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I Dream in Another Language is ambitious but uneven. It has good ideas, but struggles with the execution. It’s visually flawless, which is a good thing if we subscribe to the theory that a picture is worth a thousand words, but it can also be seen as a triumph of style over substance, especially in a film that’s supposed to be about words – both said and unsaid. And yet, I can’t help liking it, because director Ernesto Contreras and screenwriter Carlos Contreras show a sincere love of language and communication, even if they, somewhat ironically, don’t know quite how to express it. It’s almost as if something was lost in the translation from dream to reality. The movie revolves around a fictitious indigenous language called Zikril. There are other plot points, but this is the most interesting one, though in the end it doesn’t amount to much more than a missed opportunity. I caught exactly two words of Zikril; the rest is nothing but a lot of mumbling – and the problem is not the sound or the actors; as a native speaker, I can assure that the Spanish dialogue comes through loud and clear. Furthermore, we don't learn a lot about the culture that originally gave rise to Zikril, apart from some mythology about how it came into being, as well as learning about the afterlife where its speakers go when they die: a physical place on the mountain called “El Encanto”, to which they apparently ascend, like the Virgin into the heavens, bodily and not just in spirit (the movie is firmly planted in the tradition of magical realism, and is in particular reminiscent of Alejo Carpentier’s novel Los Pasos Perdidos, which it emulates but does not equal). What the film, shot deep in the Veracruzan jungle, does very well, however, is what Werner Herzog calls the ‘voodoo of location.’ All things considered, I Dream in Another Language is intriguing enough to hold the viewer's interest throughout its 103-minute running time, but perhaps the filmmakers should have resorted to some already existing, but still obscure, language, instead of half-assing an entirely new one.
In November 1918, a few days before the Armistice, when Lieutenant Pradelle orders a senseless attack, he causes a useless disaster; but his outrageous act also binds the lives of two soldiers who have nothing more in common than the battlefield: Édouard saves Albert, although at a high cost. They become companions in misfortune who will attempt to survive in a changing world. Pradelle, in his own way, does the same.
An unexpected tropical encounter sparks a fragile romance between a wanna-be astronaut and a village farm boy.
An Irish Traveler father struggles to raise his son, who has darker secrets than most.
Biography of actor Rock Hudson focuses on his struggle with his homosexuality. Based on the book by his ex-wife, Phyllis Gates, and on the court records from the civil suit brought by his former lover, Marc Christian.
The latest in Peccadillo’s critically acclaimed series – now established as a leading showcase for new and emerging queefilm-makingng talent from around the world – features a fresh and exciting selection of the very best contemporary gay short films. Each self-contained drama in this diverse and thoughtfully curated collection offers fascinating and insightful new perspectives on the gay experience – sensual, affecting, sometimes provocative and always entertaining. The 8 short films are: Have We Met Before? (2019); The Act (2020); First Position. (2019); Winter [Invierno] (2021); The Suit Weareth the Man (2020); Infinite While It Lasts [Infinito Enquanto Dure] (2019); Melon Grab (2017); Thrive (2019).
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
The story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
Crotchety retired doctor Isak Borg travels from Stockholm to Lund, Sweden, with his pregnant and unhappy daughter-in-law, Marianne, in order to receive an honorary degree from his alma mater. Along the way, they encounter a series of hitchhikers, each of whom causes the elderly doctor to muse upon the pleasures and failures of his own life. These include the vivacious young Sara, a dead ringer for the doctor's own first love.
The heterosexual man Axel is thrown out of his girlfriends home for cheating and ends up moving in with a gay man. Axel learns the advantages of living with gay men even though they are attracted to him and when his girlfriend wants him back he must make a tough decision.
Prot is a patient at a mental hospital who claims to be from a far away planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.
A young social outcast in Australia steals money from her parents to finance a vacation where she hopes to find happiness, and perhaps love.