as most of the Hellraiser sequels to date. It's predictable, in no way suspenseful and much of it makes little to no sense. It has nothing in common with the other Hellraiser movies and nothing in common with 'The Hellbound Heart' which is the Clive Barker novel that Hellraiser is based on. The original Hellraiser movie was very true to the book and is still by far the best Hellraiser movie with the most suspense, horror and entertainment value. I'm sure we'll see more Hellraiser movies... and I'm sure they will all be uninspiring.
It's pretty woke and I enjoyed it. I swear, how did we go from discussing and critiquing the plot of a movie and the acting and the script and the sets, to opening criticism with the line "it's pretty woke". At least the bigots can't help but out themselves constantly nowadays.
David Bradley creates a faithfully suspenseful adaptation of a story by Saki which boasts an inadvertent post-modern attitude.
It's 1982. Twelve-year old Doug is drawn into the lurid world of VHS horror as he explores the mysterious disappearance of his father.
College classmates meet for a 10-year reunion, which does not go as smoothly as planned. Love is discovered, friendships are broken and secrets about tragic events in the past are revealed.
In the year 2035, convict James Cole reluctantly volunteers to be sent back in time to discover the origin of a deadly virus that wiped out nearly all of the earth's population and forced the survivors into underground communities. But when Cole is mistakenly sent to 1990 instead of 1996, he's arrested and locked up in a mental hospital. There he meets psychiatrist Dr. Kathryn Railly, and patient Jeffrey Goines, the son of a famous virus expert, who may hold the key to the mysterious rogue group, the Army of the 12 Monkeys, thought to be responsible for unleashing the killer disease.
Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.
The boyfriend of an abducted woman never gives up the search as the abductor looks on.
Three backpackers head to a Slovakian city that promises to meet their hedonistic expectations, with no idea of the hell that awaits them.
Two guys and a female hitchhiker are terrorized by a monstrous looking man driving a giant monster truck.
Conducting clandestine experiments within the morgue at Miskatonic University, scientist Herbert West reveals to a fellow graduate student his groundbreaking work concerning the re-animation of fresh corpses.
Private eye Philip Marlowe investigates a case of blackmail involving the two wild daughters of a rich general, a pornographer and a gangster.
Esther's life is panning out nicely. She will soon move in with her boyfriend Vincent and she seems set to get a permanent position at the public relations company where she freelances. All would be fine if Esther didn't accidentally discover a piercing curiosity about her own body.