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**When the house of peace was disturbed!** From the director Anne Fontaine. Like any of her works, this is another top class women oriented film. But it was partially based on the incredible true story. Partial means, no one knows what was the actual event. The director and her writers inspired by the diary the French doctor who worked for Red Cross in Poland at the end of the World War II, who wrote down her experience on it. So, with the small-small facts the story was built on for the film. Well done job by the cast and crew. Whenever you hear the word/abbreviation 'WWII', it always bound with nazi Germans. Since this tale takes place just after the war, when the Soviet took over the Poland from them, it is set to reveal one of the extremely hidden secrets. Just imagine how secret it is, like you have read many books and have seen many films regarding the WWII, but you have never heard about this, until now. It is a heart rending tale, but the thing is everything's about the aftermath, how they handled their state of condition. Mathilde, the French doctor is fetched by a nun from the nearby convent is shocked when she reached there to see most of them are in the final stage of their pregnancy. They were sexually abused by the Soviet soldiers, but now she as to keep it quiet as requested by the mother superior. She's being an atheist and to whom she's treating, the believers, is exactly the opposite kind. But not just her, the nuns as well put aside their differences to overcome their situation. > ❝For us nuns, the end of the war does not mean the end of fear.❞ It's right on the coldest winter, does not tell about the original violence, but there's still a few incidents about the army atrocities, how they treated innocent nuns, even the Red Cross members. But remember nothing was the actual depiction. It would have been even better if it was a documentary film. Doing some research and telling us the tale, reading exactly as what was written in the diary. But the film was not bad, except the scene to scene, event to event it was very slow to move, except right on the point. The story has a twist, but it was not like very powerful. It depends on how you would consider it. Because for me, I felt it was too cruel, hard to take on. The story about church people means, you would expect a gentle kind. Or even in such situation, as in this film, to react as much as possibly generously as what they're known for. But in the first place, it was no ones fault. They all fighting for the same reason, especially keeping the outside world in mind, each one reacted differently. So it is understandable, but not all the acts were respectable. As the director said in her interview, this is a period film, but pretty much the same in the contemporary world where war is on. The violence against the innocent women. So it is a debatable topic. And if it was directed by some male filmmaker, he might have risked with the violences in the flashback scenes to bring more depth in the narration. The present film is kind of compromises on that, but still not easy to watch everything it shows. Particularly for the families. Great performances by all. One of the best films on this theme and of the year. The film is not to be ignored. Despite not about the war, but just like 'Under Sandet', about the following event. _8/10_
**_When the soldiers of the Red Army are just as bad as the German occupiers_** Seven months after the end of the European theater of WW2, a nun from a convent in Poland seeks the aid of a French Red Cross worker, who’s helping French survivors of the concentration camps (Lou de Laâge). It turns out that some Russian soldiers paid a barbaric visit to the convent when they were taking over the territory months earlier. “The Innocents” (2016) is based on the true story of Madeleine Pauliac when she was working as a doctor in Poland, renamed Mathilde Beaulieu for the movie (Lou). It has a similar milieu to “Black Narcissus” and “Agnes of God,” except that it’s rooted in a real-life account. It’s not as good the former IMHO, but it’s superior to the later. You could call this a WW2 drama and it works as a realistic period piece. I’m glad the scriptwriters added the relationship of the Hebrew doctor with the protagonist, which works up both historical and human interest amidst the glum proceedings. Lou de Laâge is one of the highlights. She’s a pleasure to behold and her lips are exquisite. The film runs 1 hour, 55 minutes, and was shot in northeastern Poland at Morag, Krosno and Orneta. GRADE: B
Over the years, a child's romantic ideals about death blossom into necrophilia, the study of embalming and the most profound relationship of her life.
The engagment between a struggling photographer and an assistant professor is marred by an act of violence.
Bobby Griffith was his mother's favorite son, the perfect all-American boy growing up under deeply religious influences in Walnut Creek, California. Bobby was also gay. Struggling with a conflict no one knew of, much less understood, Bobby finally came out to his family.
The true story of the 19th century Belgian priest, Father Damien, who volunteered to go to the island of Molokai, to console and care for the lepers.
An innocent tourist travels to LA and unexpectedly conjures her sister's last night alive. Bold score, stylized dance and an eccentric cast, shot at The Standard Hotel, weave a dark and luminous film that revamps traditional narrative.
Visa Vuorio, a 35-year old team leader at the Helsinki city gardening department, is suffering from a terminal neurological disease and only has a few months to live. Because of this, he is a member of a therapeutical support group for people suffering from terminal diseases. Visa's life changes when a young female reporter, Hanna Manninen arrives at the support group offering to write a series of articles about Visa's life story.
An American-born Jewish adolescent, Hannah Stern, is uninterested in the culture, faith and customs of her relatives. However, she begins to revaluate her heritage when she has a supernatural experience that transports her back to a Nazi death camp in 1941. There she meets a young girl named Rivkah, a fellow captive in the camp. As Rivkah and Hannah struggle to survive in the face of daily atrocities, they form an unbreakable bond.
Vadim, a part-time dump truck driver in Leningrad, picks up an extremely young woman, along with a newborn baby. Vadim is forced to spend the rest of his day with Anna, helping her untangle herself from unpleasant, dramatic, and even tragic situations – and she and she alone is to blame for all of them. The baby, which Anna stole in order to make an impression on an estranged lover, is finally returned to its parents, but the problems that the theft caused remain.
In Georgia during WWII Zurikela, an orphan boy, meets Khatia, a blind girl, and vows to help her to see again.
Zura, a son of a rich businessman, steals a car of his father’s friend to amuse his classmates. When informed about it, the school principal discards him from the bike tournament. Nevertheless, Zura’s father manages to persuade her to allow his son to participate and even succeeds in bribing his championship. Zura’s classmates know that he became a champion undeservedly but can’t do anything about it. Only Khatuna, his alleged girlfriend, and Lexo, Zura’s friend, dare to protest against it. Their lack of loyalty enrages Zura and in the rush of the blood he crashes his father’s car. The accident takes Laxo’s life. Zura’s father does his best to save his son from deserved punishment but the first one against his decision is Zura himself.
Sophiko, a well-known journalist, seems to be more close to many of her respondents when they need her advice than to his family members. All engrossed in her work, she suddenly finds out that she is losing her husband who has started a love affair with another woman. Of course, it strikes her badly but life never lets her to concentrate on her personal problems.