I Am Virgin

Filli and the cavemen from "When Women Had Tails" are living a carefree life inside a dinosaur skeleton. But when conman Ham introduces them to the concept of currency and economics, their lives fall apart. On top of that, Filli starts to fall in love with Ham.

A scientist discovers a way to turn cow manure into energy. Two secret agents are dispatched to find out the formula but they devote more time to having sex with each other than they do going after the scientist. Pretty soon everyone in the area is after the scientist but they also wind up spending more time having sex with each other.

Four stories focused on the fair sex, dealing with the most varied and improbable sentimental and non-sentimental situations.

Self-absorbed and stressed-out yuppie Robert is so caught up with his thankless office job that he neglects his lovely young wife Doris. The sad, unhappy, and frustrated Doris seeks some form of relief and sexual fulfillment from both a lusty lady ghost and two equally voracious female demons.

Amy and Bill are on a romantic getaway when they come across an old second-hand store. Amidst the clutter, Amy unearths a beautiful antique mirror and immediately is overcome by a deep inner desire to caress and explore her luscious body in ways she never thought possible. Amy quickly buys the mirror only to discover the ghostly legend of the sexually insatiable whorehouse madame trapped inside it. Powerless to control herself, Amy indulges her naughtiest fantasies when standing before the shimmering mirror. Soon all her female friends are introduced to its seductive supernatural energy, and none of them can deny the lesbian urges that overtake their sweet young bodies, transforming them into writhing sex-machines that cannot be satisfied. But amidst the moans of pleasure, how could Amy possibly realize the terrifying consequences of her actions, and the fate the ghost in the mirror has in store for each of them. Will it be infinite ecstasy or endless erotic longing?

The luxury liner Titanic 2000 has set sail on its maiden voyage, and one of the passengers is the vampire Vladamina. Vladamina is searching for a woman she can turn into a vampire queen, and frustrated rock groupie Shari looks to be a perfect target. As various people get seduced and/or killed as the liner continues on its doomed voyage, Shari must chose between eternity as a living dead sex slave or a frigid grave at the bottom of the ocean.

Kitty and Stud are lovers. They enjoy a robust sex-life, which includes fellatio and light S&M, specifically, Stud belt-whipping Kitty. Three women come over for a party and Stud services them, one after the other.

Concetta Li Cause, deprived of her husband Oreste by the Mafia, is coveted by Bologna Marcello and Charles postman. Besides the two, there are other suitors because the widow is rich; but Cosa Nostra deploys its resources to prevent the woman from finding a new partner.

Eve is dressed in a long raincoat and follows the handyman around as he makes his appointed rounds. She watches as he has humorous run-ins while cleaning toilets, taking scrap metal to the dump, cleaning windows, delivering a tree, climbing poles, and remaining a gentleman while trying to help a topless hitchhiker. But why is she watching him so carefully?

Adolf Schwartz has been killed. Who did it? No-one knows or cares, as they're too busy being distracted by busty Margo Winchester, who hitch-hikes into town and gets involved with all the local men.

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.