Mavi Gözlü Dev

After a disease kills 98% of America's children, the surviving 2% develop superpowers and are placed in internment camps. A 16-year-old girl escapes her camp and joins a group of other teens on the run from the government.

Two women attending a women's seminar on personal development walk out in acute embarrassment during the introduction. They meet up with a woman who arrived too late to be admitted. Thrown together by chance, they discuss their emotional lives in intimate detail.

Tender caresses and enveloping embraces are portals into the life of Mack, a Black woman in Mississippi. Winding through the anticipation, love, and heartbreak she experiences from childhood to adulthood, the expressionist journey is an ode to connection — with loved ones and with place.

A young woman raised in the US returns to her birth country in Eastern Europe after a devastating tragedy. Questioning her sanity and her sexuality, she starts believing she possesses supernatural powers.

After traveling hundreds of miles, a woman must wait another twenty-four hours before she can get an abortion.

Written, directed, and self-financed by Juleen Compton, The Plastic Dome of Norma Jean is the story of a clairvoyant teenage girl, Norma Jean (Sharon Henesy), taken advantage of by a boy band, fashioned after The Beatles, determined to exploit the young woman's powers as part of a hoax revival.

Compton's first feature was the autobiographical Stranded, which she wrote, directed, starred in, self-financed and distributed. Released in 1965, the film shares the cinematic experimentation and stylish, youth-centric rebellion of the French New Wave made even more radical by its progressive portrayals of female independence and sexuality, beatnik culture, and discussions of homosexuality. Stranded follows Raina, a young American woman (played by Compton), traveling through Greece with her American lover (Gary Collins), and her French, gay, best friend (Gian Pietro Calasso). Raina partakes in several love affairs rejecting marriage offers for no other reason than she likes her life the way it is. Made just prior to the arrival of second wave feminism, Compton, as writer-director, never judges her on-screen alter-ego the way similar female characters were frequently punished in other films during this era by stigmatizing female sexuality.

Sonya, a 17-year-old Russian immigrant, lives in a claustrophobic Brooklyn apartment with her dad and his ever-growing menagerie of cats. When the Landlady threatens to kick them out, Sonya is forced to make an unimaginable decision to protect her aging father and herself.

Two codependent roommates, on the verge of eviction, flee New York for the promise of sunshine in Los Angeles where their friendship is tested by a chance at fame, a fortune teller and an amorous wealthy aunt.

The story of a prostitute "Mona Farkha" through a meeting with the director and the scenarist of the movie who don't know anything about her world.

Story of the relationship between the poets Ted Hughes and Sylvia Plath.