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In this age of instant protests and calls for ban, Adhik Ravichandran, for a debutant, is audacious enough in having made this romantic comedy that sends up things that the so-called upholders of culture hold sacred, and where the romance is mainly fuelled not by heart but by hormones and plenty of alcohol. One of his two heroines offers a drink to the hero and asks him to use her as the side dish, while the second downs two beer bottles at the same time and tells him to piss off when he tells her not to drink. One doesn't mind admitting that she has had sex after breaking up with him and the other accuses him of not trying to make out with her. One character tells the hero that virginity is as dead as dinosaurs! And despite behaving like the average Tamil cinema hero (who considers TASMAC a home away from home, lectures women on morals while lusting after them all the time), his hero comes across as a sap who always finds out that he can never command the interest of a woman. The film is about Jeeva (a very convincing GV Prakash who seems to have lost the inhibition that could be sensed in his debut, Darling), who falls in love with his childhood friend Ramya (Anandhi). When she breaks up with him, he instantly chooses to go out with his other childhood friend Aditi (Manisha Yadav). But she, too, ditches him, and now, Jeeva goes back to wooing Ramya, little realising that the game has changed. His uncle Visu (VTV Ganesh) and Ramya's aunt Simran (Simran) try to help him out and act as his love gurus, though they clearly see him for what he is — a pathetic loser. The best thing that can be said about Trisha Illana Nayanthara is that it is unabashed about being crass and sexist and wears its 'A' certificate as a badge of honour. There are innumerable innuendos (at one point, Ramya says, "Naan onna thorandhu kaataren") and adult comedy (Jeeva makes out with a doll as practice) and misogynist dialogues, but they do not come across as exploitative but rather harmless fun. And the film also has moments of genuine absurdity (like three pregnancies happening at the same time with an MGR-like figure taking charge, a psycho who pops up now and then to throw bricks at everyone) that prove us that the director clearly knows what he is doing. But the blatant pandering to the fan bases of Ajith and Vijay (an unfortunate trend in Tamil films of late) becomes rather annoying after a point. And the uninvolving songs (save for Mutham Kodutha Maayakaari) and a sub-plot involving Simran and her scientist husband (Yuhi Sethu) only make the film longer than it should ideally be.
In 1965, a young woman with dreams of becoming a writer has a son at the age of 15 and struggles to make things work with the drug-addicted father.
Andreas, a young German student comes to Hungary on an exchange programme. In the Hungarian village he falls in love with the stationmaster's daughter Piroschka and spends much of his time with her. They have an enchanting summer until Andreas gets an invitation to join another young woman at a nearby resort. Piroschka is jealous and follows him there, causing trouble. It takes a long time for Andreas and Piroschka to even talk to each other again. When Andreas has to leave Hungary at the end of his holiday, he is determined to return some day.
A strong-willed peasant girl is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line, but is left traumatised from her experiences.
A former champion rodeo rider is reduced to using his saddle skills to promote a breakfast cereal in a gaudy Las Vegas show. When he's asked to perform with a $12 million horse, he discovers it is being doped to remain docile. He flees into the desert astride the beast in an act of defiance. A story-hungry female reporter gives chase.
After Gordon Bombay's hockey comeback is cut short he is named coach of Team USA Hockey for the Junior Goodwill Games. Bombay reunites the Mighty Ducks and introduces a few new players, however, he finds himself distracted by his newfound fame and must regather if the Ducks are to defeat tournament favourites Iceland.
Three activists cobble together a kidnapping plot after they encounter a businessman in his home.
Clarence marries hooker Alabama, steals cocaine from her pimp, and tries to sell it in Hollywood, while the owners of the coke try to reclaim it.
Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteor-logical.
Crustacés et coquillages is a fresh French comedy film with numerous surprise turnarounds and about the tolerance of a family of four. The family spend an idealistic summer vacation together where each of the family members gets involved in a new or old relationship.
With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an outburst of envious love.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.