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Normally this sort of film wouldn't interest me, but I was fascinated by the cast (Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci ARE four of my favourite contemporary American actors) AND I liked the three previous films I've seen about the fashion industry ('Ready to Wear', 'Zoolander' and of course 'Death Wish 5: The Face of Death'). I was really pleased by the comedy caused by the bitchiness, pettiness and downright superficiality of everyone involved, which says SO much about contemporary civilization...and the climax and denouement, are both touching and so fitting. The strong writing and acting made this much better than it had any reason to be.
The cast elevate this film up a lot. Everything else to do with 'The Devil Wears Prada' is all perfectly fine don't get me wrong, but I most certainly wouldn't have enjoyed it as much without the cast. Meryl Streep does an excellent job portraying Miranda, while Anne Hathaway matches her as Andrea. Emily Blunt (Emily) is also enjoyable, as is Stanley Tucci (Nigel). I never, personally, held too much interest in the plot, it does get a little bit repetitive in parts. With that said, thanks to Streep & Co., it's still a film that's definitely worth watching.
"The Devil Wears Prada" is a smart, stylish film that blends humor with a touch of drama, set against the backdrop of the high-pressure fashion industry. Meryl Streep is magnetic as the commanding Miranda Priestly, delivering a performance that's both intimidating and captivating, while Anne Hathaway shines as the relatable protagonist navigating the chaos of her new role. The movie’s greatest strength lies in its ability to make you reflect on the sacrifices we make in pursuit of success and whether they're truly worth it. The pacing is well-done, keeping you invested without dragging, and the supporting cast, especially Emily Blunt, adds layers of wit and charm. What stands out is the film's subtle commentary on personal growth, ambition, and staying true to what really matters, all wrapped in sharp dialogue and stunning visuals. It never feels preachy but leaves you thinking about how much of yourself you’re willing to compromise to fit into someone else's definition of success. While it doesn’t dive too deeply into its themes and follows some predictable beats, the movie more than makes up for it with its entertainment value and heartfelt moments. It's a fun, engaging watch with enough substance to leave a lasting impression. Perfect for when you want something light yet meaningful.
A gay man living through the HIV/AIDS crisis reflects upon his recent history of loss with the help of his grandmother, who tells him a story of her own trauma and loss during the Jim Crow-era South.
After leaving Nuevo Toledo to pursue a dream, Salvador Iglesias Jr. finds a job at a prestigious fashion firm. How long will it take for Chava to become the successful high-tech fashion designer we now know?
Three modern couples juggle relationships and demanding careers while navigating the unpredictable terrain of parenthood.
Based on the best selling novel by Onjali Q.Rauf. The Boy At The Back Of The Class is an adventure-filled drama about friendship, family, and the refugee crisis.
Adopted together after a tough childhood in an orphanage, Nica and Rigel realize that unexpected but irresistible feelings pull them together.
THE SINEMA OF NICK ZEDD is the first DVD collection of the filmmaker’s works, and includes 11 of his films as well as outtakes, interviews, and rare concert footage of Zedd’s music project, the noise band Zyklon-B. Contains: Police State, The Bogus Man, Ecstasy in Entropy, Why do you Exist, Whoregasm, War is Menstual Envy (exerpt), Tom Thumb in the Land of the Giants, the Wild World of Lydia Lunch, Go to Hell, Zedd’s Collaborations: Thrust in Me (with Richard Kern), Go to Hell, I of K9 with outtakes and screentests from Why do you Exist and Ecstasy in Entropy, Concert Footage and Interview with Zedd’s Industrial noise band Zyklon Beatles, and a trailer for War is Menstrual Envy.
Inspector Susikoski is inspecting the murder of an agronom in the countryside, during his summer holiday trip. He participates to the investigation of the case. The case seems to be clear, but there is much more than meets the eye.
Keiko is pretty and intelligent but her home life is not a happy one. Never having known a father's love, she develops a possessive attachment to Mr. Mazaki, the new mathematics teacher.