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**On the edge of society, colours from brush strokes shined!** What is this film! Totally unheard! It's here now, so I watched it like I do for any film. But was not expecting anything. That was my advantage. It's a biopic, about an artist, not a famous one like medieval European painters. But a well known in her native. So now the world to know about her through this flick. That's what I love about films. Sometimes it's not about the famous people, but somewhere in a small place who quietly succeeded that inspires millions if they learn about that. So the films and books do that job well. An Irish-Canadian co production. I think it has a real shot at the Oscars. Definitely for Sally Hawkins. In my opinion, she has already won that award, despite there are other good performances in this year. But if they snub this film, then as I consider like usual, the Oscars is pointless. Coming to the title, it should have been 'Maud'. Because nobody uses that word in the film. Anyway, 'Mudie' makes a good sound to pronounce, similar to Charlie, instead of Charles (Chaplin). For now, this is an under-noticed film. As always, one of the reasons is, it's not an American or a British film. Then not made by a commercially well known filmmaker and cast. But this film never meant for commercial gain. It just tells the truth. A true story of an artist who lived not only on the edge of the society, humanity as well. Because when I saw this film, I could not tell the tale from what period. My guess was the late 19th century, then surprised as the story progressed to learn the real timeline. That tells she lived a life of at least a century ago of her time. > -xX] Some people don't like it if you are different. [Xx- Not a story of a high society woman. This kind of people can be found in every corner of the earth. They are somewhat discarded in the society for being different. But they too wants a normal life like everybody else. In such instance, this story happens. Maud is an orphan living with her aunt, after her brother ditched her. With no social skills, her future is not so bright. But it all changes one day when she decides to become a live-in maid to a grumpy fish seller. Initially, they find it not workable, then as the time goes by, they find each other. Following that, recognition of her paintings in the local community and spreading across, she sees some success in an unexpected path. But that's not the end of the tale. Seems happily ever after is so distant to them. A twist brings another unexpected derive in the narration. The heart rendering side of the story. From there how the remaining film would shape up before the conclusion were told. Seems everything was perfect for this film. Nice casting. I think that's the best thing happened for this. Both Sally and Ethan were amazing. Like Sally, Ethan too deserves an Oscars for his so perfect supporting role. As for the director, I think it will remain one of her best work, despite she could do good films like this in the future. This is one of the great films about the artists. Very inspiring, as well as a tearjerker, if you are a soft hearted. Low cost film, but well shot. I loved the locations. Then the dialogues. So simple and convincing. This is this year's 'Mr. Turner'. A must see film for grown ups. It got nominated for several categories in the Canadian top film awards and expected to win most of them. I hope in the coming days, it gets its due, I mean the wide recognition. Highly recommended by my side! One of my favourite biopics! _9/10_
In 17th-century Pohjola, young Antti Puuhaara is looking for himself, because he has grown up with no knowledge of his childhood. Two actors, the tragedian and the comedian, who were banished from Tsarist Russia to Karelia, had predicted to the crooked merchant Markki Bohattov that Antti's fate would become intertwined with his own. When Antti falls in love with Bohattov's daughter Darja, the father has to arrange for her to marry the tar merchant Arho Mustahatu.
Hinata Mochizuki (Arisa Mizuki) is a superstar in the pop music scene, and Kenta Yamabe (Masato Hagiwara) is a very ordinary office worker. One day, the two meet, and then fell in love. However, due to the influence of various external factors, the relationship between the two does not go smoothly.
Based on a true story, Crossed phone lines in 1989 lead to a life changing conversation between two strangers, who eventually meet in an unusual way.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.
After serving prison time for a self-defense killing, Sailor Ripley reunites with girlfriend Lula Fortune. Lula's mother, Marietta, desperate to keep them apart, hires a hitman to kill Sailor. But he finds a whole new set of troubles when he and Bobby Peru, an old buddy who's also out to get Sailor, try to rob a store. When Sailor lands in jail yet again, the young lovers appear further than ever from the shared life they covet.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.
In a barren, arranged marriage to an amateur swami who seeks enlightenment through celibacy, Radha's life takes an irresistible turn when her beautiful young sister-in-law seeks to free herself from the confines of her own loveless marriage.