Jim Henson: Commercials and Experiments

Nikki is no professional athlete. Still, she swims the English channel to raise money for a good cause.

The film offers three excerpts from the life of a working blind person. It shows in particular the extent to which the guide dog can replace the blind person's lack of sight and how this results in a relationship of loyalty between man and animal of rare intimacy.

"Shotplayer" is an impressionistic journey into the mind of Wilfred Rose, one of New York City's most notorious pickpockets. As he returns to the subway for the first time in many years he reflects on a life of crime in a society that has left many of its citizens behind. "Shotplayer" asks, when is it ok to push back against that society? What does it mean to live as a criminal? What does it mean to live one’s life on an invisible plane? To live at all?

An imaginatively choreographed dance interpretation of the ballad by Nina Simone explores four common stereotypes of Black women.

A one minute short film showcasing the sights, sounds, and people that characterizes Singapore's nightlife.

Award-winning film director Kurtz Frausun captures a gay couple's relationship struggles and the death of a parent, set in the backdrop of their Plano, TX apartment during a snow storm, in the new documentary, "Candid Love."

An experimental documentary about the street drag racing scene on Chicago’s Near West Side. This is a rambling, textured film about obsession. It is about the mythos of speed for its own sake, and it is about waiting. While waiting, The BLVD exposes community, inner-city landscapes and nomadic experiences of place. The film treats storytelling as a living medium for determining history. And it commands respect for those who transform cars, or anything else, through passion.

Short film from Sergei Parajanov, a personal view of the director on the spectacular heritage of Niko Pirosmani (1862–1918), a Georgian primitivist painter.

POSSESSED enters the complicated worlds of four hoarders; people whose lives are dominated by their relationship to possessions. The film questions whether hoarding is a symptom of mental illness or a revolt against the material recklessness of consumerism. When does collecting become hoarding and why do possessions exert such an influence on our lives?