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In this age of instant protests and calls for ban, Adhik Ravichandran, for a debutant, is audacious enough in having made this romantic comedy that sends up things that the so-called upholders of culture hold sacred, and where the romance is mainly fuelled not by heart but by hormones and plenty of alcohol. One of his two heroines offers a drink to the hero and asks him to use her as the side dish, while the second downs two beer bottles at the same time and tells him to piss off when he tells her not to drink. One doesn't mind admitting that she has had sex after breaking up with him and the other accuses him of not trying to make out with her. One character tells the hero that virginity is as dead as dinosaurs! And despite behaving like the average Tamil cinema hero (who considers TASMAC a home away from home, lectures women on morals while lusting after them all the time), his hero comes across as a sap who always finds out that he can never command the interest of a woman. The film is about Jeeva (a very convincing GV Prakash who seems to have lost the inhibition that could be sensed in his debut, Darling), who falls in love with his childhood friend Ramya (Anandhi). When she breaks up with him, he instantly chooses to go out with his other childhood friend Aditi (Manisha Yadav). But she, too, ditches him, and now, Jeeva goes back to wooing Ramya, little realising that the game has changed. His uncle Visu (VTV Ganesh) and Ramya's aunt Simran (Simran) try to help him out and act as his love gurus, though they clearly see him for what he is — a pathetic loser. The best thing that can be said about Trisha Illana Nayanthara is that it is unabashed about being crass and sexist and wears its 'A' certificate as a badge of honour. There are innumerable innuendos (at one point, Ramya says, "Naan onna thorandhu kaataren") and adult comedy (Jeeva makes out with a doll as practice) and misogynist dialogues, but they do not come across as exploitative but rather harmless fun. And the film also has moments of genuine absurdity (like three pregnancies happening at the same time with an MGR-like figure taking charge, a psycho who pops up now and then to throw bricks at everyone) that prove us that the director clearly knows what he is doing. But the blatant pandering to the fan bases of Ajith and Vijay (an unfortunate trend in Tamil films of late) becomes rather annoying after a point. And the uninvolving songs (save for Mutham Kodutha Maayakaari) and a sub-plot involving Simran and her scientist husband (Yuhi Sethu) only make the film longer than it should ideally be.
A couple of angels, O'Reilly and Jackson, are sent to Earth to make sure that their next supervised love-connection succeeds. They follow Celine, a spoiled rich girl who has just accidentally shot a suitor and, due to a misunderstanding, is kidnapped by janitor Robert. Although Celine quickly frees herself, she stays with Robert for thrills. O'Reilly and Jackson pursue, hoping to unite the prospective lovers.
Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, Mateo Blanco, and directing his last movie.
A thirty-something southern woman searches for love, despite the burdens she carries with her.
After losing the woman of his dreams, Anderson is convinced he'll never fall in love again. But at the urging of his best friend, he spontaneously proposes to a dissatisfied waitress named Katie and an innocent dare evolves into the kind of love that both have been looking for all along.
America! Built on a better pill. Karly Hert has spent the last ten years selling drugs. Legally, that is. Karly is a pharmaceutical sales representative. She sells pills to doctors. She makes lots of money. She has a company car. She has a nice fat expense account. But there's a growing pit in Karly's stomach. Something isn't right behind the scenes at big pharma. Based on the director's decade working directly for the industry.
Sally and Gillian Owens, born into a magical family, have mostly avoided witchcraft themselves. But when Gillian's vicious boyfriend, Jimmy Angelov, dies unexpectedly, the Owens sisters give themselves a crash course in hard magic. With policeman Gary Hallet growing suspicious, the girls struggle to resurrect Angelov - and unwittingly inject his corpse with an evil spirit that threatens to end their family line.
Linus and David Larrabee are the two sons of a very wealthy family. Linus is all work – busily running the family corporate empire, he has no time for a wife and family. David is all play – technically he is employed by the family business, but never shows up for work, spends all his time entertaining, and has been married and divorced three times. Meanwhile, Sabrina Fairchild is the young, shy, and awkward daughter of the household chauffeur, who goes away to Paris for two years, and returns to capture David's attention, while falling in love with Linus.
Walker investigates a murder connected with a missing government weapon. In addition, he tries to track down a teen on the run from a crime syndicate.
"American summer" is a road movie about life. It is loosely based on the adventures of real Eastern European university students selling books door to door in United States.
Thirty-something Elizabeth must decide whether to salvage her disappointing relationship with Drew. Meanwhile, Bea, a worrisome teenager, reconnects with her introverted childhood friend, Andy, at their high school prom. Past and present collide as two couples explore love over the course of one night at a hotel.
