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An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.

Nearly thirty years after making his surrealist La Formula Secreta, director Rubén Gámez returned to filmmaking with this impressionistic portrait of modern-day Mexico. Reminiscent in some ways of Godfrey Reggio’s Koyaanisqatsi, Tequila appears to be a cinematic extension of Mexico’s muralist tradition, a contemporary equivalent of Diego Rivera or David Alfaro Siqueiros with vignettes, quick ideas, visual puns, cartoons, and political statements.

A young man living in a cold southern village in South America, decides to start a trip looking for his father. By doing this he discovers unexpected facts about his Latin American essence.

Nacho (Ismael Osorio) and Julio (Emir Martinez) ignore their feelings towards Marcela in order to unleash their most prosaic desires. The deeds of these two friends will have someone face desolation. But who?

A couple goes to dangerous lengths to find a lung donor for their daughter.

A young man tries to get away from his disfunctional family by working with his friend, a rich boy who lives in excess and sleaze, but he will soon realize how reckless his friend is and that he is submerged in a life of crime, vice and deadly bets.

After a whirlwind romance in Mexico, a beautiful heiress marries a man she barely knows with hardly a second thought. She finds his New York home full of his strange relations, and macabre rooms that are replicas of famous murder sites. One locked room contains the secret to her husband's obsession, and the truth about what happened to his first wife.

A man goes on a trip and then returns to his village pretending that everything went well for him.

Under the dawn of the agave fields of Jalisco, Alejandro and Miguel, two friends with a special bond, confront an inevitable farewell. Amidst memories, their emotions intensify, challenging the boundaries of their friendship.

A weekend cruise on a luxurious party yacht goes horribly wrong for a group of old high-school friends when they get stuck in the water many miles from shore and a happy reunion turns into a fight for survival.

Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.