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The big man was in jovial mood with this one. To Catch A Thief, is, when all is said and done, a softer entry on the great Alfred Hitchcock's CV. By his own admission it was a film he viewed as "lightweight", but such is the great mans talent, his softer cinematic efforts still punch the buttons and are films that many filmmakers can readily learn from. In this one Hitchcock is purely making an entertaining piece for those in the right frame of mind, a splendid mixture of comedy and romance which also culminates in no shortage of dramatic entertainment as well. Cary Grant is perfectly debonair as the cat burglar John Robie, who here has to catch a thief because he is the chief suspect for a spout of robberies on the French Riviera. Into the mix is that vision of beauty that is Grace Kelly, this is a woman who could melt the Antartic just by walking over it! Kelly as Frances Stevens spends the majority of the film trying to get into John Robie's pants and this puts a delightful sexual tension into the unfolding story. We get some sparkling scenes here, such as a firework display as the two protagonists flirt and then kiss, thus making the film easy on the eye, and some delicious slices of humour dot themselves throughout as Hitchcock indulges in his wink wink innuendo. The plinking score from Lyn Murray works a treat during a roof top cat sequence, while the ending stays just above average without really having an any over dramatic impact. All in all it's a very tidy effort that is always worth spending time with on a lazy Sunday afternoon with a glass of vino in hand. 7/10
Fluffy mystery-romance-thriller excels thanks to the wonderful charms of Cary Grant and Grace Kelly. For me, this is a lesser Hitchcock film but still had plenty of fun and entertainment value even though there's nothing really noteworthy in terms of the story or any particular scene. **3.75/5**
Cary Grant is on excellent form in this ultra-sophisticated crime caper. Having long since retired to life on the Côte D'Azur, "John Robie" finds himself at the centre of enquiries as his "Cat" appears to have resurrected itself and is robbing rich folks of their jewels. John Williams again steals his scenes - this times as the insurance adjuster "Hughson" who is convinced, enough, by Grant's protestations to agree to work with him to find the true culprit. Enter the wealthy Jessie Royce Landis ("Jessie"), a self-made American millionairess and her glamorous daughter "Frances" (Grace Kelly). The mother is determined to find a match for her girl - and well, the romantic roots are well and truly planted. Hitchcock keeps us guessing for quite a while as the romantic and criminal threads develop in parallel before tying together in quite an exciting climax. At times I have found Kelly to be just a touch too aloof, but here she still has enough of a foot on the ground to play her part well providing for an engagingly mischievous chemistry between the two of them.. The attention to detail is super, too - and it's easy to become subsumed in the lazy, rather vacuous, but very enviable lifestyle of the rich and famous!
When New Orleans Police Detective Danny Fisher stops a brilliant thief from getting away with a multimillion-dollar heist, the thief's girlfriend is accidentally killed. After escaping from prison, the criminal mastermind enacts his revenge, taunting Danny with 12 rounds of near-impossible puzzles and tasks that he must somehow complete to save the life of the woman he loves.
A series of mysterious accidents at a food company lead a manager to suspect his impressive new temporary secretary.
A comatose hospital patient harasses and kills though his powers of telekinesis to claim his private nurse as his own.
What is meant to be a weekend party across the border soon becomes a heartbreaking journey that tests the boundaries of companionship, romantic love and personal ethics.
In 1950s New York, a department-store clerk who dreams of a better life falls for an older, married woman.
Detective Cho, a cop on the edge, is mourning his mother's recent death while under investigation for graft; on top of that he is suddenly put in charge of a seemingly-impenetrable mystery.
A brother and sister move into an old seaside house that has been abandoned for many years on the Cornwellian coast only to soon discover that it is haunted by the ghost of the mother of their neighbor's granddaughter, with whom the brother has fallen in love.
Set in the year 2000 (between the events of Patlabor and Patlabor 2), when the level of Labor accidents begin to escalate around Tokyo Bay, police detectives Kusumi and Hata are assigned to investigate. What they discover leads to a series of government cover-ups, conspiracy concerning a new biological weapon entitled WXIII-Wasted Thirteen and a tragic, personal connection to Hata. The only hope to stop this threat is to cooperate with the military and lead WXIII into a showdown with the Labors of Special Vehicle Division 2.
When a group of young campers wander into the backwoods of upstate New York to see if Cappy's Cabin-a place they think exists only in urban legend-is real, they find themselves in a twisted game of predator and prey as night begins to fall. All they have to do is survive until dawn, but Cappy is very, very real, and night has only just begun...
"Olivia" captures the awakening passions of an English adolescent sent away for a year to a small finishing school outside Paris. The innocent but watchful Olivia develops an infatuation for her headmistress, Mlle. Julie, and through this screen of love observes the tense romance between Mlle. Julie and the other head of the school, Mlle. Cara, in its final months.