A Sprinkle of Christmas 2024 - Movies (Jan 22nd)
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A Quiet Place Day One 2024 - Movies (Oct 2nd)
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Standing on the Shoulders of Kitties The Bubbles and the Shitrockers Story 2024 - Movies (Jan 20th)
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The Rachel Maddow Show - (Jan 22nd)
7 Little Johnstons - (Jan 22nd)
Betting on Paradise - (Jan 22nd)
Exposed- Naked Crimes - (Jan 22nd)
Moonshiners- Master Distiller - (Jan 22nd)
Road Rage - (Jan 22nd)
Moonshiners - (Jan 22nd)
Wildcard Kitchen - (Jan 22nd)
The Irrational - (Jan 22nd)
PopMaster TV - (Jan 22nd)
Farming Life in Another World - (Jan 22nd)
Love Island- All Stars - (Jan 22nd)
High Potential - (Jan 22nd)
Doc - (Jan 22nd)
Finding Your Roots - (Jan 22nd)
Fixer to Fabulous - (Jan 22nd)
All In with Chris Hayes - (Jan 22nd)
The Beat with Ari Melber - (Jan 22nd)
The ReidOut with Joy Reid - (Jan 22nd)
The Rookie - (Jan 22nd)
I don't need happy endings in my movies. A downer ending is often what makes a movie great. But I do like satisfactory ones. _It Comes at Night_ did not give that to me. Mystery is often its own reward, and I do believe that's what writer/director Trey Edward Shults was going for here, but it didn't wind up hit that resonant for me. This particular movie felt like it wasn't about the journey, it was about the destination, and we essentially didn't get one. Joel Edgerton is fantastic of course, but any one of the other actors could have been as well, we'll never know because they were never given that opportunity. Which really says it all with _It Comes at Night_. There seemed like there was something very worthwhile just on the other side of the veil, but we'll never know, because we never got to see it. And with cinema, if we didn't see it, does it really count? _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
**It's always family first in the apocalyptic world!** It was not what I was expecting, enjoyed it though. The trailer, the posters hints something else. So I thought it could be a horror, but it was even a terror or a thriller flick. Well, there were a few occasions where it was edgy, though in the most of the film nothing really happened. Slow but not boring. A simple storyline, limited cast and a apocalyptic theme. Surely you would have seen hundreds of this kind, so when you watch it, you won't find anything new out of it. Then remains the question, is it any worth! I liked a simple take. Just like the film 'The Survivalist'. A small family living in an isolated place, but very precautious about any outside threat. The world is infected with an unknown disease and people are dying everywhere. Recently they had buried one of their family members. So they are not taking any chances with anyone. But now after a terrifying encounter, another family joins them and how things go on from there are the rest of the tale to tell us with a small twist. Well, you won't see Joel Edgerton doing a solo film often. But this was a different, because of a small budget and the kind of narration. He did good and so the rest his co-stars. Firstly, it was not a horror film. Then there were a few intentional scenes to scare the viewers, but it wasn't anywhere near to scary. I've watched the whole film and I still don't know what comes at night. Dreams? Nightmares? Looks that's what it implies. Other than that it is a drama film with a little thrill. It can be watched nothing more than once. **6/10**
**The marketing made me expect something this movie was not and ultimately dissatisfied me with what I got.** Marketed as a horror creature movie, It Comes at Night disappoints due to the severe lack of creature horror. Instead, the film follows a family surviving an apocalyptic virus that has all but wiped humanity off the face of the earth. Paranoia saturates every moment of the movie, with characters constantly fearing how others might attack or infect those they care about. The film's scariest moments are the weird dreams the son keeps having. The twists at the end most likely are meant to shock but left me deflated. While It Comes at Night might be beloved by cinema fanatics, I couldn't get past the deceptive marketing. I wanted monsters and got family drama and paranoia.
It Comes at Night is very realistic interpretation of a post-apocalyptic world which follows a family trying balance survival with their own morality. I found almost every aspect of the story to be incredibly grounded; from the way the house is set up to the interactions between our main two families. The whole entire film the families are walking on eggshells trying not to disturb the peace that has settled for our main characters. No matter how long these two families have been in each other's company, they cannot truly trust each other in these desperate times. It creates a significant amount of tension as the audience is nervously waiting for the ultimate end to their harmony. The cinematography and sound design are excellent in this film. The shots from inside the house feel incredibly claustrophobic and maze like, especially in the night scenes. The audio creates some truly terrifying moments as the muffled sounds of banging and rummaging echo through the halls. Our performances are all excellent. The extremely raw, pragmatic, and emotional mannerisms our characters display work so well with the dark and gritty reality of their world. Kelvin Harrison Jr. was a standout, his empathetic nature mixed with dark foreboding undertones was a very complex role that I think he nailed. Joel Edgerton was also great as always. Overall, It Comes at Night is a great film and interpretation of what a real apocalyptic event would be due to the world and humanity that I really enjoyed despite its limited action. Score: 81% Verdict: Great
A newly married couple discovers disturbing, ghostly images in photographs they develop after a tragic accident. Fearing the manifestations may be connected, they investigate and learn that some mysteries are better left unsolved.
When a feisty little fox named Tod is adopted into a farm family, he quickly becomes friends with a fun and adorable hound puppy named Copper. Life is full of hilarious adventures until Copper is expected to take on his role as a hunting dog - and the object of his search is his best friend!
Following Jigsaw's grisly demise, Detective Mark Hoffman is commended as a hero, but Agent Strahm is suspicious, and delves into Hoffman's past. Meanwhile, another group of people are put through a series of gruesome tests.
The year is 2015 and overpopulation and famine have plunged our planet into chaos and one desperate survivor finds himself being hunted and pursued by hordes of rage-crazed zombies.
Its the summer of 1974. Four friends have planned a recreational weekend hiking and camping in the forest. At a remote truck stop they pick up an anxious hitchhiker who only after a short ride demands they stop the vehicle. She is clearly frightened of somethingbut what she cant begin to describe in her carsick terror. Suddenly the group are ambushed and left unconscious.
"Ni Pour, Ni Contre" tracks the fall of a young TV camerawoman, Caty, after she becomes involved with a group of petty criminals and their enigmatic leader, Jean. The gang lives hand-to-mouth until the day Jean plans a daring bank robbery. Although other gang members feel out of their league, Jean persuades them to take part and Caty finds herself in a hellish world of betrayal, violence and murder.
When secretive new neighbors move in next door, suburbanite Ray Peterson and his friends let their paranoia get the best of them as they start to suspect the newcomers of evildoings and commence an investigation. But it's hardly how Ray, who much prefers drinking beer, reading his newspaper and watching a ball game on the tube expected to spend his vacation.
Sixteen-year-old Lilja and her only friend, the young boy Volodja, live in Russia, fantasizing about a better life. One day, Lilja falls in love with Andrej, who is going to Sweden, and invites Lilja to come along and start a new life.
Stockholm, in the 1950s. Erik is expelled from the local school for getting into one brawl too many. To protect Erik from his violent stepfather’s reaction to his expulsion, Erik's mother arranges for Erik to spend a year at Stjärnsberg Boarding School, the only school willing to accept him. This is Erik's last chance to graduate to Upper School and he promises his mother, for his and her sake, to do all he can to stay out of trouble.