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The Cleaning Lady - (May 21st)
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Red Bull Soapbox Race - (May 21st)
Paramedics on Scene - (May 21st)
Legacy - (May 21st)
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FBI- International - (May 21st)
The Valley - (May 21st)
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Gethu begins with Craig (Vikranth), a sniper, who is ordered to assassinate India's top scientist, Abdul Kamaal (if you did not get who the director is referencing here, here's another tip: he has written a book titled Agni Iragugal). The challenge for him is to draw Kamaal, who never gets out of his research facility, to make a public appearance. So, he comes to Kumily, a sleepy hill town, with a plan in mind. Meanwhile, in the town resides Sethu (Udhayanidhi), a librarian, and his father, Thulasi Raman (Sathyaraj), a PE teacher. The righteous Thulasi gets into trouble when he takes on Kandhan (Mime Gopi), the owner of a bar which has sprung up next to the school and even gets framed for his murder. With Kandhan's politician brother and gangster mother baying for his father's blood, Sethu must clear his father's name. What he doesn't realise, initially, is that his efforts will also save Kamaal. Director Thirukumaran has the essentials for a high-concept thriller — a determined hitman, an ordinary man who stumbles into a nefarious plot by accident, a sub-plot that provides some mystery, and a bit of family drama. It is in his execution that he falters. For a thriller clocking in at under two hours, Gethu moves at a pace that is as sleepy as the hill station where the action happens. The director's choice of slow motion shots as a device to make the action stylish and prolong the tension in the plot works against the film. Add to that a silly romantic track — featuring Amy Jackson, who plays a book thief! (you just can't help rolling your eyes at the naivete) — which is made further unbearable with songs popping up every now and then halting the story's flow (perhaps the director felt that he had to give Amy and composer Harris Jayaraj something to do), and you have a film that can test your patience. But, the film redeems itself a bit, chiefly due to M Sukumar's visuals, which turn Kumily into a place straight out of a travel brochure. We just cannot take our eyes of the screen because the frames are so irresistible. Udhayanidhi as the dutiful son also fits the part, but Vikranth, as the terrorist who hardly speaks, feels a bit of a lightweight (he looks too young to be considered a formidable foe). Then there is Sathyaraj (who is given the top billing in the credits), and the veteran chips in with a performance that makes us care about the fate of his character and his family. Thirukumaran doesn't this character as just another supporting character. When the character comes out of prison on bail, we get a scene with only Thulasi and his wife, and the director treats it with the right amount of emotional drama. It is a pity that he could not find this balance when it comes to the other scenes.
A black-ops assassin is forced to confront her true identity while going after her latest mark.
With Ran, legendary director Akira Kurosawa reimagines Shakespeare's King Lear as a singular historical epic set in sixteenth-century Japan. Majestic in scope, the film is Kurosawa's late-life masterpiece, a profound examination of the folly of war and the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power.
When members of the nefarious crime syndicate KAOS attack the U.S. spy agency Control and the identities of secret agents are compromised, the Chief has to promote hapless but eager analyst Maxwell Smart to field agent. He is partnered with veteran and capable Agent 99, the only spy whose cover remains intact. Can they work together to thwart the evil world-domination plans of KAOS and its crafty operative?
Hired assassin John Lee is asked by Chinatown crime boss Terence Wei to murder the young son of policeman Stan Zedkov. Lee has the boy in his sights, but his conscience gets the better of him, and he spares the child's life. Afraid that Wei will take revenge on his family in China, Lee seeks out expert forger Meg Coburn to obtain the passport he needs to get out of the country, but a band of replacement killers is soon on his trail.
Frederick and Lucienda's lives were a tranquil and happy one until the fateful day when she and their home are targeted by an organization calling itself the "Templar Order". Go back in time and witness the beginning lessons and most telling memories of Frederick Julian as he embarks on a journey to reunite with an old friend and devote his allegiance to the guided philosophy "Nothing is True. Everything is Permitted".
During the late 1980s, two detectives in a South Korean province attempt to solve the nation's first series of rape-and-murder cases.
A secret agent is assigned to protect a Vietnamese official who's traveling for talks with the U.N. His mission becomes more complicated when other agents who escorted the official for part of his journey start getting eliminated one by one.
When carrying out a hit, assassin Joe always makes use of the knowledge of the local population. On arriving in Bangkok, Joe meets street kid Kong and he becomes his primary aide. But when Kong is nearly killed, he asks Joe to train him up in the deadly arts and unwittingly becomes a target of a band of killers.
Wrongfully accused and on the run, a top MI6 assassin joins forces with his long-lost, football hooligan brother to save the world from a sinister plot.
When the girl that detective Joe Hallenback is protecting gets murdered, the boyfriend of the murdered girl attempts to investigate and solve the case. What they discover is that there is deep seated corruption going on between a crooked politician and the owner of a pro football team.
British Ministry agent John Steed, under direction from "Mother", investigates a diabolical plot by arch-villain Sir August de Wynter to rule the world with his weather control machine. Steed investigates the beautiful Doctor Mrs. Emma Peel, the only suspect, but simultaneously falls for her and joins forces with her to combat Sir August.