En haut des marches

Paul Kersey is back at working vigilante justice when his fiancée, Olivia, has her business threatened by mobsters.

A hardened New Orleans cop, Dave Robicheaux, finally tosses in the badge and settles into life on the bayou with his wife. But a bizarre plane crash draws him back into the fray when his family is viciously threatened.

After an unfortunate incident causes him to leave the "family business" and move to Los Angeles, Vinny Pallazzo is living a quiet life. When his nephew, Anthony, moves in with him, Vinny slowly learns to live life to the fullest again. However, Anthony is young, and is living life in the fast lane. He brings out the demons from Vinny's past. Now Vinny must try to stop Anthony from making the same mistakes that changed his life forever.

Gena is a sweet and dedicated mother to her little son. One day, whilst shopping with him for a halloween mask, her son is accidently shot through the chest by a Japanese Gunman, trying to kill an opposing gang of bus operators. Gena notices that the gunman has a picture of a blue tiger on his chest. She is turned into an obsessed person and has an identical red tiger etched into her skin. She then tracks down the killer and plots his death. This leads her into the world of the Japanese Mafia

With delicate, unobtrusive strokes, Naruse evokes both the humor and bitterness of his characters’ dilemmas, in this bleak, compelling poignant portrait of a quartet of aging geishas contemplating their troubles with men and money.

A young man zigzags through the sordid vortex of downtown Los Angeles while seeking vengeance on the man that beat his father.

Tom Casey reports to the police some youngsters stealing from cars. He becomes the target of the 3 teenagers, who start to terrorise him and his family.

The eldest member of a rural community of grape growers refuses to sell his land to a greedy real estate company. When he seems cornered by the dirty tactics of a corrupt businessman, he must decide whether to give up everything he owns, or take control of the situation.

A rapturous crime fable set in the Dominican Republic, Nelson Carlo De Los Santos Arias’ COCOTE follows Alberto, a kind-hearted gardener returning home to attend his father’s funeral. When he discovers that a powerful local figure is responsible for his father’s death, Alberto realizes that he’s been summoned by his family to avenge the murder. It’s an unthinkable act — especially for him, an Evangelical Christian. But as pressure mounts, he sees few ways out. Questions of faith, tradition and honor course through this electrifying film, which, seemingly at the speed of thought itself, jumps between film formats, colors, and aspect ratios, radically envisioning a community torn asunder by senseless violence.

The police bomb squad and SWAT teams face off against an embittered serial bomber out to get revenge for his daughter against the gangster who caused her death.

Ira translates as “Anger,” but the titular emotion isn’t often conveyed by the unnamed man and woman at the center of this subdued Italian drama set on the grim fringes of society. Instead, they spend their nights working—he in the market, she on the streets—or wandering restlessly and relentlessly around their dark, decaying city. Writer/director Mauro Russo Rouge follows his characters as they drive down roads lit by the yellow glow of streetlights, push through the crowds at a pink-hued nightclub, pick up supplies in a glaringly bright supermarket, and meander down sidewalks with drinks in hand. They rarely emerge into the sunlight; most of the action takes place in claustrophobic indoor spaces or in the cold, gray light of dusk or dawn. So, too, do their expressions remain withdrawn—even when their nascent relationship triggers a decisive act of violence.