The Fall Guy 2024 - Movies (May 21st)
Seize Them! 2024 - Movies (May 21st)
Killer Body Count 2024 - Movies (May 21st)
A Strangers Child 2024 - Movies (May 20th)
Arthur the King 2024 - Movies (May 20th)
The Wrath of Becky 2023 - Movies (May 20th)
IF 2024 - Movies (May 20th)
Family Practice Mysteries Coming Home 2024 - Movies (May 20th)
Oppenheimer 2023 - Movies (May 19th)
Golden Kamuy 2024 - Movies (May 19th)
Silent impulses 2023 - Movies (May 19th)
Everything Puppies 2024 - Movies (May 19th)
Silence of the Prey 2024 - Movies (May 19th)
The Guardian of the Monarchs 2024 - Movies (May 18th)
Imaginary 2024 - Movies (May 18th)
One Life 2023 - Movies (May 18th)
Dont Tell Mom the Babysitters Dead 2024 - Movies (May 18th)
The Strangers Chapter 1 2024 - Movies (May 17th)
Pandemonium 2023 - Movies (May 17th)
Nightwatch Demons Are Forever 2023 - Movies (May 17th)
Bad Romance The Vicky White Story 2023 - Movies (May 17th)
WWE Raw - (May 21st)
Mean Girl Murders - (May 21st)
Summer Baking Championship - (May 21st)
Contraband- Seized at the Border - (May 21st)
Hitlers Power - (May 21st)
Next Baking Master- Paris - (May 21st)
Inside NASAs Innovations - (May 21st)
The Veil - (May 21st)
Seeking Sister Wife - (May 21st)
Ugliest House in America - (May 21st)
The ReidOut - (May 21st)
All American - (May 21st)
The Bold and the Beautiful - (May 21st)
The Price Is Right - (May 21st)
Lets Make a Deal - (May 21st)
The Young and the Restless - (May 21st)
The Talk - (May 21st)
90 Day Fiance- Love in Paradise - (May 21st)
Deadline- White House - (May 21st)
The Beat with Ari Melber - (May 21st)
Pouvoir Oublier is a political documentary first constructed from the words of the speakers whose lives changed on the tragic day of May 10, 1972 in Sept-Îles. Their word will be juxtaposed with archival material from the events, some of which are unpublished, which will reflect the collective euphoria in which Sept-Îles and all of Quebec were then bathed.
A collage of interviews analyzing the internet, political polarization, incel culture, the far-right, and the process by which young people can evolve towards extremism.
Almost 200 women file by a device on the wall from which they take their time checks. A man runs half-way across the screen at the end of the film.
A camera on an overhead crane travels down a large, long aisle where men are shown working on large machinery on either side. Carts carrying equipment are shown traveling on rails down the aisles. There are also men walking in the aisles. From Bitzer's Westinghouse Works series.
On the left of the screen, a small group of men lift the top off of what appears to be a turbine with a crane and continue to check the machine, tightening various parts with wrenches. On the right side, a few men appear to be testing the workings of what may be a turbine.
On October 23, 1998, a sniper carrying a high-powered rifle assassinated Dr. Barnett Slepian in his home, altering forever a family, a community, and the bounds of our imaginings about anti-abortion violence. This horrific act punctuated a decade of escalating harassment and violence against women’s heath care providers – a decade marred by murders, assaults, death threats, stalking, clinic blockades, arsons, bombings, and chemical attacks. How do these events affect the personal and professional lives of abortion providers? What motivates them to continue their work in the face of such terrorism?
Civil discourse is vanishing from modern society. Improv comedians heal the divide in this documentary feature film starring Colin Mochrie (Whose Line is it, Anyway?) that explores the use of improvisation for conflict resolution. Republican Karl Rove performs improv with Colin Mochrie and endears himself to a room half-full with Democrats. Police officers do improv with local youth in order to learn listening skills. Dr. Daniel J. Wiener brings couples back from the brink of divorce using improv. Dr. Charles Limb places Second City improv comedians in a functional MRI machine to see what happens in the brain when we improvise.
A very graceful dance with voluminous draperies, by Annabelle Moore, well-known on the metropolitan stage.
In a sunny open air setting with a background of high, deep foliage trees, and a white-walled storeyed house, an acrobat with light shirt and trousers and white plimsolls is doing acrobats in a trapeze in the center of the area. Behind it, a pair of men in similar dress seem to be carrying barbells from one place to the other, rather then exercising with them.