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The big man was in jovial mood with this one. To Catch A Thief, is, when all is said and done, a softer entry on the great Alfred Hitchcock's CV. By his own admission it was a film he viewed as "lightweight", but such is the great mans talent, his softer cinematic efforts still punch the buttons and are films that many filmmakers can readily learn from. In this one Hitchcock is purely making an entertaining piece for those in the right frame of mind, a splendid mixture of comedy and romance which also culminates in no shortage of dramatic entertainment as well. Cary Grant is perfectly debonair as the cat burglar John Robie, who here has to catch a thief because he is the chief suspect for a spout of robberies on the French Riviera. Into the mix is that vision of beauty that is Grace Kelly, this is a woman who could melt the Antartic just by walking over it! Kelly as Frances Stevens spends the majority of the film trying to get into John Robie's pants and this puts a delightful sexual tension into the unfolding story. We get some sparkling scenes here, such as a firework display as the two protagonists flirt and then kiss, thus making the film easy on the eye, and some delicious slices of humour dot themselves throughout as Hitchcock indulges in his wink wink innuendo. The plinking score from Lyn Murray works a treat during a roof top cat sequence, while the ending stays just above average without really having an any over dramatic impact. All in all it's a very tidy effort that is always worth spending time with on a lazy Sunday afternoon with a glass of vino in hand. 7/10
Fluffy mystery-romance-thriller excels thanks to the wonderful charms of Cary Grant and Grace Kelly. For me, this is a lesser Hitchcock film but still had plenty of fun and entertainment value even though there's nothing really noteworthy in terms of the story or any particular scene. **3.75/5**
Cary Grant is on excellent form in this ultra-sophisticated crime caper. Having long since retired to life on the Côte D'Azur, "John Robie" finds himself at the centre of enquiries as his "Cat" appears to have resurrected itself and is robbing rich folks of their jewels. John Williams again steals his scenes - this times as the insurance adjuster "Hughson" who is convinced, enough, by Grant's protestations to agree to work with him to find the true culprit. Enter the wealthy Jessie Royce Landis ("Jessie"), a self-made American millionairess and her glamorous daughter "Frances" (Grace Kelly). The mother is determined to find a match for her girl - and well, the romantic roots are well and truly planted. Hitchcock keeps us guessing for quite a while as the romantic and criminal threads develop in parallel before tying together in quite an exciting climax. At times I have found Kelly to be just a touch too aloof, but here she still has enough of a foot on the ground to play her part well providing for an engagingly mischievous chemistry between the two of them.. The attention to detail is super, too - and it's easy to become subsumed in the lazy, rather vacuous, but very enviable lifestyle of the rich and famous!
Four months after the death of her husband, a woman on the brink of motherhood is tormented in her home by a strange woman who wants her unborn baby.
The reception for Finland's Independence Day is rudely interrupted when the presidential palace is attacked and the state leadership is taken hostage. Max Tanner of the Security Police is appointed as a negotiator in the hostage crisis, that unfolds as part of a bigger plan to undermine European security.
When he finds out that his wife is having an affair, a criminologist commits the perfect murder-and pins the crime on his wife's boyfriend so well that the man is convicted of the murder.
Two Aboriginal brothers are put in a hard situation by a miner who kills a man for gold. Based on real events.
It’s been widely reported that Detroit is making a comeback, but long-term residents of Detroit’s mostly black neighborhoods aren’t seeing much benefit. Crime, lack of opportunity and infrastructure problems still persist. Community Patrol explores neighborhood self-policing through the eyes of Minister Malik Shabazz, a long-time Detroit activist and community organizer. Determined that more black men don’t end up in jail or killed, the minister confronts drug offenders directly rather than reporting them to the police.
It's 3:07am and two girls burst into a run down London toilet. Joanne is crying her eyes out and her clothing is ripped. Kelly's face is bruised and starting to swell. Duncan Allen lies in his bathroom bleeding to death. Duncan's son finds his father and wants answers. Derek – Kelly's pimp – needs to find Kelly or it will be him who pays.
A young woman tries to cover up a deadly hit and run accident, only to have the supposedly dead victim come back to terrorize her.
Montreal, June 1995. Miron is a young delinquent who parties instead of going to school. His parents, both university professors, force him to move to the countryside in the hope that the remoteness of the city's distractions would allow him to concentrate and eventually succeed in high school. After a week at the cottage, Miron meets Florence, a 73-year-old neighbor. It's love at first sight between the two. Strongly in disagreement with this romance, Miron's parents forbid her to see her beloved 56 years older. But Miron, determined to live this love story to the end, will make every effort to see Florence again.
A showgirl with a dubious reputation flees the cops and transforms herself into a phony evangelist offering "cures" to the sick and disabled.
Four policemen go undercover and infiltrate a gang of football hooligans hoping to route out their leaders. For one of the four, the line between 'job' and 'yob' becomes more unclear as time passes . . .
A 19-year-old girl prepares to become a suicide bomber in Times Square. She speaks with a nondescript American accent, and it’s impossible to pinpoint her ethnicity. We never learn why she made her decision—she has made it already.