Vila Orhideja

Goksel is a butler at the mansion of the wealthy Mr. Kadri. As Mr. Kadri and his family go on a three-month trip to Europe, Goksel sends all the staff on vacation -except the cook and driver. Goksel introduces himself to the society as the landlord. In the meantime Fatma, daughter of a rich family doesn't accept her parents' intentions of having her married to someone she doesn't want and runs away from her home. She starts working at Goksel's residence as a maid. Goksel is dating with Aysel who is already engaged. Fatma has an affection for Goksel but he wants to have someone rich. Mr. Kadri returns from his trip earlier than expected and all the lies are revealed. Aysel leaves Goksel and Fatma confesses him her love. Goksel soon comes to know who Fatma really is. The lovers start a brilliant life together.

A woman who lives in Spain has trouble convincing anybody that a complete stranger has taken her dead brother's identity.

Robert Talbot, an American millionaire, arrives early for his annual vacation at his luxurious Italian villa. His long-time girlfriend Lisa has given up waiting for him and has decided to marry another man. Meanwhile, his sneaky business associate Maurice secretly misappropriates the villa as a hotel while Talbot is away. The current guests of the "hotel" are a group of young American girls.

A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.

An ex-thief is accused of enacting a new crime spree, so to clear his name he sets off to catch the new thief, who’s imitating his signature style.

Hugh Whitemore adapted Bruce Chatwin's novel for this tale of a New York antique dealer who travels to Prague to buy the porcelain collection of the late Baron Utz, only to become embroiled in the wreckage of the dead man's unusual life history after he discovers that the collection is missing.

A man is working for the mafia to hunt killers. He also meets Margot, who lives in a nearby villa, and begins to seek her attention.

After a rough divorce, Frances, a 35-year-old professor and writer from San Francisco takes a tour of Tuscany at the urgings of her friends. On a whim she buys Bramasole, a run down villa in the Tuscan countryside and begins to piece her life together starting with the villa and finds that life sometimes has unexpected ways of giving her everything she wanted.

An exploration of the relationship between a lawyer and a beautiful heiress, from scandal to a mysterious death.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.