Professor Philip Goodman devotes his life to exposing phony psychics and fraudulent supernatural shenanigans. His skepticism soon gets put to the test when he receives news of three chilling and inexplicable cases - disturbing visions in an abandoned asylum, a car accident deep in the woods and the spirit of an unborn child. Even scarier - each of the macabre stories seems to have a sinister connection to the professor's own life.
Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.
Released to theaters in 1974, this collection of vintage Columbia short subjects included: "Yes, We Have No Bonanza" with The Three Stooges; "Violent Is the Word for Curly" with The Three Stooges; "You Nazty Spy!" with The Three Stooges (replaced by "Men in Black" for the nontheatrical reissue); "Nothing But Pleasure" with Buster Keaton; "Strife of the Party" with Vera Vague; Chapter 1 of the 1943 "Batman" serial with Lewis Wilson and Douglas Croft; and "America Sings with Kate Smith."
The Void is a multi volume anthology series featuring some of the best award winning short films from the Horror, Suspense, Thriller, Sci-Fi and Fantasy genres, Including: Dystopia St., ...
A collection of episodes that was released on 1 October 1999 on VHS and on 8 September 2003 at DVD as part of the series The Simpsons Classics.
Centered around a television station which features a 1950s-style sci-fi movie interspersed with a series of wild commercials, wacky shorts and weird specials, this lampoon of contemporary life and pop culture skewers some of the silliest spectacles ever created in the name of entertainment.
This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.
Double the tales and double the fright! "Killer" Callahan sits on death row when a trustee offers some escapism through disturbing stories.
Based on Fuyumi Ono's best-selling books, these 10 tales of spookiness by six Japanese horror directors are designed to chill viewers to the bone.
A haunted taxi brings horror to several lives in this ghost story anthology from Japan.