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When the trailer of Thangamagan was released, it immediately brought to mind his " Velaiilla Pattadhari" (VIP) with its shot collage of domestic life and masala heroism. " Thangamagan" has all that but these moments feel like a watered down version of what we had seen in the previous film. The film plays on the middle-class male fantasy of young men wanting to be a caring son, a charming boyfriend, a loving husband, and a hero for the family. There is a scene where the protagonist Tamizh (Dhanush, playing the guy-next-door for the umpteenth time) and his friends are watching "7/G, Rainbow Colony" — a film that so successfully tapped into this fantasy — and the screen fills up with the words 'A film by Selvaraghavan'. It is Dhanush rightly acknowledging the influence of his brother. But the film lacks the edginess that characterizes Selvaraghavan's films and the naturalism of "VIP's" domestic scenes. The characters come across more as archetypes — hardworking father, loving mother, stunning girlfriend, demure wife, wisecracking friend and so on — and so, we care less for them. And, the sense of niceness that we see on screen feels less organic and more calculated. But the film isn't a damp squib, either. The principal cast feels right in their roles. Ravikumar and Radikaa are pitch perfect, while even Amy, who is made to sing Tamizhukkum Amudhendru Paer (of all things), manages to pass muster. The scenes in the first half have a smooth rhythm. There is lightness in these scenes and despite the familiarity of the situations, the film keeps us engaged. Tamizh's break-up with Hema ( Amy Jackson), the Anglo-Indian girl whom he loves, and his honeymoon period with Yamuna ( Samantha), the girl he eventually marries, happen in the space of few minutes but the film is convincing in portraying the fact that the protagonist has moved on. Situations that could have become full-blown melodrama of the TV serial variety are treated with a restraint that is admirable. When Tamizh's father (Ravikumar) dies, the camera gradually slips out of the room as if to not intrude on the family's grief and the film even asks the same of the audience and breaks into the intermission. However, the film lacks a potent conflict (we are instantly able to solve the mystery over missing cash that is the root cause of Tamizh's troubles) and that is why it begins to feel over-long, despite clocking in at just over two hours. And given that it exhausts the feel-good moments in the first half, the second half feels weak, with antagonists who are just not effective enough (it was the case in " VIP" and "Maari" as well) and unimaginative stunts. These scenes, intended as masala moments, feel forced and completely out of place. The emptiness in these portions is why we leave the theatre with a feeling of dissatisfaction.
In a vibrant tapestry of love and longing, nine interconnected souls navigate romance and heartbreak in L.A., where passions collide and truths unfold, revealing that the heart's desires often lead us where we least expect.
Hard-to-crack ex-CIA man Jack Byrnes and his wife Dina head for the warmer climes of Florida to meet the parents of their son-in-law-to-be, Greg Focker. Unlike their happily matched offspring, the future in-laws find themselves in a situation of opposites that definitely do not attract.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.
10 years ago, the mafia family Three-J welcomed into their family Dae-suh, the graduate of a prestigious university and a successful entrepreneur. 10 years later, the Three-J clan leaves their calling as a mafia family and takes a sound path in life, establishing construction company. However, the circle of trust is breached when Dae-suh, and not the three brothers of Three-J clan, becomes the president of the company. Threatened that he might take over the entire company later on, the three brothers plot an conspiracy against Dae-suh, just like 10 years ago when they tried to get Dae-suh to marry their sister.
A Hawaiian beach bum finds himself surrogate uncle to five orphaned children, helping them stay together, in this pilot movie for a TV series which turned up briefly in the spring of 1979 as "The Mackenzies of Paradise Cove."
Bruce Nolan toils as a "human interest" television reporter in Buffalo, NY, but despite his high ratings and the love of his beautiful girlfriend, Bruce remains unfulfilled. At the end of the worst day in his life, he angrily ridicules God — and the Almighty responds, endowing Bruce with all of His divine powers.
In the style of a documentary this tragic comedy tells the story of a relationship crisis between two married couples and their longing to break out of their miserable daily lives. In this East German post-wall movie Andreas Dresen introduces the sad everyday life of two couples from Frankfurt an der Oder in a honest and tolerable manner.
When an Italian man comes out of the closet, it affects both his life and his crazy family.
Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....
With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an outburst of envious love.