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Your wife will have to do that. Us ordinance husbands aren't allowed to. Going' South is directed by Jack Nicholson who also stars. It's co- written by John Herman Schneider, Al Ramrus, Charles Shyer and Alan Mandel. Co-starring with Nicholson is Mary Steenburgen and Christopher Lloyd. Music is by Perry Botkin Junior and cinematography by Nestor Almendros. 1866, Longhorn, Texas and plot finds Nicholson as Henry Lloyd Moon, a small time outlaw who is captured and sentenced to hang. But a strange ordinance from Civil War days allows a condemned man to escape the gallows if an unmarried lady of the town is prepared to take him as a husband. Enter Julie Tate (Steenburgen), a virginal lady who is poles apart from the crude and scruffy Moon, who takes him in purely to help her work in the mine on her land that she insists contains gold. Could these two opposites actually develop a relationship? Can there be trust there? Will Moon survive the wrath of vengeful deputy Towfield (Lloyd) who believes Moon stole his gal? Barely noticed upon release, where few critics of the day were prepared to give it some credit, Jack Nicholson's second film as a director found a firm fan base down in the cult basement. The advent of DVD has seen it get more exposure to film fans and critics and its stock has risen. Yes! It's still a bit too off-beat for some, the quirky comedy Western has always struggled to get mainstream praise anyway, but viewing these days it plays out as enjoyable fare whilst simultaneously giving us early glimpses of future stars of film. In truth the film's comedic high points come in the first quarter and Nicholson strains to reach those heights again. Once the odd couple retreat to the genteel out of the way matrimonial home, the simple premise takes over and the couple engage in a battle of wills between horny beast and angelic being. On the edges of the frame popping in to view from time to time are hostile railroad officials putting the squeeze on Julia as they want her land, deputy Towfield and his cronies and Moon's old gang, the latter of which provides the catalyst for chaos. Sometimes crude, sometimes silly, the film does retain amusing worth throughout, with some zippy lines that remain quotable. Nicholson and Steenburgen are perfect foil for each other, so it's well performed and it also looks nice thanks to Almendros' photography. The likes of John Belushi, Danny DeVito, Veronica Cartwright and Tracey Walter are in the support slots, none of whom get time enough to really impact upon the proceedings as their fans would like. It's interesting to see Lloyd and Steenburgen working together in the genre this early, because they would reteam in the Western themed third part of the Back to the Future trilogy 12 years later. While further continuation novelty sees Lloyd, DeVito and Nicholson back together after working on One Flew Over the Cuckoo's Nest in 75. DeVito would swap chairs with Nicholson and direct the star in Hoffa in 1992. More a amiable smile inducer than a side splitter, Going' South is worth seeking out if you have a kink for off-beat Oaters. 7/10
Rupert, the son of world-renowned artist Luther Milo, longs to create art of his own but is shackled by the need to care for his ailing father. Long-time friend and gallerist, Gab, suggests that the world has woken up to the fact it’s just two blobs on a canvas, and has simply become worthless. This prompts Rupert to consider all of his options – some less tasteful than others.
While doing the inventory for a lingerie outlet in a high rise office building, five attractive women are terrorized by a series of bizarre killings. They suspect that the strange janitor, who witnessed another series of killings years back, is at the bottom of the whole thing. Little do they know the real horror that they face in the end.
Alan Bleasdale's comic crime caper for Channel 4 about a former getaway driver desperate to leave his life of crime behind. Featuring Alfred Molina, David Ross, Amanda Mealing, Andrew Schofield and Julie Walters. Raymond Murtagh's Requim Apache tells the story of Hamish, who was once one of the criminal underworld's best getaway drivers. Now a new father and retired to the Suffolk countryside, he has to watch the baby at home alone. However, Hamish's peaceful and idyllic new life is shattered when his past rears its ugly head once again, and the old gang comes over for a visit. They make him an offer he dare not refuse to take on one last bank job. However, with no babysitter available, he is forced to take the baby with him.
A ditsy reporter enlists the help of a sleazy private eye to solve a series of gory killings of female strippers at a Chicago nightclub.
"Baptists at Our Barbecue" is the comedic story of the small town of Longwinded, USA, a divided, feuding town of 262 Mormons and 262 Baptists. It's also a love story, about one man who will try anything to end the ridiculous feud, bring the town together, and keep the peace-loving girl of his dreams from leaving town.
Johnny Mack Brown follows his tried-and-true western formula in Law of the Panhandle. This time, U.S. Marshal Brown backs up Sheriff Tom Stocker (Riley Hill) in an ongoing battle against a marauding outlaw gang. The thieves, led by snarling Henry Faulkner (Myron Healey), hope to scare all the local ranchers off the land that will soon be purchased by the railroad that's coming through the territory.
In the little town of Dorado, widely known as a town with no crime and no bank to rob, young Polish-born Steve Kovacs is fighting a two-edged sword of prejudice; his foreign birth and also the fact that his brother, Nick Kovacs, is the leader of an outlaw gang known as The Missourians.
Set in 1987, a group of filmmakers venture into the California wilderness to film a shot on video slasher movie and soon find themselves systematically crippled, butchered and devoured by a family of feral cannibals.
"Stewie Kills Lois" and "Lois Kills Stewie" is a two-part episode of the sixth season of the animated comedy series Family Guy, which was originally produced for the end of Season 5.
Evilio asks a family for help that decides to ignore him. Later that night, he appears at their house to punish them.
Set against the backdrop of 18th century England, a massive pox outbreak, and Jacobite uprising – this is a timely and darkly satirical story of Sir Chauncey Savage and Lady Savage and their blind pursuit of a better life. It is not without a tinge of irony that their family name is the Savages, for this is a Savage House indeed. Filled with duels, decadence, and bloodshed, this is a madcap play on class and power.