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**_Bronson and Jill in a satire about the making of legends_** Many years after the Civil War, an outlaw (Charles Bronson) is forced to stay with a humorless Victorian woman (Jill Ireland) while his buds pull off a job in the nearby town. The few hours they spend together become legendary after she chronicles the events. “From Noon till Three” (1976) is an atypical Western that features a quirky air and comedic bits combined with some effective romance in the mold of the first half of “Bandolero” or “The Ballad of Cable Hogue,” but morphs into a parable about myth being more important than reality. It’s better than “Goin’ South,” but not as entertaining as "The Duchess and the Dirtwater Fox,” keeping in mind that this isn’t an all-out comedy like the latter. It has the tone of, say, “There Was a Crooked Man...” As long as you don’t expect the awe of “Chino” or the grim action of "Breakheart pass," it’s entertaining enough in its unique way. Jill is stunning and winsome as usual. The moral doesn’t just apply to popular legends, like Jesse James, Wyatt Earp or Romeo & Juliet, but to the individual’s tendency to romanticize or bend the truth as years pass, making the person and occasion larger-than-life. The movie runs 1 hours, 39 minutes, and was shot at Thousand Oaks, California, and nearby Warner Brothers Burbank Studios. GRADE: B-
The first of 22 inexpensive Westerns starring Jack Randall (aka Addison Randall and Allan Byron), Riders of the Dawn is yet another in a long series of oaters featuring a lawman masquerading as an outlaw.
Before the U.S. Civil War rebel leader Luke Darcy sees himself as leader of a new independent Republic of Kansas but the military governor sends an ex-raider to capture Darcy.
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
Dorothy, and her big city lawyer boyfriend, return to the Lazy 'B' ranch to read her late father's will. For Dorothy to inherit everything, she must stay on the ranch for 5 years. If she does not, everything goes to Buck, who is the manager. She does not like Buck, so she makes a deal with the wrong people for cattle and then the outlaws go to the ranch to get the $10,000 from her. But Buck is on the job.
A nun, the only survivor of an Indian massacre of a wagon train, is taken in by a cantankerous old gunfighter.
In the opening chase, Martin Riggs and Roger Murtaugh stumble across a trunk full of Krugerrands. They follow the trail to a South African diplomat who's using his immunity to conceal a smuggling operation. When he plants a bomb under Murtaugh's toilet, the action explodes!
An oppressed Mexican peasant village hires seven gunfighters to help defend their homes.
Konrad and Roger robs a bank, but shit happens when Konrad discovers that Linda works there...
A young man falls for a young woman on his trip home; unbeknownst to him, her family has vowed to kill every member of his family.
A country romance about the human streak in the horse and the horse in the human. Love and death become interlaced and with terrible consequences. The fortunes of the people in the country through the horses' perception.
Novelist Will James, a specialist in horse stories, wrote the yarn upon which 20th Century-Fox's Sand was based. Mark Stevens plays horse breeder Jeff Keane, who loses his prize stallion in a train accident. While the stallion roams wild and free, Keane enlists the aid of rancher Joan Hartley (Coleen Gray) in searching for the animal. Once the horse is located, it is clear that it has developed a mean streak, the result of various cruelties inflicted upon it by humans. Jeff and Joan combine their efforts to regain the horse's friendship. Veteran Native American actors Iron Eyes Cody and Jay Silverheels make significant supporting appearances. Sand was attractively filmed in Technicolor on location in Colorado.