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Could you believe, they put a man on the Moon - that early!? Directed by Nathan Juran, First Men In The Moon is an adaptation of the H. G. Wells novel "The First Men in the Moon". Nigel Kneale (creator of Quatermass) and Jan Read write the screenplay, Ray Harryhausen provides the stop-motion effects, and the cast is made up of Lionel Jeffries, Edward Judd & Martha Hyer. The story sees a UN rocket flight to the Moon land in 1964 thinking it is the first landing in history. However, they discover a British Union Flag and a notice written by a Katherine Callender (Hyer) stating that the Moon has already been claimed in the name of Queen Victoria. This starts off a search by the UN to locate Katherine so as to get to the bottom of the story. They soon find that she has passed away but locate her husband Arnold Bedford (Judd) in an old people's home. Arnold has over the years been dismissed as being "not right" for his claims of having once been to the Moon. But now the authorities are very keen to listen to what Arnold has to say. He tells a fantastical story of the time in 1899 when Professor Joseph Cavor (Jeffries), Katharine and himself, went to the Moon and met an alien race known as the Selenites. Nathan Juran's movie opens with a booming piece of music by Laurie Johnson, the sort of score opening that promises either end of the world like dramatics, or something resembling the onset of War. We then open with astronauts on the Moon finding the Union Flag of Great Britain - the tone is set for some H. G. Wells sci-fi dalliances. Only what follows for the next 45 minutes is a sedate comedy like piece featuring three over the top Victorian caricatures. It's such as shame that the first two thirds of the movie is actually flat, given that the last third and the production in general really gathers pace and hits the spot. It's a distracting contrast, and one that begs the question on who is responsible for this silly misstep?. Still, the bonkers plot is fine, even if it's some way away from Wells' social commentary tinged novel, while the actors, possibly in preparation for playing second fiddle to Harryhausen's work, just about keep it watchable till the pace and drama kicks in. As is the case with most Harryhausen led pictures, it's the appearance of his creations and his Dynnamation work that considerably lifts proceedings. Once our dynamic trio land on the Moon the theme considerably changes and we finally get the film that that opening hinted at. Selenite aliens (a kind of winged beetle race), a giant Caterpillar thingy and the Grand Lunar leader showcase some, what is admittedly, second tier Harryhausen work. However, it's enough to entertain with charm whilst giving the piece some dramatic thrust. Best of all, though, is the art work on show from John Blezard and his team, where terrific sets (and the ever gorgeous in her 40s, Martha Hyer) are enhanced by Wilkie Cooper's excellent colour photography (in LunarColor noless). One can't help thinking that the craft on show deserves a much better film than we, as a whole, get. So this is one for nostalgists like me, who as a youth looked forward to a Saturday afternoon viewing of something Harryhausen inspired, for completists of the great man's work and of course for lovers of "B" movie sci-fi schlock. 7/10
Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.
Vincent is an all-too-human man who dares to defy a system obsessed with genetic perfection. He is an "In-Valid" who assumes the identity of a member of the genetic elite to pursue his goal of traveling into space with the Gattaca Aerospace Corporation.
It ain't easy bein' green - especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot - a wisecracking donkey.
After the entire flora goes extinct, ecologist Lowell maintains a greenhouse aboard a space station for the future with his android companions. However, he rebels after being ordered to destroy the greenhouse in favor of carrying cargo, a decision that puts him at odds with everyone but his mechanical companions.
When diabolical genius Dr. Evil travels back in time to steal superspy Austin Powers's ‘mojo,’ Austin must return to the swingin' '60s himself - with the help of American agent, Felicity Shagwell - to stop the dastardly plan. Once there, Austin faces off against Dr. Evil's army of minions to try to save the world in his own unbelievably groovy way.
Aliens have landed and are hiding on Earth, but need Earth’s scientists to help them fight an inter-planetary war.
After an encounter with UFOs, an electricity linesman feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.
In the year 10,191, the most precious substance in the universe is the spice Melange. The spice extends life. The spice expands consciousness. The spice is vital to space travel. The spice exists on only one planet in the entire universe, the vast desert planet Arrakis, also known as Dune. Its native inhabitants, the Fremen, have long held a prophecy that a man would come, a messiah who would lead them to true freedom.
Women enter and exit a science fiction author's life over the course of a few years after the author loses the woman he considers his one true love.
Construction worker Douglas Quaid's obsession with the planet Mars leads him to visit Recall, a company that manufactures memories. When his memory implant goes wrong, Doug can no longer be sure what is and isn't reality.
By 2017, the global economy has collapsed and U.S. society has become a totalitarian police state, censoring all cultural activity. The government pacifies the populace by broadcasting a number of game shows in which convicted criminals fight for their lives, including the gladiator-style The Running Man, hosted by the ruthless Damon Killian, where “runners” attempt to evade “stalkers” and certain death for a chance to be pardoned and set free.