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A wrestling match shown on television, shot on film- A tv 'concrete'.

In 1936, 18 African American athletes dubbed the "black auxiliary" by Hitler defied Nazi Aryan Supremacy and Jim Crow Racism to win hearts and medals at the 1936 Summer Olympic Games in Berlin. The world remembers Jesse Owens. But, Olympic Pride American Prejudice shows how all 18 are a seminal precursor to the modern Civil Rights Movement.

An ordinary day at a Zulu cultural village. Shaka, their star performer, expresses his frustrations to his co-workers as he sits on display for tourists. When he reaches the end of his tether, his protest reaches Shakespearian proportion.

Sara feels sad, lonely, and ugly. Ann has a very unusual solution.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

A mute Scottish woman arrives in colonial New Zealand for an arranged marriage. Her husband refuses to move her beloved piano, giving it to neighbor George Baines, who agrees to return the piano in exchange for lessons. As desire swirls around the duo, the wilderness consumes the European enclave.

A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.

Tongue-in-cheek look at the French Riviera, especially in summer when it overflows with tourists. Reviews its history and famous visitors; displays its faux-exotic buildings, its crowded beaches, its trees and monuments; and, pokes fun at the colors women wear and the vagaries of fashion. The film celebrates the use of "Eden" as a place name, suggesting that paradise comes to the coast after all are gone, perhaps only on a remote island beach.

Nina is a 20 years old girl from Valladolid who lives with her divorced father, an autoritarian and conservative man. Trini is of the same age and has lost her mother. For both Valladolid and their families have nothing to offer and therefore they go on a risky voyage to the Costa del Sol at the south of Spain.

Spoiled Jessie Montgomery, whose wild behavior and spending excesses cause her well-meaning but exasperated millionaire father Charles to wish he never had her, is visited by fairy godmother Stella. In an effort to save Jessie, Stella casts a spell which causes Charles to no longer have a daughter. Jessie, now penniless and without a friend, must take a maid's job to earn a living, and hopefully to learn her lesson.