Cabrini 2024 - Movies (Oct 2nd)
Mafia Wars 2024 - Movies (Feb 5th)
Cinderellas Revenge 2024 - Movies (Feb 5th)
Slide 2025 - Movies (Feb 5th)
Queer Planet 2024 - Movies (Feb 5th)
The Forge 2024 - Movies (Feb 4th)
Green and Gold 2025 - Movies (Feb 4th)
Grace Wins 2024 - Movies (Feb 4th)
Deadzone 2024 - Movies (Feb 4th)
The Distance Between Us 2024 - Movies (Feb 4th)
A European Christmas 2024 - Movies (Feb 4th)
Super Icyclone 2024 - Movies (Feb 4th)
The Perfect Mother 2024 - Movies (Feb 4th)
Thirsty for Likes 2024 - Movies (Feb 4th)
Three Secrets 2024 - Movies (Feb 4th)
Ryans World the Movie Titan Universe Adventure 2024 - Movies (Feb 4th)
Megalopolis 2024 - Movies (Feb 4th)
Blood Star 2024 - Movies (Feb 4th)
Resistance They Fought Back 2024 - Movies (Feb 4th)
Conclave 2024 - Movies (Feb 4th)
Oh Canada 2024 - Movies (Feb 3rd)
Cabrini 2024 - ()
Mafia Wars 2024 - ()
Cinderellas Revenge 2024 - ()
Slide 2025 - ()
Queer Planet 2024 - ()
The Forge 2024 - ()
Green and Gold 2025 - ()
Grace Wins 2024 - ()
Deadzone 2024 - ()
The Distance Between Us 2024 - ()
A European Christmas 2024 - ()
Super Icyclone 2024 - ()
The Perfect Mother 2024 - ()
Thirsty for Likes 2024 - ()
Three Secrets 2024 - ()
Ryans World the Movie Titan Universe Adventure 2024 - ()
Megalopolis 2024 - ()
Blood Star 2024 - ()
Resistance They Fought Back 2024 - ()
Conclave 2024 - ()
In the year 2040, a spacecraft called the Event Horizon was sent out to journey among the stars with an experimental gravity drive that purported to allow faster-than-light travel. On its maiden voyage, however, it vanished. Seven years later, it has returned, orbiting Neptune, and a rescue crew is sent out to investigate, along with the scientist responsible for the ship’s creation. The rescue crew of the Lewis and Clark are a group of no-nonsense blue-collar workers, led by Captain Miller (Laurence Fishburne), with Dr. William Weir (Sam Neill) along for his expertise. When they arrive at the Event Horizon, they find the crew long dead. “This ship is a tomb,” judges Captain Miller at one point. The rescue team begins to realize that the ship passed through a black hole created by the gravity drive, but didn’t return alone. The ship with a long-dead crew shows life signs. The rescue team begins to have terrifying visions. The gravity drive begins to spin of its own accord... Something is loose on the ship, and the rescue team has to not only unravel out what happened to the original crew, but also protect themselves from the horrors that returned with the ship. It’s a simple but sturdy setup, standard B-movie stuff. What elevates Event Horizon is its first-class production design and solid atmosphere. Paul W.S. Anderson (Mortal Kombat, Resident Evil, Alien vs. Predator) is not a name one would generally associate with good film product these days, but here he managed (in spite of himself, one may think given the rest of his output) to present a film steeped in suspense, with strong performances, gorgeous set pieces, and palpable horror. Let’s be honest: there’s nothing new here. The strength of this film lies in how it fits together the pieces it stole from other films. This is very much (and very completely) The Shining by way of Alien, even to the point of lifting the character archetypes directly from Ridley Scott’s 1979 masterpiece. The Event Horizon is the Overlook Hotel, teeming with supernatural power and malice. The film delves into gore in its last third, but it’s not quite proficient enough to have it enhance the scares (which were doing just fine before the blood started flowing so freely). However, the film is even structured like Alien and The Shining, all slow burn and building dread until things begin to go to hell (literally, perhaps). The cast have stock characters but they bring them to life admirably, particularly Neill and Fishburne; among the secondary characters, Kathleen Quinlan, Jack Noseworthy, and Sean Pertwee are particularly memorable. The script by Philip Eisner is derivative but effective, and Anderson was clearly at the peak of his directorial prowess here. Don't misunderstand me to say that the film's lifts from other works make it bad; it's certainly not. Originality is overrated as an attribute, and fairly value-neutral even on the best of days. I'd much rather have a tale well-told than one that does weird things simply for the sake of doing weird things (French sci-fi/fantasy directors, I'm looking at you. Yes, you, Jeunet), though the greatest films find a way to combine both sturdy storytelling and originality in the medium. In total, Event Horizon is a very effective sci-fi horror film, breaking no new ground but doing what it does very well. A minor classic of the sci-fi horror genre.
You know nothing. Hell is only a word. The reality is much, much worse. Event Horizon is directed by Paul W.S. Anderson and written by Philip Eisner. It stars Sam Neil, Laurence Fishburne, Joely Richardson, Kathleen Quinlan, Richard T. Jones, Sean Pertwee, Jason Isaacs and Jack Noseworthy. Music is by Michael Kamen and orbital and cinematography is by Adrian Biddle. 2047 and a group of astronauts are sent to investigate the 'Event Horizon' which disappeared mysteriously 7 years ago. It has returned minus its crew and now the crew of the 'Lewis and Clark' become exposed to horrifying secrets of the ghost ship... It is what it is, a haunted house chiller set on a space ship. It's derivative within the genre but it does the genre staples with no little amount of quality. The tone is set from the opening credits being accompanied by a ferociously foreboding musical score, and from there the pic delivers a "who is going to get killed and in what order" process - and why? Just what is the mystery at the core of it all?. A great cast has been assembled, which lifts it above its "B" movie roots, so with some thoughtful ideas within the narrative, it's easy to buy into the characterisations. Naturally the blood will flow, devilishly so, but the makers here put a different slant on the sci-fi/horror assailant thread. Of course it gets a bit by the numbers come the final quarter, arguably a bit hokey in fact, but it's very effective and perfect for a lights off viewing experience. Smart production design helps keeps up the chilly feel to proceedings, whilst the bleak tonal flows that director Anderson goes for really draws the engaged observer in. It's neither ground breaking or a top line film of its type, but holding up on repeat viewings it proves to be a sturdy and unsettling space based chiller. 7/10
A fantastic "horror in space" thriller led by an excellent assemble cast (Laurence Fishburne, Sam Neil, Kathy Quinlann). Do we really want to know what can be found at the edge (event horizon) of a black hole?
A fantastic "horror in space" thriller led by an excellent assemble cast (Laurence Fishburne, Sam Neil, Kathy Quinlann). Do we really want to know what can be found at the edge (event horizon) of a black hole?
This is the third time seeing this one and my opinion pretty much remained the same. Some interesting ideas but not very well executed, though that's kind of Paul W.S. Anderson's style of filmmaking it would seem. Visual effects are at times iffy (the CGI in particuular) but the acting was okay and I can't say I ever was bored or mystified with what I was watching. **3.25/5**
Although this plot has been through the wringer a few times already, over the years, I still quite enjoyed it. A group of exploring astronauts set off to find out what happened to the eponymous spaceship that disappeared long since but has now returned! "Miller" (Laurence Fishburne) leads a team that also includes "Weir" (Sam Neill) who originally designed the enigmatic craft. Onboard, all seems fine until things start to go terrifyingly awry for this crew as they discover, quite literally, the remnants of the previous occupants floating around. Pretty quickly, they find themselves facing a shapeless foe of untold power that may well emanate from another time, certainly it does from another place. We are now presented with a creatively entertaining mix of sci-fi and light horror, with some good visual effects (especially the lighting) that complement, rather than overwhelm, the story. The acting - even from the usually stiff as a board Neill (and his creepy eyes) - makes for a well presented and exciting adventure that offers us menace, some decent dialogue and a genuine sense of peril as we edge nearer the quite uncertain denouement. Much better than I was expecting.
"Event Horizon" is one of those movies that pulls you in with its eerie atmosphere and keeps you hooked with its intriguing premise. It’s a sci-fi horror that isn’t just about space exploration but dives into darker, more psychological territory. The visuals are haunting, the tension builds steadily, and the overall design of the ship itself adds so much to the unsettling vibe. From start to finish, the movie keeps you on edge, and the pacing ensures you’re never bored. What I really appreciate about "Event Horizon" is its ability to blend genres so seamlessly. It’s a sci-fi film at its core, but the horror elements are front and center, creating an experience that feels fresh and unique. The story is easy to follow, which makes the intense moments hit even harder. You’re not trying to untangle a complicated plot; you’re just along for the ride, which makes it even more effective when things start to unravel. While it could have benefited from a bit more character development to really drive that emotional connection, the film still manages to leave a lasting impression. It’s the kind of movie that grows on you the more you think about it. If you’re into suspenseful, atmospheric films that mix horror with sci-fi, "Event Horizon" is definitely worth checking out. It’s dark, it’s intense, and it’s an experience you won’t forget anytime soon.
Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs - and it's absolutely impossible to contain.
Two men wake up to find themselves shackled in a grimy, abandoned bathroom. As they struggle to comprehend their predicament, they discover a disturbing tape left behind by the sadistic mastermind known as Jigsaw. With a chilling voice and cryptic instructions, Jigsaw informs them that they must partake in a gruesome game in order to secure their freedom.
In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?
14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence; which is considerable.
Jigsaw has disappeared. Along with his new apprentice Amanda, the puppet-master behind the cruel, intricate games that have terrified a community and baffled police has once again eluded capture and vanished. While city detective scrambles to locate him, Doctor Lynn Denlon and Jeff Reinhart are unaware that they are about to become the latest pawns on his vicious chessboard.
Set ten years after the events of the original, James Cameron’s classic sci-fi action flick tells the story of a second attempt to get rid of rebellion leader John Connor, this time targeting the boy himself. However, the rebellion has sent a reprogrammed terminator to protect Connor.
Former policeman Lenny Nero has moved into a more lucrative trade: the illegal sale of virtual reality-like recordings that allow users to experience the emotions and past experiences of others. While they typically contain tawdry incidents, Nero is shocked when he receives one showing a murder.
During its return to the earth, commercial spaceship Nostromo intercepts a distress signal from a distant planet. When a three-member team of the crew discovers a chamber containing thousands of eggs on the planet, a creature inside one of the eggs attacks an explorer. The entire crew is unaware of the impending nightmare set to descend upon them when the alien parasite planted inside its unfortunate host is birthed.
Teenagers in a small town are dropping like flies, apparently in the grip of mass hysteria causing their suicides. A cop's daughter, Nancy Thompson, traces the cause to child molester Fred Krueger, who was burned alive by angry parents many years before. Krueger has now come back in the dreams of his killers' children, claiming their lives as his revenge. Nancy and her boyfriend, Glen, must devise a plan to lure the monster out of the realm of nightmares and into the real world...
When scientists discover something near Antarctica that appears to be a buried Pyramid, they send a research team out to investigate. Little do they know that they are about to step into a hunting ground where Aliens are grown as sport for the Predator race.
A young man struggles to access sublimated childhood memories. He finds a technique that allows him to travel back into the past, to occupy his childhood body and change history. However, he soon finds that every change he makes has unexpected consequences.