Arriving Tuesday

On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.

Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.

When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.

When a Sumatran rat-monkey bites Lionel Cosgrove's mother, she's transformed into a zombie and begins killing (and transforming) the entire town while Lionel races to keep things under control.

American-born Anna Vorontosov teaches school in a remote, primitive section of northern New Zealand. Her experimental teaching methods have won her the love and affection of her pupils and their parents and the admiration of the unhappily married school inspector, Abercrombie. Her personal life, however, is less secure; frightened of love and sexually inhibited, she has always been aloof with men. Eager to break down this barrier is Englishman Paul Lathrope, a somewhat irrational and immature fellow teacher who aspires to be a singer. Though Anna is attracted to him, she refuses to submit to his advances.

Secure within a desolate home as an unnatural threat terrorizes the world, a man has established a tenuous domestic order with his wife and son, but this will soon be put to test when a desperate young family arrives seeking refuge.

Obsessive scientist Nathan and his lover, the naturalist Lila, discover Puff: a man born and raised in the wild. As Nathan trains the wild man in the civilized ways of the world, Lila fights to preserve the man’s natural state. In the power struggle that ensues, an unusual love triangle emerges.

A drama about a Maori family living in Auckland, New Zealand. Lee Tamahori tells the story of Beth Heke’s strong will to keep her family together during times of unemployment and abuse from her violent and alcoholic husband.

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.

When a greedy bear steals a magic stone to keep the forest’s water for himself, a brave hedgehog and a timid squirrel must work together to retrieve it.

Vampire housemates try to cope with the complexities of modern life and show a newly turned hipster some of the perks of being undead.