The March

A third of Europeans live in economic insecurity: Zero hours contracts, the fear of redundancy and stagnating wages have brought more and more people into poverty and precariousness and provided fertile conditions for the political extremes. This documentary focuses on the new working poor, the precariat.

On the African plains, where only the strong survive, one big cat rules supreme. This is life in the raw: savage, beautiful and unforgettable. During the eight years that Jurgen Jozefowicz filmed a pride of lions in South Africa's Kruger National Park, he won the trust of the dominant male and, astonishingly, was accepted into the pride. This is his story. How does it feel to live amidst a group of the most feared predators on the African continent as they fight to survive in a harsh, unforgiving world? Jurgen's film shows what it's like and is the result of his remarkable adventures. Jurgen is one of the world's premier wildlife photographers. His story of his life with these lions is one that spans a period of political struggles, disease and drought, showing the highs and the lows of life in the lion pride.

Scooby-Doo and Shaggy travel to Arabia to become the Caliph's Royal Food Tasters. But they bite off more than they can chew and are forced to run for their lives! It's a wild magic carpet ride as Scooby-Doo, Shaggy and their genie (Yogi Bear) and a jolly sailor named Sinbad (Magilla Gorilla) take you on an adventure of mistaken identities, exotic locations and fun-filled action and surprises!

In Namibia, conservationist Maria Diekmann found herself on the frontline of the battle to save these wanted animals after unexpectedly becoming a surrogate mother to an orphaned baby pangolin named Honey Bun. On an emotional journey, Diekmann travels to Asia to better understand the global issues facing pangolins, before joining forces with a Chinese megastar to help build a campaign to bring awareness to the plight of these surprisingly charming creatures.

Another thrilling adventure for Elsa the lioness as she works her magic on two teenagers struggling with changes in their life.

In the North African desert in World War II, a crippled American fighter plane that is unable to take off tries to evade and destroy a pursuing Nazi tank.

Imaginative and creative Jack seeks adventure while trying to provide for himself and his mother. Will he ever solve the mystery of how his father died?

In the summer of 1959, as a magazine correspondent, writer and filmmaker Pier Paolo Pasolini (1922-75) traveled along the Italian coast. In 1963, he documented the sexual behavior of the Italians. In the winter of 1970-71, he witnessed the hardships of the most impoverished Italian population suffering from the boot of state power. After these three trips, he came to the conclusion that Italian society had changed drastically for the worse over the years.

For wildlife filmmakers, the only way to safely explore the startling African lion is at the end of a mighty long lens — until now. Man v. Lion follows veteran big cat expert Boone Smith across the Nambiti Game Reserve as he tracks three male lions in the open African bush. But to truly understand these brothers, Boone goes face to face with them. We take an in-depth look at the lions' unique physical attributes, intricate hierarchy, and complex hunting strategies. Boone explores each stage of a lion's kill leading up to the final face-off: Boone in the middle of lions devouring their prey.

The Police Tapes is a 1977 documentary about a New York City police precinct in the South Bronx. The original ran ninety minutes and was produced for public television; a one-hour version later aired on ABC. Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time. They produced about 40 hours of videotape that they edited into a 90-minute documentary.

Many twentieth century European artists, such as Paul Gauguin or Pablo Picasso, were influenced by art brought to Europe from African and Asian colonies. How to frame these Modernist works today when the idea of the primitive in art is problematic?